2,591 Royalty-Free Audio Tracks for "Reverb"

A modified recording of sweet adeline by the haydn quartet making it more atmospheric and distant. Also an attempt to remove some of the really nice fuzz (sorry).

A power chord recorded with an ibanez, processed through guitar rig and some other guitar amps, and time-streched with paulstretch. Two recordings used for stereo. I also added some reverse reverb.

A remix of this sound:. Http://www. Freesound. Org/people/gmtechb/sounds/49175/. Just put some effects, if i remember correctly, hpf lfo, phaser, flanger, delay and reverb. All modulated a certain way. Please enjoy, and remix some of my sounds ; ).

An imitation of an australian police siren using synthesizer and a big outdoor-style reverb. The siren consists of two oscillators, one of them loops at 4bars at 115bpm. The other is approx 14 times faster. They both move in same approximate freq range from approx f#5 up to g#6, about an octave.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

Here's a little chord loop i made. Please, if you use it, could you give me the links to your projects in the comments down below :)? thank you in advance and i'm looking forward to see your creativity!. Enjoy!. Information:key: c minor. Tempo: 125 bpm.

Recorded in my studio on my akg c-214 microphone. This is a simple guttural scream that i used for a project i was working on. It is me screaming from about 2 feet from the microphone. There is a clean version and another that is processed with reverb to make it sound like i am in a canyon.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

File recorded in goldwave, buzzer portion generated by formula, don't even ask me. . . Speech synthesizer used was innoetics john. File might be useful as part of a project or in a game, or audio production. Light flanger applied to speech. Slight reverb applied to entire project.

Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

An ambient loop created in logic 9 using stock synthesizers testing newly constructed patches. Key: em. Bpm: 140.

A long echoing foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. This is the best of the foghorn sounds i recorded. I think it sounds surprising like a real foghorn in the distance. Nice long reverb/decay after the main sound is over.

Sheet music based on mystic and ambient tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

I used make noise function, doepfer a-147-2 cvlfo, doepfer a-148 sample and hold, doepfer a-110 vco, doepfer a-124 filter, alm tangle quartet vca and mixer, doepfer a-199 spring reverb, pittsburgh modular outs (mk. Ii) outmodule.

Vocals of baseline from thorazine shuffle from govt. Mule. Recorded into morphagene and arbhar. Crude and unforgiving as always. Rendered into reaper at 48khz 32 bit for morphagene. Erbe-verb as reverb. Enjoy!.

Note c. I recorded the ukulele on my phone, playing the note c on several strings. The recording was then reversed and treated with more reverb. At the end of the recording, after processing, we got a very cool "wind" effect. Place the file in the sampler with root note c and get an unusual cinematic pad. Enjoy).

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

Original description: some eerie, 'glowy' sound.

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Edited this clap in ableton to make it sound more like a snare: https://freesound. Org/people/rhythmpeople/sounds/165210/transposed up, trimmed, adjusted volume envelope, added reverb and eqoriginal clap is public domain and so is this sample, feel free to use for any purpose without attribution.

Single gunshots with three different guns, 9 mm, 7,5 mm and. 22 mm. All recorded at close distance with an sony pcm m-10.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

A quick multisample snare hit i did with pro tools 10. I didn't add any reverb so y'all could choose one that fits your project, but it's full and punchy. Sum to mono if you don't like the subtle panning i added. Enjoy!.

Recording of a canon pro 2000 printer's "lock and load" mechanism for ink. Several takes with both complete motions and step by step. First series are recorded from about a foot away, then close up. Recorded with a simple stereo mic set. This track has reverb removed.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Reverb send track.

Massive evolving ambient pad drone, created using surge synth and processed with reverb, saturation, compression. Feel free to use this in your projects :). Please note: there are some squeaking sounds but this is part of the preview, when you download it these sounds will be gone.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

An atmosphere made just for fun. I recorded it live, with pro tools, through a beringher b1 microphone, connected to an ur22 mk2 sound card. I used a church reverb and a slight delayfeel free to use it, just add me to the credits of your project :).

Light string sound without melody. Made with a keyboard improvisation midi, processed through virtual synth in music maker as acoustic guitar, disguised with reverb, delay, echo and fx phasing into something that sounds almost like a gypsy cimbalom.

My own personal dj drops created by me in 2015 using my pc audio software, beat background - ghoulish pad beat from program but lowered the pace to make it really ghoulish lol. Voices with echo, reverb and also mad voice deeper. Enjoy, ty. . . . .

I created this witch laughter in adobe audition using pitch correction and reverb. I hope you find it useful.

This is a recording of the underground parking garage at our local grocery store in north hollywood, california. You can hear conversations, cars, and shopping carts rattling to cars. Recorded with: matched beyer mc930, sound devices 702t.

The package contains several 909 snare samples combined with real recorded snares, processed with eq saturation and compression. There's a dry version and one where reverb was added of every shot. The sounds were originally created for a drum n bass track.

Some bells - first played one by one, then some clusters. The bells were part of an art installation from yougoslavian artist stipo pranyko, who was having a retrospective at tea, in santa cruz de tenerife. This was recorded in the big halls of the museum, that's why there's so much reverb. Recorded with a zomm h4 n.

Can use without credit but i'd love to see where it's used so don't be shy to share your work with me!. Made by randomly mashing the high notes on my keyboard and having the reverb all the way up and the dry down. Simple but very effective. Https://soundcloud. Com/distant-cry.

Based upon "beep. Wav" by bsumusictech. Background noise removed, normalized to zero, clip includes just the beep, and a light reverb applied to keep it from sounding too harsh. Perfect as a foley for a scene with someone scanning items over a scanner at the cash register. Thanks to bsumusictech for the original recording.

I played this ironfence to a church next to my house at latenight, the wind in the background gives a nice deep dimension to it, wind works almost like a sidechain tuch. Recorded with r-09, processed in logic 8 add. Reverb. East jutland, holme, århus, denmark.

Maybe someone could find a use for this. I doubt it. Rising tone from 440 to 880 hz, with extra harmonics arising over that period. Random slow panning l/r. Much faster random panning (~200 hz), but shallower. Ridiculous echo and reverb. Just what i felt like doing on a sunday morning.

A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).

Tascam dr-05x. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

I recorded my whistle with this one too. I have the ability to make reverse whistling sounds. I just killed background noises in my bedroom using my audio editing program and i added a reverb for that echo in the forest sound. This is a bird making different sounds.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Fx of a rainstick pass by in front of microphone, different versions, doppler, very good alternative to the overused whoosh sound we ear all the time and make me go crazy, can be processed, pitched, reverbed easily, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.