62 Royalty-Free Audio Tracks for "Transient"

A lot of eq-ing, layering, and saturation was done on this snare, thought it sounded nicer than snare 1, but snare 1 is more malleable than this snare when it comes to mixing it, since snare 1 is way less filtered.

Transient manipulation of a drone-texture with a filter sweep applied on top.

Transient sounds formatted for use in make noise morphagene. Recorded with zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Sound of vinyl transients going through a frame drum resonator in kaivo. . .

Again, a different color of sound when snapping my fingers. Recorded with the dr-40.

Short samples useful to add transient accenting to sounds, can be layered with other samples, can be used to make drum samples, basses, organic keys, or stretched, reversed, sliced to create even more complex snippets.

I am thwacking a pot on a table and there is water in it oh boy.

A variable noise attack.

Synthesized sound of hitting the kick drum's membrane.

Pitched punchy snare.

Snare similar to virtual riot snares, has a drum transient at the start.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Another short transient of some celery being snapped. Nm.

Basically layered a 200hz snare body, similar to a 909, low-passed and saturated. Added in a transient sound, then a certain impact sound that you wouldn't expect, layered together with some high end white noise, compressed, then used a transient shaper for that final touch.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Recording of a koshi chime. Editing:- eqing- dynamics- stereo image- soften the transients- harshness reduced.

Fuzzy loop with some transients played forwards & backwards.

Deep 808 style sine kick with added transient, lightly compressed.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

Quick transient of some celery being snapped. I used it as someones nose being broken for example. Enjoy. Nm.

200hz snare with a dulled out transient and really deep sub stab underneath it. :).

Rhythmic pattern interspersed with transients, formant sounds. 21 splices in the reel formatted and oven-ready for morphagene. Enjoy!.

Gong-like sound struck with a medium felt mallet, producing a stronger transient than the soft mallet.

Saying round 1, lowered my transient.

Isolated percussive element from my "loud mechanical loop" file.

Quantized clicking sounds i made by pitching up multiple hi-hat lines by 48 semitones.

Sound of a locker latch close on. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees, at the wc of the dining room of the poblenou campus of pompeu fabra university.

Acoustic snare sample ripped from the stock fruity loops loop "pendulus" mixed in with a click transient from a free goldbaby sample pack. Resampled and compressed multiple times. Tape saturated. Hope you download! btw if you want, please show me what song you used it in! i'm quite curious to see what magical things people can do with this stuff.

Fast and slow footsteps in crunchy snow with a winter boot. Use this for whatever you want, for free. Feel free to credit me if you feelcompelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Hit a glass vase with my finger(s), mostly ankle has some nice accoustic. -last 3 hits of the whole sample. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

Transient foley/sfx layer. Sweetened up in rx8~-24lufs.

Pitched this percussion line down suuuuper low and got this very mechanical thumping sound. Then i messed around with doing rapid firings of the transients.

Meant to be footsteps on a boat, it's actually just pounding boots on a five-gallon plastic jug of water. This is a harder version with more clicky transients.

Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.

Synth loop sound, tones c3+c6, stereomaster, compressmaster, 2 eq, vocodex, exciter, transient, ring.

This is probably one of the best snares i have made yet. Hard transient, tape saturated, and squashed to bits, when played with very bright sounds and heavy bass, this really can handle it, and cut through.

Wavefolded percussion raw with erbe-verb and mimeophon effects added. O-ctrl sequenced into mimeophon and partly held in places. Markers placed for morphagene. Enjoy and tell me about what you do with the set. Thanks.

A large handful of spuds being poured onto a table; a tumbling sound for when you need a series of soft thuds without high transients. Or for when you specifically need potatoes dropping onto a table like i did.

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

Small fireworks. Happy new year 2018!. Small fireworks echoing in the neighborhood. Firework recordings are a tradition on freesound. This is my take. First recording with this device. Will lower recording level to next year. . . I wonder how "auto" works on fireworks?extreme transients. . .

Demolition equipment sounds from link-belt loader/excavator picking up debris and loading a dumptruckfairly regular background level with few loud transients. Useful for construction site background noise. Can be easily looped. Mic: zoom ssh-6recorder: zoom h6format: wav 44. 1khz, 16bit.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

The sound of water dropping off drying ice, falling onto dry leaves. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Created using tracktion waveform-10. I used 3 instances of the builtin synth subtractive, 1 was for the body of the snare the other 2 were the noise to try and replicate the wires of the snare, finally i used zynaddsubfx to create the transient. There was some eq applied to boost key frequencies in around 200hz and mastermix plugin to compress the audio.

Stereo hydrophone recording of a small croatian harbor basin. Hydrophones submerged by approx. 1m, next to the bounding wall of the basin, facing the open sea. Lots of waves can be heard, in the onset, a small motorboat passes in the far range. Recorded with a pair of jrf series d hydrophones, spaced 18 cm apart with 0° dispersion.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Striking a wooden barrel with a thick wooden drum stick i have for large percussion. Minimal eq to remove useless frequencies below 80 hz, no boosting more than 2db, so very non destructive. No compression added. No permissions needed but i'd love to hear what you used it in!.

Wavefolded byinstruo athru plaits percussion. Bias modulated by øchd, folding by maths. Markers set in reaper (mono). Came across this by chance as i was just noodling with athru for the first time. Let me know what you think of the set. Note. This is the second upload attempt, since the first didn't register (sorry admin).

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.