2,591 Royalty-Free Audio Tracks for "Reverb"

Water flowing from an above-ground stream into a sinkhole leading to an underground cave. Recording captures the gurgling of water running over rocks along with the deeper, bassy rumble of the underground chamber.

I made this using an alto recorder and then adding reverb to it. I have made it longer or shorter by just adding or taking away pieces in the middle. It was made to convey a sense of foreboding. I hope you like it. I am grateful for all the sounds i have found and used in freesound - feels good to finally be able to give back and contribute!.

Tons and tons of random effects played over the length of transposing static noises, then more reverb, plus effects. More noise, resampled,. . Etc etc. If virus' for your computer could talk. . This is what it would sound like.

This could also work as a pad if you raise the value of the attack. I'm unable to recall exactly what i used to create this sound so feel free to tell yourself it came from whatever: a bird, some sort of whistle, maybe a whale song, etc. More importantly , please enjoy! -vanszi.

This is a variation of a hyper-popular wilhelm scream. Since it's 2017 outside, using wilhelm causes everything turn to a comedy. This one sounds fuller, richer, up-to-date. Will suit any type of production (film, commercial, game). Feel free to pitch it, expand it, shorten it and throw a reverb on it. It was recorded by a russian actor sergey smirnov in 2017. Hope you find it useful!.

Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.

Uses9432__thanvannispen__male-thijs-loud-scream. Aiff by thanvannispen139087__arjanvanhoorn0181__young-girl-screaming-2. Mp3 cc026729__leady__insane-laughter-man-reverb. Wav by leady4237__noisecollector__soopastarlaugh. Wav by noisecollector25296__freesound__laughs-ses2. Wav cc0173933__johnsonbrandediting__cartoon-laugh. Mp3 cc0132106__sironboy__woman-scream. Wav by-nc sironboy235968__tommccann__explosion-01. Wav cc0102734__sarge4267__explosion4. Wav by sarge4267156031__iwiploppenisse__explosion. Mp3 by iwiploppenisse48412__luftrum__oceanwavescrushing. Wav by luftrum21324__cdrk__scream-02. Flac by cdrk144473__panikko__baby-crying. Wav by-nc panikko172738__alucardsbride__crying-woman. Wav cc0.

A useful little sound to melt two variating parts of your song together. Put this sound on the end of the first part of your song to get a fluid transition to the second part. If you like this sound, you should also check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy cheers! :).

A random sound i created for one of my animation. I really don't know what kind of sound do you call it but it is usually used when having a "dramatic" label. Well, whatever that is. Nevermind. Feel free to use it. This sound was achieved by recording myself pounding my table once and slowed it down in audacity while adding a bit reverb to it.

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

Extracted from camera recorded content, tidied up with audacity mono and noisegate. . . I also listen for problems and cherry pick to avoid weird sounds. . No rubbish dry sample. If you want to use these sorts of sounds (good for games or video), remeber adding reverb back is the trick to making the sound big again.

I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este segundo audio, el sonido es de una moneda que está arañando la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, wahwah y reverberación. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this second audio, the sound is a coin that it was scratching the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, wahwah and reverb.

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para mi caso, se ha utilizado una moneda. En este primer audio, el sonido es de una moneda que se había caído. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como reverberación, paulstrech, retraso y vocoder. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this first audio, the sound is a coin that it had fallen. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like reverb, paulstrech, delay and vocoder.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Recorded a thunderstorm using my camera, and mixed this existing sample of a thunderstorm with it. . Http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=2523. Also used a few patches from a symsynth to build the thunderclap and some of the rain effects. Added some delays, reverb, compression and eq as well as splitting several tracks and offsetting them to create a spacial soundscape.

An old metal gate between pastures near llangaffo, anglesey, wales. Nice sound of metal bending can be used for eerie effects, especially if slowed down substantially and combined with reverb. Recorded with tascam dr-07 mk ii. .

Metal thumpy toilet paper holder. I got a last minute laptop gig and had no samples with me- i needed some percussive sounds to tweak in ableton live. I headed to a public bathroom with my edirol r-09 and recorded lots of hits in the bathroom. This one was an -sounding metal toilet paper holder.

I recorded the sound of the bathroom and then textured it with a different sound. Tascam dr-05x. Sfx conversion edited: adobe + fxs + textured + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

I twisted "70195__justinbw__flag-flapping-and-birds-1. Wav" through fl studio with gross beat and reverb to create a paranormal soundscape.

Original description: dynamic 140 drum beat with phaser fx. Entirely constructed in flstudio 11.

Recorded about every sound you can get off a chinese guzheng, tuned in d pentatonic. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. No credits necessary but i'd like to hear what you use it in!.

I recorded the sound of the bathroom and then textured it with a different sound. Tascam dr-05x. Sfx conversion edited: adobe + fxs + textured + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Combination of:http://www. Freesound. Org/samplesviewsingle. Php?id=104124with high-pass filterhttp://www. Freesound. Org/samplesviewsingle. Php?id=16694with high-pass filter and reverb. Didgeridoorecorded with rode nt-5 matched pairstretched with paul's extreme sound stretch (http://hypermammut. Sourceforge. Net/paulstretch/)notch filters and variable high-pass filter. .

