2,591 Royalty-Free Audio Tracks for "Reverb"

Sampled sound recorders alto yamaha yra-302biii (production in japan) processed reverb program wavelab 6. Sample recorded using a condenser microphone, oktava mk-220 and sound card m-audio 18/14 firewire.

A rendition of this sound:. Http://www. Freesound. Org/people/kollege/sounds/8153/. Just ran it through abelton live. 1. Autopan/gate 2. Erosion 3. Eq eight 4. Ping pong 5. Reverb 6. Compressor (all automated). Please enjoy.

A simple chromatic sfx i made for a title screen. Can be used for power-ups, jumps or other ideas. Normally would strictly be an 8 bit sound, but with the reverb it can pass for something from the snes era. This is part one of two. The next file is the same thing with a higher pitch.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

Testing an old roland synthesizer from the seventies, system 100 model 101. With some added reverb and delay effects. High resolution 32 bits, 44,1 khz wav file. Some pots are a little scratchy sometimes, but…it’s an old lady!use it entirely or in parts. Please let me know. Thanx.

Police ordering crowd to disperse using bullhorn. Heavy reverb. Reading the riot act based on a transcript of actual riot act reading at in canada. I know, hard to believe but it happens sometimes. This would be played on a loop prior to and during police dispersal of a crowd this is a re-creation.

Extracted from camera recorded content, tidied up with audacity mono and noisegate. . . I also listen for problems and cherry pick to avoid weird sounds. . No rubbish dry sample. If you want to use these sorts of sounds (good for games or video), remeber adding reverb back is the trick to making the sound big again.

This is a sample of a classic (diy) dubsiren build by me. Its a squarewave synth modulated with a squarewave lfo. The sample is dry. Add delay and some chorus, reverb, (resonant) (auto) filter or so to get the typical dubby soundsystem style.

This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.

I build it in fl studio (32bits) with the soundfonts plugin (the soundfont used was "sgm")overdubs were done with a "strings" sample and the rest was just the pure instrument with eq and reverb. (it also includes a subtle piano and choir).

il est plus difficile de changer ce qui se trouve a l'exterieur que ce qui se trouve a l'interieur( it is more difficult to change what is outside rather than that is inside )recorded by me with shure sm58 microphone on behringer x32, reverb + flange effect.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

Manipulated sounds, mainly dogs barking, recorded into a korg kaoss pad3 from a hp computer. The recordings on each pad edited to fit a time frame. Played on four pads on the korg pad and recorded back into the hp computer into cubase. Then manipulated further using standard eq and a tint of reverb. Location: reykjanesbær, iceland.

This single crane bird (grus grus)calls for a partner. Its recorded in the middle of the summer in the middle of sweden. The bird stood aprox. 20 meters from the microphone on a fieldclose to a forest. Thats why it sounds like added reverb (echo). Use however you like. Free to use.

Something i accidentally got while messing around with voxal voice changer by nch software. It was a background noise of my mom closing a door, and i decided to put it in reverse and i couldn't help but notice that it sounded like a low "whoosh" transition. So i opened it in wavepad and added echo + reverb and voila.

Last night, a strong rainstorm blew in. The wind chimes on my porch were so beautiful, i couldn't help but take a few recordings. Added reverb for a more dreamlike feel, faded the edges in and out for smoothness. Any feedback or suggestions are appreciated always! hope you like it.

An explosion, blowing very close a "vocal mic: sennheiser md 431", wavelab octavic harmonics, multiband eq to cut all except low-mids, clean comp-wavelab, reverb, reshaping envelope via wavelab button "v".

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

From a distance - sounds of a civil war reenactment. Ca. 1991 near portland or. Gunfire some canons and (rebel) yelling. This part gets cut off - sorry, this was back in the days of dat. Then more individual canon and gunfire with lots of natural reverb. Actually some of this is good for convolution if that's your thing. . . .

This was an earlier recording of my beloved baby sister susanna (rip) as she dedicated to help me a while back using her beautiful voice to make my intros as well help other dj's to be inspired to use her voice. In remembrance of my beloved sister, ty. ( spanish version with echo, reverb, and repeater style ).

