2,591 Royalty-Free Audio Tracks for "Reverb"

After many months- and a trip to san clemente, ca and back- my qu-bit nebulae v1 is working! this is a snippet from qu-bit’s own double bass sample, run through a mimeophon and qu-bit’s own fdn reverb, with lashings of modulation wherever possible. My wonder at the sheer madness of the sonic experience here is only matched by my joy at having a working granular processor at last.

The sound of a ninja going, “hi-yaa!” along with various other sounds among them. Performed by me while in the bathroom. Short reverb effect, as if it was in a small or medium room. Audio cut up and normalized.

Believe it or not, this is a recording of a hospital reception bathroom. Recorded in mono on a samsung galaxy s10+ so the quality isn't the best, but i did some eq, some processing to make it sound more stereo, and some metallic convolution reverb, but other than that this is basically the sound as i heard it.

Ran my original sample thru rc20, tweaked some knobs, added eq for the lofi touch. I believe i used my personal rc20 preset to give it the crunch. I followed up with this resample using my lotus echo pad.

It was made with extraordinary plugins erhu guzheng yangquin and a sense of extraordinary expression, valley reverb, and glides. Authentic expression of chinese traditional instruments is hard to imitate so this scene is very short, but useful. As always, my sounds are free, but i'd like to hear your artworks when using a sound, or part of a sound. Also, it is a pleasure to me, if you're referencing this source in your credits.

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

The death of a villain. Girl screaming "nooooooooooo" with reverb added and layered with a pitch bent version. Used for when mrs. Gorf turned herself into an apple for a production of sideways stories from wayside school. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

This sound was created from an image of 16 bits / channel grayscale. You can see the image on the following link https://goo. Gl/j5cuhp. The image has been exported to raw format and then was imported into audacity where i applied effects and plugins. The effects and plugins that i use for these sounds called "image sonification" are: eq, paulstretch, reverb among others.

Some venetian snares inspired breaks, apparently he uses med soundstudio, which is a sweet freeware program. Hard to figure out but coolin the same. Emily was born from some massive processing. Smokey joeand replicant a compressor, some darkware, and a touch tiny touch of reverb, and more stuff. . Ran through a mathamatical midi program. . . . 3. 14 (pi).

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

First attempt at recording with audacity and my new keyboard. All sounds are bone-stock from the mx49. I've only added a little reverb in one 15-second section of the piece. I didn't intend to do anything in particular, just checking out sounds on the keys and getting familiar with audacity. I think of it as a 21st century version of the beatles "revolution 9". If you haven't listened to that, you need to.

Small waterfall in alexandria park (bila tserkva, ukraine)field recorded with olympus vn-732pc recorder (on built-in mic)recording was done from few points (2,5 meters from waterfall on groundfloor level, 3 meters on 1 meter from ground, 4 meters on 1 meter from the ground). Mixed with some reverb and little echo in reaper.

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

Grudge movie croak sound interpretation. The sound was created using my own voice drawing in air while croaking. It was recorded using mixcraft 6 and a samson q1u microphone. The only effects used were a delay set to long repeat, a touch of reverb while mixing and some compression while recording. But the sound is my voice, in fact all the sounds i upload here are self made. :o).

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

Just a few hand claps i layered, compressed, and added a touch of reverb. I use this sample in my own songs all the time. Just a nice layer to put under the backbeat, not a crazy, huge clap to use on its own. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

i'm hiding. Can you find me? says this ghost. Good for use in horror movies, cartoons, and thrillers. Please tell me where it's being used, if you want. (because i'm curious to see how this sound effect is being used. ). I used a vocoder to make my voice whisperey. Then i put reverb on it. If you'd like, i'll post the original unvocoded sample.

I was showing my 1 year old my recording studio. He was laughing and talking so i recorded him to play it back. His reaction was as wonderful as i could have hoped. This was recorded in my home studio, on a cad e100s microphone. Recorded in audacity, i copied the clip, lowered the pitch, stretched, added reverb, and reversed the audio. I also normalized to -3db.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

Springtime thunderstorm recorded using a shotgun mic pointing out of a window. Mono recording but with a bit of stereo artificial reverb added. This longer recording features some distant sounds heard within a housing estate - distant chatter, cars, children. Recorded during the covid-19 lockdown.

Short recording in the cathedral of le mans (france), where people raise their voices, children look for their parents, and i walk around. Rec with zoom h4n. Court enregistrement dans la cathédrale du mans, ou des gens poussent leurs voix, des enfants cherchent leurs parents, et je me promène. Enregistré avec un zoom h4n.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

This is a remix the piano sounds available @. Https://freesound. Org/people/josefpres/sounds/574711/. Added a bit of equalizer, reverb and some light background evp static from a field-recording. Original sound credits;https://freesound. Org/people/josefpres/sounds/574711/.

Some bells - first played one by one, then some clusters (i think, if you are looking for the clusters, i have another soudn called more bells, and they are probably there). The bells were part of an art installation from yougoslavian artist stipo pranyko, who was having a retrospective at tea, in santa cruz de tenerife. This was recorded in the big halls of the museum, that's why there's so much reverb. Recorded with a zomm h4 n.

I am sitting in the lobby of national theater for music in minsk, belarus. During preparations for our show i take a rest. Sombody is practicing the piano and some women are preparing a buffet a floor underneath. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

This is a simple loop of me playing some nice triplet delay textures on guitar. This is a stereo file with 2 guitars panned on the right and left, playing the same pattern in different octaves, offering a nice atmosphere. This was recorded with a hagstrom f200p (awesome p90 style pickups) on a voxac15, using a boss dd7 for the delay and a beheringer reverb unit (yeah, i love the lo-fi sound of that cheap box!).

Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.

Format: wav - 24 bit, 48khzdescription:a generative music piece with changing key signatures. Features a subtractive synth type sound with added reverb. Made with january. Cc - the interactive flash app by disasterpiece. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

Sophie merrit's recording in a suppermarket for the yarmonics sound library. Supermarket in great yarmouth recording put through a dub delay. Part of the yarmonics sound library. Sounds of great yarmouth recorded as part of the yarmonics sonic arts festival sept 2018 by various contributors. Festival organised by the norfolk and norwich sonic arts collective and originalprojects. Www. Yarmonics. Com.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Free sounds. . . Use it with much reverb. . Echo. . . Chourus and so far. . . Cut and paste to the right place. I have done it just for expriments and for free. Please let me know if you done something with that. So i help you with your track and you help me to work with my voice always and again. Thank you!.

I made this by playing a piccolino recorder and then adding reverb to it. There was a loop ready-made in garage-band that i used as a model but then changed it because i didn't want it to loop. I added flourishes so that it ends. This is the intro for an audio book i am recording but since i created the sound, i can share it. I would be happy if anyone else wanted to use it. No need to give credit etc.

Distant explosion. Made with mouth sound and some effects, like reverb, compressor and distortion. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Ghostly hiss using my voice edited with reverbs and echoes. Typical sound effect for horror soundscapes in movies, haunted houses, escape rooms. . . This sound has been used for the first time in the escape room "la cabaña" ("the cabin") of escapop. You are free to use it however you want, but if you tell me or show me what you do with it, you will make me very happy.

A roar for a kaiju style creature. Lions, tigers, bears and a hint of whale song. Most of the sounds (a couple of bass instruments, several animal roars) come from garageband, along with some recordings of a human made on a zoom h1. All mixed together in final cut pro x with some pitch and reverb effects thrown on top for good measure. For attribution, please credit www. Laughingwiththestorm. Net.

Hoping this one doesn't have the squeak sounds like with the wav file. My first attempt at ambient guitar. Recorded with my epiphone sg through the walrus slo pedal on 'rise'setting, into the focusrite 2i2 interface and then into reaper. The bass is a squier mini-bass through a behringer bxl1800 amp into the interface and into reaper. I used reverb, eq, compression and pan surround on both instruments. Comments welcome and let me know what you use it for. :-).

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound. I recorded for 1,5h. The synth gave me some strange slow crescendo. Don't really know why. This is the last 30 min. Space drone sci-fi sound.

I forgot i was recording! in one and a half hour. . . This is from that recording. It's an vcv-rack patch generating suspense music or call it anticipation music. Is there a good word for it. Maybe you interpret the sound in a different way? some sort of back ground noise anyway. . . ?the sound is time stretched, eqed, compressed and i added a little reverb.

Took three instances of https://freesound. Org/people/mjl1551/sounds/620029/ and processed (see imgur): filter, reverb, compression/expansion. I pogo'ed the samples as well. Fx: https://imgur. Com/gallery/4mpem1q. Flp: https://www. Dropbox. Com/s/y8yuf6fqxoo780u/bass. Flp?dl=0.

Impulse response generated from field recordings of a parking garage. Recorded using an audio technica bp4029 m/s shotgun microphone into a zoom h4n recorder. This recording is part of a pack of impulse responses comparing different recording and post-processing techniques. A full explanation of the experiment and recording process is presented in this video: https://youtu. Be/nm65zx3u7me. Sweep recordings were deconvolved using voxengo deconvolver.

This sound was very simple to make. I just took the sound of an opera singer singing a scale and added reverb to it. Nothing more, nothing less. The sound does not have to bee used for just ghosts, but pretty much anything. Like an opera singing in the shower. By the way, this sound was used in a song that i made. You can get my music at http://ezrafike. Bandcamp. Com/. Made with audacity and an opera singer.

Hit on a piano recorded from inside the piano with the reverberation, and slowed down (1/2). Sound recorded by 2 omnidirectional sanken cos11d with a hf lectrosonics receiver/transmitter. Sound devices 788t recorderstereo left-rightrecorded in october 2012. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Download and loop. Boom break at 128 bpm 44khz 16bit wav produced in fruity loops using freesound samples and on board generators with customized effects. Freesounds used:. 131770 - bertroff - sub kick169788 - bliss - snaps173164 - bliss - kicks173163 - bliss - snares. All ran through effect chamber, amplitube classic 80's reverb.

This was a special dj drop sample that my beloved sister susanna (rip) dedicated herself in helping me to create my dj intros a long time ago and decided to share to those who appreciates the world of music. Please like, comment and appreciate this jingle/ dj drop sample, enjoy. . . . (english language with echo, reverb and repeater to make my beloved sisters voice sound great for professional use. ).

44k breakbeat 1bar 140bpm - technically stereo, but each channel is the same. Made of these:566905__jack-master__think-beat-126-bpm-loop-hiphop+245109__insidebeat__hip-hop-4-mpc-sp. Added some reverb and adjusted eq while it was at 50% sampling rate. It's cc-zero so it's free to use however you want. No attribution necessary, but would be appreciated ;)if you want, link what you use it in as a comment. Thanks for listening :).

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

An artificial recording of an industrial breaker switch. This is a sound iv'e been in search of for a long time. So i decided to generate the sound myself and make it public to those who also need its use. Check out our other media services at: echocinematics. Com.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.