2,547 Royalty-Free Audio Tracks for "Reverb"

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.

A small clip of an improvised, uplifting piano song. Could probably be looped if desired. Key of c major. Played on a kimball upright piano (which is slightly out-of-tune) and recorded with a tascam dr-40x on top of the closed upright cabinet.

Used for ambience in a play for a scene that took place in the supernatural. It is a vocal sample processed and then paulstretched to be much longer. Works well as ambient backdrop. It sounds like it could be in a cave.

Can use without credit but i'd love to see where it's used so don't be shy to share your work with me!. Made by randomly mashing the high notes on my keyboard and having the reverb all the way up and the dry down. Simple but very effective. Https://soundcloud. Com/distant-cry.

A modified recording of sweet adeline by the haydn quartet making it more atmospheric and distant. Also an attempt to remove some of the really nice fuzz (sorry).

Original description: dynamic 140 drum beat with phaser fx. Entirely constructed in flstudio 11.

O2 shepherd's bush empire. Balloon burst from front of stage, recorded from front of house mixing position. . . And if you've ever been there that's not very far at all. A venue with a very long history and an ir worth having in any collection, even if you never use it. :-). .

The sounds of a plastic bird toy, that you fill with water and then blow into to give the sound of a bird singing. Sounds surpisingly realistic considering it's just a plastic toy. Recorded in a small room in the tower of a castle. Sample also has a pretty heavy reverb added to it.

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

File recorded in goldwave, buzzer portion generated by formula, don't even ask me. . . Speech synthesizer used was innoetics john. File might be useful as part of a project or in a game, or audio production. Light flanger applied to speech. Slight reverb applied to entire project.

Piece of backing vocals from my new song, dropping on soundcloud soon. Key of bm, 80 bpm. Notes are b,a, a, f#.

Monster/beast sound design/foley. Made it using my own voice and transposing it down a couple of octaves, layering it and lastly running it through a compressor, distortion plugin and a huge reverb. Hope you enjoy it and more to be uploaded soon!.

An atmosphere made just for fun. I recorded it live, with pro tools, through a beringher b1 microphone, connected to an ur22 mk2 sound card. I used a church reverb and a slight delayfeel free to use it, just add me to the credits of your project :).

Reverb heavy body blows and falls. I was sick of finding only small-sounding hits so i made these. They were made by combining and compressing / eqing other creative commons 0 freesound files, but i'm too dumb and lazy to credit them specifically. Thanks, y'all.

Recording of my voice attempting a japanese kabuki noh cry. Recorded in audacity with slight reverb and simulating ohkawa clicking sticks, created because i've noticed theres very few resources for these sounds, unusual vocal sound that may be used as you wish.

The deep, low octave sound effect popularised by eric serra for the goldeneye film score. It is available on the e-mu proteus 2 fx synth module under the patch "infinite". Alternatively, you can make a similar sound by sampling a woodblock/tambourine/cowbell and then pitching it down heavily (with added reverb).

I twisted "70195__justinbw__flag-flapping-and-birds-1. Wav" through fl studio with gross beat and reverb to create a paranormal soundscape.

Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.

Recording of a canon pro 2000 printer's "lock and load" mechanism for ink. Several takes with both complete motions and step by step. First series are recorded from about a foot away, then close up. Recorded with a simple stereo mic set. This track has reverb removed.

This sound is an extremely distorted sample of breathing suitable for use in horror soundscapes. It was created by taking the sound of breathing and feeding it through multiple filters in audacity. The filter sequence used is as follows: reverb, volume boost, static, phaser, bass boost, barry's satan maximizer, amplifier.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

This is a recording of me screaming. I made this sound by lowering the pitch of my scream, slowed it down, added reverb, made it 7 or 8 times louder, added a robotic effect, gave it a high and low pitch using kinemaster. Usfull for horror games :).

Imagine this track when a character tries to focus, meditate, or explore his new power or skills and enters into deep meditation. You can try this on your trailer type videos or cinematic short film. I composed a track with synth pads from kontakt 5 factory selection library, clocks from wavesfactory, and ozone imager, and built-in reverbs from fl studio. Then, after rendering the track, i set them all in reverse, and turn the pitch down and inserted a new tsar-1 reverb from softube.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

A scary music bit i made in garageband for a thing called victors crypt. I added a lot of room, reverb and echo to make this as eerie as possible. It's basically based on a melody with a lot of room. Then i added small background noises for extra dark pleasure. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be col, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

Some bells - first played one by one, then some clusters. The bells were part of an art installation from yougoslavian artist stipo pranyko, who was having a retrospective at tea, in santa cruz de tenerife. This was recorded in the big halls of the museum, that's why there's so much reverb. Recorded with a zomm h4 n.

An old metal gate between pastures near llangaffo, anglesey, wales. Nice sound of metal bending can be used for eerie effects, especially if slowed down substantially and combined with reverb. Recorded with tascam dr-07 mk ii. .

Door opening with a squeak sound. It makes the feeling that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Door closing with a squeak sound. It gives the sensation that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

I heard these owls outside my window this evening. I live next to a large field and it attracts birds of prey frequently. I managed to capture them conversing back and forth. Unfortunately, the neighbors dog had to chime in. But, even that sounds kind of neat with the natural reverb of the open space.

An imitation of an australian police siren using synthesizer and a big outdoor-style reverb. The siren consists of two oscillators, one of them loops at 4bars at 115bpm. The other is approx 14 times faster. They both move in same approximate freq range from approx f#5 up to g#6, about an octave.

Recorded on a pearl drumset. Only one of the tams, the bassdrum and the hi-hat is played. Recorded in a practising room located at the the former base for the american military in iceland. Recorded through a yamaha preamp. Sound altered slghty in cubase, adding reverb as well as compression to the file. Enjoy !.

I played this ironfence to a church next to my house at latenight, the wind in the background gives a nice deep dimension to it, wind works almost like a sidechain tuch. Recorded with r-09, processed in logic 8 add. Reverb. East jutland, holme, århus, denmark.

For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".

Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.

Combination of:http://www. Freesound. Org/samplesviewsingle. Php?id=104124with high-pass filterhttp://www. Freesound. Org/samplesviewsingle. Php?id=16694with high-pass filter and reverb. Didgeridoorecorded with rode nt-5 matched pairstretched with paul's extreme sound stretch (http://hypermammut. Sourceforge. Net/paulstretch/)notch filters and variable high-pass filter. .

This is a background sound usable for things like a video featuring space and the universe. The production is based in synthesizer melodies, but it's been washed out enough to make it more of a sound effect, instead of a song you can listen to.