My photo of mossy trees converted into a wav file. Fun with bitmaps & waves! sweet little program that converts bitmap photos into sound! added some reverb and stereo effects in ableton. To see this photo go to http://i65. Photobucket. Com/albums/h213/keweldog60/mossytrees_zpsd724a552. Png.

Door opening with a squeak sound. It makes the feeling that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

808 drum sounds played through an orange amplifiers "micro crush" miniamp recorded for stereo ambiance in the original batcave. These work well as drum layers under more conventional sounds, and in other creative ways. Recording assisted by steve and mikro.

White noise fades in to climax with slight reverb at end. Atmospheric - an unsettling transition or sudden ending. Generated with audacity on a mac - 16-bit wav. I made this from scratch very quickly (after hours of searching for just the right sound!).

Soundscape in the cacique hall, a huge chamber in the spanish karstic system ojo guareña. This was recorded in total darkness. Many drippings can be heard here and there in a nice stereo. Is it an oppressive atmosphere or a relaxing background?. Recorded with sony pcm-d50.

Changing the pitch, warping the sample, stretching it, complexing it. Setting the shaper to receive only audio, creating a popping effects, great for sound design if you wanna process it more, cut it down. Or even use it as a percussion in a loop. . Up to you.

Recording of serveral people whispering, open panned and with reverb added. Performed and recorded by the students of the sound design workshop, from the video games and animation career, playa hermosa, maldonado, uruguay. Gear:. Focusrite 2i2 3rd gensennheiser mkh50.

Dense, big kick. Original description:. A basic dense kick, maybe useful in house or some minimal genre.

Door closing with a squeak sound. It gives the sensation that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

Piece based on the lucas numbers. I have used the frequencies 123, 199, 322, 521, 843, 1364hz. I made a small python program that played these tones randomly. I run my program 3 times and recorded. Joined, panned and added reverb. Https://en. Wikipedia. Org/wiki/lucas_number.

Electrical hum created by my guitar lead resting on the table top while connected to a line 6 box going into my laptop. The line 6 software was also giving it lots of 'cavernous hall' reverb. Quite stereo too. It is a g as far as i can tell but slightly sharp so try shifting the pitch to get it in tune with other instruments.

This is a recording of two men hauling our dumpster to the truck and emptying it. I stood stationary while they did their work. I've recorded them before, while walking with the dumpster. You can find that sound here too, if you want it. Recorded with: sanken cs-1e, sound devices 702t.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

The main sound is the sound of someone playing a thumb-piano. There's also a gong, and two clock chimes. All of these i added reverb to and sloooowed dooooown about -81 percent. I think it sounds like the interior of a giant clock, but call it what you will. This sound is free, anyway. Made with audacity.

Generated from harmless, using protoverb and w1 limiter and eqing. Reminds me of silent hill.

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

Recording of knocking on three kinds of glass for effect of tapping on window (recorded as foley for characters tapping on viewer's screen from the inside). First is damped thick glass, second is undamped thick glass, third is double-glazed window pane. Knocks separated to allow reverb and dynamics to damp down between them, background noise lightly cleaned.

Samsara ekd was used for the kick, sent through eq and a couple of distortion plugins. Black noh snare was used for the snare, with a resonator and reverb placed on top of it, as well as eq and compression. Hcx was used for the hihats, with one eq plugin placed on it. The master channel got brickwalled (or bricked) using compressivecm vst.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

& fun it was,i put a little delay, a little reverb a little compressora little ring modulator & a little limiter & made a loop out of it. Expect some violins soon. 17 dec 2020a+josé ( de la vega ).

130cm wide 600l metal bassin hit by a small wooden log. Hit from multiple angles and mic placed in front on the open hollow end. Recorded on a zoom h5 stock mic capsule. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations :.

Extracted from camera recorded content, tidied up with audacity mono and noisegate. . . I also listen for problems and cherry pick to avoid weird sounds. . No rubbish dry sample. If you want to use these sorts of sounds (good for games or video), remeber adding reverb back is the trick to making the sound big again.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

This could also work as a pad if you raise the value of the attack. I'm unable to recall exactly what i used to create this sound so feel free to tell yourself it came from whatever: a bird, some sort of whistle, maybe a whale song, etc. More importantly , please enjoy! -vanszi.

Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.