2,613 Royalty-Free Audio Tracks for "Wave"

This is version 2 of an atmos recording of a busy beach during the summer. In this version i have my back to the sea so it picks up more of the goings on on the beach itself. Recorded on a tascam dr-40 using internal stereo mic. See version 1 for atmos recording where i am facing the sea.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

The sound of southampton water at around 5am on a bank holiday monday (national holiday). The microphone was placed right at the shoreline where the water meets the land. There are distant boats/ships, the oil refinery and a few sea birds. There was no wind at all when i first turned up, so i could use the microphone without any wind protection at all. Mixpre3, rode svmx, 17hz hp.

Two flat barges, relatively big, are docked side-by-side (at berth) and rubbing against one another due to choppy conditions. Raw audio edited to remove moments of intense, booming wind noise. Recorded on january 22, 2021 at the staten island ferry terminal & vessel depot in st. George, staten island, new york city, new york, usa on a zoom h4npro recorder with on-board x-y microphone, aimed downward at the barges from an elevated position.

Relaxing soothing sound of a gentle stream. Flowing water natural sounds. Enhance your well-being and feel more comfortable with relaxing sounds of nature. Running water river stream. Nature sounds have a positive effect on the mind and body. Bring nature inside - or anywhere you go. Experience the benefits of nature sounds, all day or overnight. Promotes rest, peace of mind, and good overall health. -- subscribe to receive the latest newly released content --.

The feeding of two hungry cats. Early sounds include tinkling of crunchy food falling into a near bowl and a more distant one, and the munching sounds of a purring cat. Then the snap of the top of the feeding container, and closure of a cabinet door. Two cats (bowmore and munro) the former near and the latter further away then transition to eating wet food. Recorded with the zoom h4 xy microphone pair in 24bit 48k wave, then converted to flac in audacity with a bit of amplification.

Great horned owl duet at canaveral seashorerecorded during the night in the woods close to leeper house. Ms setup schoeps ccm41+ccm8in a cinela pianissimo suspension/windscreenon a sound devices mixpre6original recording in wave 96khz 24bitdone during a residency at aca soundscape fieldstation at canaveral national seashore in december 2021same sound on soundcloud https://soundcloud. Com/felixblume/greathornedowl. Gps: 28. 9035710, -80. 8172030sound ref : fl-211203-013.

A sound effect for "powering up" in a retro game. Derived frommy "square wave build up" sound. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

A horse harnessed with metalic chains is walking in a silent forest. The rattling of chains is getting closer, then we follow the horse and we can ear the lood steps on the forest soil of fallen leaves. Then the horse is going away and the rattling of chains desappears slowly in a silent forest of windy pines. France, january 2023. Recorded with a pair of clippy em172 in ab steuprecorded on zoom f3originaly recored in 32bits float, converted in 24bits, 48khz, wave stereo.

A large group of atlantic spotted dolphins (stenella frontalis) recorded during a whale-watching boat trip off the harbour of valle gran rey on the island of la gomera, canary islands, spain, 2017-03-11. The first part was recorded with a zoom2 recorder from the boat, you can hear the dolpins breathing. Then the recording was switched to an underwater hydrophone so you can hear the sounds the animals make.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

Recording #1 of my own shirt flapped, snapped, whipped, waved etc. If you pitch-shift this down (or slow it down) it can sound (imo) indistinguishable from, say, a large flag or large sail being pulled and snapped in the wind. This had recording noise removed, and silences auto-trimmed, with auto-regions from that trimming generated and saved in the file (handy for selecting a sound region easily or exporting regions as a lot of separate sounds). I request but do not demand attribution to me for use of this sound.

I don't know what combination of (free (as in beer)) vsts, ni komplete audio 2 interface, and behringer pro~1 synth produced this but i thought it was very soothing and definitely worth sampling!. The bass note at the beginning is f# if you want to use that as well ;). Was going to wait to upload a samplepack after i finish these 3 albums/compilations but this is just too good to sit on. Note to would-be producers: this is what mindset you get into after burning the candle at both ends buyer beware :upside_down_face:.

Down the slopes with famillies in a french ski ressort. Children are playing and laughing, adultes are talking, sledges are sliding on the snow. Some rare understable french words. Light faraway musical ambiance from a cafe. La clusaz, france, 2021 during covid-time (no ski lift). Recorded with a pair of clippy em172 in ab set up (40cm)recorded on sounddevice mixpre6stereo wave, 24 bits, 48khz. Part of the sound work "dur la neiz":https://soundcloud. Com/user-876924050/dur-la-neige.

Bells from the church at 12:00 on sunday, recorded from the street. Light wind sometimes. Church kostel sc. Vojtecha, prague 1recorded by an ortf setup schoeps ccm4 x 2 on a cinela suspension + windscreensound devices mixpre6 recorderoriginal recording in wave 96khz 24bitgps: 50. 078476 / 14. 415440sound ref: cz-190303-002. Same sound of soundcloudhttps://soundcloud. Com/felixblume/church-bells-praguerecorded during a residency at agosto foundation in march 2019.

