2,591 Royalty-Free Audio Tracks for "Reverb"

Ibanez guitar, lots of reverb and delay, using glass slide in conjunction with digitech whammy pedal,marshall amp, recorded with sm57 16 bit 44. 1 mono. Plenty of space in-between movements could be used as a whole or cut to taste. Great halloween filler!.

Recorded with my iphone in an empty classroom that was surprisingly breezy given. . . . Y'know. . . Indoors. I couldn't even begin to describe exactly what i did to that recording, but i do remember manipulating it through audition using lots of weird dynamic processors, eq's, and convolution reverbs.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

*short, synthesized evolving looping ambient teaser sequence with deep reverb on distant kickdrum. Fades in and fades out. A hint of a dreamy, chilling out atmosphere. An aural echo of days of gentle hippiedom. An accidental discovery as a result of feeding ni massive through flstudio's effector vst. An x-y controller is attached to effector with asychronous ramping of the x and y gains via two control tracks. Strangely produces phantom instrument sounds, almost like guitar and organ. Created in flstudio 11 with ni massive, flstudio effector, reverb, compression and eq. The note track is made by me for no good reason - i just thought it sounded pretty. *there is, now, a longer version on my harddrive.

A scary music bit i made in garageband for a thing called victors crypt. I added a lot of room, reverb and echo to make this as eerie as possible. It's basically based on a melody with a lot of room. Then i added small background noises for extra dark pleasure. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be col, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This is a recording of an analogue bass synthesizer, made by focusrite saffire pro 26. It's a smooth sound with an instant attack and two final wobble created with an lfo. The sound has been equalized and compressed and some reverb mixed with an aux. 140 bpm. Good fun.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Tascam dr-05x. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

This is a free sound design. Sound picture of a room with machines. A sound experiment with samples that were created previously in different ways and ways, as well as samples created for this piece. A lot of granular synthesis and filtration, equalization and convolutional reverb.

A one minute sample that can be used as an ambient backround sound. A lot of hits, noise and a some other sounds. I made this sample in fl studio 12. Was recorded with "hd webcam c310".

Several different screams that can be used for monsters/monster sound effects. I recorded these with my voice and a neumann tlm 102, and processed them heavily. There is a bit of reverb/space to give them depth.

Made some sounds for a film i worked on. Thought i should share since i use so many of the sounds from this website. =). Made with ableton and omnisphere 2.

Weird eerie sound i made by using multiple reverb and some distortion on an ascending ethereal vox, thought it sounded pretty cool so i decided to upload it. If you find some use for it i would love to hear how it comes out! ^. ^.

Original description:an ambient, echoy effect.

One minute of handwriting with a regular pencil on paper. There is little reverb in the recording. I don't know why, maybe its because i pointed the mic (gatt audio moh-7) straight to the paper and the distance was too close. Recorded: pcinterface: h4nmic: gatt audio moh-7.

San diego's gaslamp district, summer, night, night clubs pounding, thick crowds, all recorded from high above, so there's a lot of dense, natural reverb. The track has various qualities, moods, and sounds as it goes along. Stereo mics.

Revolutionary war battle re-enactment, including musket and cannon fire as well as general background of yelling, and occasional bursts of drum and fife music. Recording was made across a large field, so natural reverb and echo are very prominent.

A short deep pulse sound that can be used as an effect for a distant weapon discharge. Wide spatial image. Dolby 5. 1 ready; 6 channel wave. Created with audacity 2. 0.

I recorded the sound of myself blowing into an empty glass kombucha bottle in various ways. I then processed through ableton's simpler, added compression, reverb and eq. Mic: blue yetidaw: reaper + ableton.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

Evolving drone pad, i created this with a sequenced bellpad,that i sampled from the kawai k4r, pitched at multiple octaves some reversed some with reverb or delay, mixed with a water stream & windchimes stretched out 10x.

Heavy distortion with some ample amount of delay. The very beginning is rather moody and trippy, then it kicks in for a slow arena rock style guitar solo, then some random notes for the ending.

A bird was singing close to a chimney early in the morning. I had my recording gear ready to go. It took quit a bit of processing (= noise-removal & filtering) to get rid of rubbish. I added a slight reverb to it. The recording is made in zoetermeer, a city close to the hague.

Sounds of racing motor vehicles on the track in the forest. Recording made from balcony on killometers distance and includes some flat ambient noises, birds singing and random voices.

Moderate rain on a metal roof (some variation) with drops into puddles and rolling thunder. Water on roof recorded from the outside rather than the inside (ie no echo or reverb).

Ooh fantasy deep vocal fantasy ambient sfxsfx conversion edited: adobe + fxs + mastered.

Zaphir bells. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes: reverb, delaysample: my garden wind-chime. Layers: 1 voice. Recorded where: the netherlandsrecorded date: 2019-february.

Full siren test (with a couple of gaps) including the announcement for each siren and two separate sirens. There's a perfect delay as the sound bounces around the city creating an almost digital sounding delay effect for the announcement and reverb for the sirens.

Spt gives you a banjo that hits your subwoofer hard. Works in all daws.

Stone basement of an old abandoned school house while snow melt drips and runs through the cracks and roof dripping on the stone floor. Note: this is the right mono track to a stereo recording. If you want both find: derelict basement. R. Wav.

This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).

#old #vintage #piano #melody #mellow #deep #sequence.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

3 sounds hat shaker rim, tone c5, stereo master, limiter, eq hiphop, eq drum, eq bank 5, compressor, reverb.

Hitting what was either an old lantern or a bug zapper lost in some old woods in various ways (on my palm, knuckle, with a stick, etc) to make different percussion or niche snare noises.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

An impulse response made and edited in audacity. I was originally trying to make an outdoor ir, but it ended up sounding like a cave or tunnel. If you're interested, you may want to check out my impulse response pack for more ir's. Thank you!.

One of the squeakiest metal doors i've ever encountered. Recorded in a sparse, tiled bathroom with the zoom h6. Many different creaks and squeaks to choose from.

This sound is made using the op-x synthesis with some added reverb.

Sound made by bowing a detuned guitar tied to a clothes hanger. Recorded with two contact microphones. No effects were added, the apparent reverb tails are the waves resonating within both the guitar and the metallic clothes hanger.

My friend george playing his mandolin at our party. Check out our other media services at: echocinematics. Com.

My voice, three "moans" slowed down/pitch changed with reverb added to sound like a humpback whale. Might need to use noise reduction for the popping/clicking when you use it. I made this because icouldn't find a good clear whale song.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

Clean guitar skanks recorded with a "fender twin reverb" and a "standard fender strat" in the bridged position between bridge and middle pickups. Miked with sm58. Try our reggae guitar "skank" kontakt instrument "skankmaster". Http://www. Andydrudy. Com/stuff. Htm.

For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".

An 8-bar drum loop at a bpm of 128. The loop contains a kick drum tuned to f0, a snare drum tuned to f2, an untuned hi-hat, and an untuned ride cymbal (as well as chopped delay and reverb effects).

I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.

A drum loop i made for fun. It seemed pretty good as a basis for experimentation so i made the following track with it:. Https://soundcloud. Com/hugofski/delirium. The delay really makes it pop, i think. Feel free to use it for anything.