Stereo sound made by csound where we reproduce a sound that has been previously worked on, in which you hear a glissando that oscillates from one channel to another covered by white noise and we work on it, putting a butterbp filter to be heard more by one channel than another, a reverb and an interaural time delay. All this reflected in a score that our sound sounds 5 times in delayed time intervals.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

A rawstyle like kick i use in my recent project, made from an 808. Feel free to use it in anyway you want. I would appreciate a note where you use it but its not required. Enjoy! :). Optimized for 155 bpm. Just boost the frequenzy around 1-2 khz and a add bit reverb ;). Listen to the track: https://soundcloud. Com/arc_tis/rawmare-wip2.

Recorded with an iphone 4 with tascam stereo condenser mike, waiting for my train to paris at the liège guillemins train station. We hear the size of the space at first then a passenger announcement and eventually trains letting off compressed air, trains arriving and departing and more announcements. Finally, some passengers passing by can be heard speaking.

Korg monotribe processed by a doepfer a-100. (bbd and a-199 spring reverb)the clock source is semi-randomized by an lfo and korg sq-1. Recorded with a zoom h-5 and transcoded with ocenaudio.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

The original description of the audio by piermic provided from the source: I have performed this improvisation with my plastic "Sopranino" recorder in my house in Rome, Italy, 5 October 2015. I recorded with a Tascam DR-05 and I added a bit reverb with Logic Pro X.

To me the final effect sounded like a haunted space ship. I began with a 10 second sample of ordinary speech then lowered the pitch, stretched the wave pattern, added echo and reverb. Then i copied portions of the wave pattern to a new track and mixed the two into a mono track. Did this several times while also using noise reduction and normalization.

Sorry for the lack of uploads. (you probably don't care, but i'm just sayin'. ) i'll try to be more active on this site from now on. But anyways, here's a realistic gun shot sound i made. I made it by recording a huge firework explosion, speeding it up, adding a little bit of modified reverb, and some amplifying. I made this in audacity.

Basic drum loop. Original description:. A basic 120bpm housey loop with some subtle effects in the background. Made in fl studio.

Recorded in a tunnel with custom made musical pipes and distorted xylophone type instrument. Natural reverb. Heavily post processed to remove any background noise / artifacts. Creative commons 0. I am always interested to know what you guys use my sounds for so please post in the comments.

Noticed there was only one voice line for headshot on this site so i made one myself. Just a low and to the point voice saying "head shot". May make other versions later or on request. No credit needed to use but you could credit me as ax entity or my youtube: https://www. Youtube. Com/channel/ucod3x4qw8rlob_xxqhhzpxa. Have a good day!.

This was recorded in a university building in melbourne in 2018. It was after hours, in the evening, so the building was mostly empty. I was in a hallway that had lots of hard surfaces including linoleum floors. I could hear a baby crying in a room that was several metres away. This recording is mostly reverb and its very atmospheric. I just recorded it with my smartphone, but it was such a great sound that i had to get it!.

Moog grandmother, plucky sequence in am, 90bpm. You could make loops out of it, as the whole sequence was digitally clocked. Some interesting play with noise, filter, pulse width and the internal spring reverb of the synthesizer. Recorded through an ssl superanalogue preamplifier at line level, uad-2 apollo 8 adc. No eq, no compression. Mono file, 24 bit 48 khz.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

Recorded inside a closet. Low noise, not much reverb. Sounds almost machine-like with a satisfying thump. Recorded on a phone. I messed around with it to get it to sound nice. In case you do something that mixes the channels: on the opening part i copied a 5khz to 8. 5khz band from the left to the right channel, so that frequency band is mono.

I forgot how i made this one. All i know is i used paulstretch and reverb. I love making horror sounds, ya know? but yea, again the title says it all. I've been uploading to freesound all day, so i'm out of description-writing fuel.

A simple sine-generator piped through a slew of wacky effects automated with randomized lfos. I added some cabinet emulation to give it a 'living room' feel but left it dry enough to add additional stereo/reverb processing. P. S. It loops cleanly. Software: bitwig studio.

Believe it or not, this is a recording of a hospital reception bathroom. Recorded in mono on a samsung galaxy s10+ so the quality isn't the best, but i did some eq, some processing to make it sound more stereo, and some metallic convolution reverb, but other than that this is basically the sound as i heard it.

From the depths of the industrial zone on zarkon. This loop is a combination of various 'found sounds' one is a focke wulf 190 bmw engine sound dropped in pitch, a squeak from a universal joint on a suspension system and a loop of an industrial guillotine. Chopped looped tracked assembled and reverbed in roxio sound editor.

An experimental sound i did while messing with audacity. Just like i did in that end sound, i just used my table to do the sound, but instead of pounding, i tapped it (man, my table is kinda useful for sfx. Xd). And after that, i added the vocoder, some reverb, and the echo effect then viola! this effect was born!.

Buzzing drone made with indie guitar played through ehx super ego, poly phase & chorus, filtered with ehx flanger hoax, recorded on ehx 2880.

After many months- and a trip to san clemente, ca and back- my qu-bit nebulae v1 is working! this is a snippet from qu-bit’s own double bass sample, run through a mimeophon and qu-bit’s own fdn reverb, with lashings of modulation wherever possible. My wonder at the sheer madness of the sonic experience here is only matched by my joy at having a working granular processor at last.