This is a section of the pack with 50 bass drum varieties. Most of them are just minor changes and they resemble extremely "similar" sounds however they're based on different wave forms which are mixed together to form varieties. Other parameters were mashed, some may have distortions some may not. All the sounds you hear are synthesized. Generally these sounds are for dance music, some of them are well suited for more experimental music as well. But it should not be limited to just techno or trance. . . .

Fith attempt of uploading this 20 min beach sequence. Tried to upload this in wav (approx 650mb, 24/96) but somehow. . . Recorded with tascam dr-05 plus diy deadcat (and the kitten works as you can hear. . . ). So here we go as an mp3 (neil young would say we´ve only get five percent). If you want this as an uncompressed wav-file send me a note. You can hear me walking back to my car in the last minute. . . Enjoy and relax for twenty minutes, comments appreciated!.

The morning after christmas 2022 on hood canal. There was a king tide that came up over the stone wall. A king tide occurs when the sun, moon, and earth are in alignment and the combined gravitational pull causes water levels to rise dramatically. I took this recording right next to the pilings where the dock is connected. You can hear the water hitting the metal and wood as it knocks it around. The water eventually washed over the road.

This is version 1 of an atmos recording of a busy beach during the summer. In this version i am facing the sea so it picks up more of the surf sounds and people playing in the sea itself. Recorded on a tascam dr-40 using internal stereo mic. See version 2 for atmos recording where i have my back to the sea and pick up more of the beach itself.

4-channel hq record of a sudden and heavy thunderstrike (nearly) without rain in the afternoon of a hot summerday. The recording equipment was prepared for recording thunder, so there is no distortion, no compression or (auto)gain reduction done by a limiter in the zoom f8, means the whole dynamic is still there and will be audible by a adequate monitor/audio equipment. ;-)the sound was not edited or otherwise enhanced with effects. This file can be used as a intro followed by my other track (link below), which has soft rain at the beginning, before the thunder comes. . . ;-https://freesound. Org/people/bluedelta/sounds/367222/. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° (4x90°) record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-). . . And you can help others to find this sound easier by (star)rating this track.

This recording was made on a warm, clear day in early june right on the sandy bank of the mississippi river -- between illinois and missouri. You hear the low, strong surge of the diesel engines as a barge slowly passes through and, what i find most enjoyable, you hear the gentle lapping of the river as the waves reach the sandy shore. You also hear various birds, including the common red-winged blackbird. Even though this recording was made around 3pm in the afternoon, you also hear a low chorus of insects adding to the relaxing summer-like ambience. A very peaceful, yet strong soundscape of a majestic natural wonder that’s been here for millennia. Recording made with the zoom h4n, using the built-in internal mics.

Rain in the evening in a calm suburb area. Taken from a window. Drops fall on a concrete and window-sill too. Window is on a ground floor. Taken by a special app recording to wav 44khz 16 bit mono wav file on a samsung s8500 wave with a special app that can record to looseless. The phone was put directly to the window pointing the mic outside the window. This is my first try to share some sound, hope you like it. I have 2 more and better rain sounds to come. There is no other sound than the rain itself. The files hasent been post-processed.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Mexico city - street seller screaming to sell their merchandise till the whistling announcing the police, in mexico city historical center (close to zocalo. "correo mayor" street). Sound recorded by a zoom h4n with its internal xy microphonestereo left-rightrecorded in 2010same sound on soundcloud: https://soundcloud. Com/felixblume/mexico-vendeurs-ambulants. Download 100 sounds from mexico city in wave 48k 24b on bandcamp https://felixblume. Bandcamp. Com/album/disco-pirata-ciudad-de-m-xico.

Wide-angle soundscape of trovill beach on the swedish island of sandhamn on the eastern outskirts of the stockholm archipelago. It is a partly cloudy, windy day and a fair amount of people are at the beach, few are bathing. Some boats and ships pass by in the mid distance. The recorder is situated in a small wood some 40m or so from the shore, facing the beach and capturing a wide angle. Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.

A sound derived from my "square wave build up" sfx. Edited to sound like traveling through time. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

A sound derived from my "square wave build up" sfx. Edited to sound like traveling through time. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

A man is turning buckwheat pancakes on 9 billigs (special pan for galettes). First putting butter on billigs, then spreading and turning the liquid on the billigs, then returning the pancakes with a metalic tool. Then start again all the process two other times. First billig is next to us, billig number nine is 4 meters from us. We can ear his steps, a bird by the window, a car is also crossing the sound field. France, nov2022. Recorded with a schoeps cmc6 mk41 and a schoeps ab ortf, reducted to stereorecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

Some snow is smelting in the street close to the port of turku, drops of water are falling inside the manhole. Very close recording with the mic as close as possible. Recorded with an ortf setup schoeps ccm4 x 2 on a cinela suspensionrecorder mixpre6 by sound devicesoriginal recording in wave 96khz 24bitrecorded on 7th of april 2019 in turku, finland. During a residency at titanik gallery. Gps: 60. 435320,22. 237472sound ref: fi-190407-007. Wav.

The following soundscape is the result of a capture sequence shot where the microphone is held in a fixed point choosing not to use motion or panning. There have not been used post-production tools used and the chronological development of events is preserved as it was developed during the 11:00:00 and 11:03:30 in the plaza santísima faz located behind the town hall of the city of alicante a tuesday in july 2015. Recorded by a zoom h5 recorderrecorded in 48khz 24bit wave. It would be nice if you share the results of what you’ve done with it. Keeping it aural!.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

A technical problem i had with my technics stereo cassette desk rs-5 where playback would deliver this fading squarewave at maximum volume. Apparently, it could have been an issue with the tape header wearing out. Thought i might as well upload it here, as i'm not sure anyone will be able to create this sound again. Note, this sound was de-amplifiied by 10 db in audacity 3. 1. 3. Simply put, the raw file was incredibly loud. If you're curious enough, you can increase it back up to its original volume, though i wouldn't advise it.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

Soundtrack guitar theme. Suitable for intro. I imagine this guitar theme as an intro for a film about skaters, surfers. A scene with the rising sun in an urban city. Of course, you can imagine and use it for a scene that suits you. I can extend this theme as needed. Contact me for that. If you use this sample you >>>must<<< write my name (mareproduction) as a author of this sample and link to this page. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

Im sorry i haven’t been uploading lately… i really can’t give a reason as to why i haven’t been uploading any of the teaser kicks lately, nor have i given any download links for the actual xkicks volumes 1 or 2…. Ive actually finished xkicks volumes 1 - 6, each containing at least 250 unique distorted, hardstyle, gabber, obscure, noisy, nasty kicks, and i’m about to finish xkicks 7 real soon here. Ill be putting up the download links for xkicks 1 - 6 on my profile page on free sound:. Http://www. Freesound. Org/people/electroshocknetwork/. Here are various teasers from xkicks 1 - 6. Do you enjoy hearing incredible hard dance kicks? introducing the latest instalment of the xkicks series! xkicks edition 2 brings you 250 new, unique hard dance kicks that will keep you wanting more. Tweak them out with eqs, add effects to them, trim them to your liking, share your tweaked xkicks sounds. Only through the electroshocknetwork can you get sounds like this for free. Xkicks is back with an all-new package featuring 250 brand new, unique hard dance kicks. Xkicks edition 3 features kicks suitable for gabber, hardstyle, jumpstyle and any other harsh, raw sound. Add eq, trim them, add effects, change their pitch. Nothing is impossible to make now that xkicks has arrived. Native instruments meets electroshocknetwork in the latest instalment of the xkicks series! using the incredible “battery” to unleash the full potential of xkicks, electroshocknetwork has never made better raw, xtreme kicks. Featuring 250 unique hard dance kicks, xkicks edition 3 will leave you mesmerized and the crowd cheering as wave upon wave of awesomeness crashes over you.

From 1:00-2:00in the sky a long way behind me and to the left, but somewhat far in the air, a group of birds are fighting above a large group of trees that are shaped like a ball of veins. Most of the birds are crows, or just black birds; each noise they make is a series of “caws” no different from each other in pitch, tone, or frequency. There's also the sound of 3 small birds directly to my right around 5 meters away from me, making loud but shrill chirping sounds. The birds are each the same size but and are hopping around the perimeter of a cactus right behind them. The wind blows onto the right side of my body and the front of my body. Waves from the ocean are crashing directly behind me, each in long sessions. The way they sound is consistent, like the sound of rain. Occasionally one of the waves will crash, increasing in volume but not in pitch or tone.

A 286 computer booting and running a self-test before reaching the os, then getting shut down through the button at the middle of the right corner of the case, including part of the monitor shutting down. The picked license is creative commons 0, but it'd be great if you could mention me in your work, if you ever use it for it, i'd like to take a look at what you've done. Recorder: moto g4 play (harpia), laying flat and facing down on the case. Microphone: built-in microphone. Encoding: wave (lossless, 32-bit float pcm). Processing: no dsp applied, removed a full piece of sound at the beginning and a full piece of sound at the end, including environmental noises that weren't related with this recording.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

This sound was created as follows:. -zynaddsubfx free (and insanely amazing) software synthesizer generated simple g tone using a sine-wave adsynth engine- creative sbs 250 speakers played it back distorting the sound naturally and adding some interesting stereo phasing effects (is that caused by analog signal cable being longer for one speaker?)- i was manually changing the volume using the speaker's potentiometer (whitch is dirty and added some interesting noises on the right speaker, and also at peak loudness during the 54th second the right speaker is quiet)- the output was captured by zoom h2's rear mics- and recorded via usb into audacity free audio editing program- i exported the recording as 16-bit flac.