128 Royalty-Free Audio Tracks for "Shape"

A clown in the piazza san lorenzo from genova is surrounded by children playing with long, thin and flexible balloons, one child is asking the clown to shape a balloon as a white gun.

Building a complex waveform in vcv-rack. Down load - patchhttps://app. Box. Com/s/a6wno4rr8x6ab9qrttuf9uu3s8w5a5ei. Down load file to examine waveform.

Used sounds:. 20131202_scratching over heater_zoomh2nxy. Wav by marlin nöthig, martin tege, david nacke. 20131118_spoon hits trash can_zoomh2nxy. Wav by malte niepel. Processing:. - tuning- eq- amplitude envelope shaping- compression.

Ben burtt style retro laser gun blast made from hitting a long fence wire. This recording is unprocessed so you can shape it how you want.

I am a non-smoker and usually never cough. I hate people who are always coughing. I could go days on end without needing to cough. My lungs are in great shape. I am faking it here.

Not the loudest, but the humming of my microscope lamp, which is a circle-shaped fluorescent light. The humming came from the body of the microscope. I rested the mic on the body of the microscope and did noise reduction and amplified the audio.

It is a rabbit shaped decor with wooden beads and small bells, that i hang on the doorknob of my room. Recorded with my new zoom h5(xyh-5) recorder. Sound recorded october 21st, 2018.

I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Under the title "New Britain", "Amazing Grace" appears in a 1847 publication of Southern Harmony in shape notes. Created by Hyacinth (talk) 07:03, 6 December 2011 (UTC) using Sibelius 5.

Atari 2600 (vcs) cartridges being shuffled, handled, and toppled. Rest assured they're still in fine shape. Thanks for listening. No attribution needed.

It's a strange sound a candle was making while lit. I've pushed three burnt-off matches as a replacement for the wick, and they created such a shape of flame, that was "pumping" creating a strange buzzing sound. Recorded with a zoom h2.

Free improvisation on a triple osc. . . Subnotes. Effects: asio driver bugs, compressor, a little reverb.

A recording of the crowd at charing cross station. Not much that seperates them from other crowds, but the shape of the space might change the dynamic of the sound a bit. Not sure. Recorded on an iphone.

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Here it is without compression/increased speed.

Signpost. 2 oscillators, reverb. Created with psychic modulation (aethereal). Mixed in audacity.

Ben burtt style retro laser gun blast made from hitting a long fence wire. I left more of the tail resonance on this one. This recording is unprocessed so you can shape it yourself.

Tripe osc soundshapeevery bass note cames with his higher pitched brother. Effects: echo, reverb and maybe my usual asio soundcard bugs.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

This is the sonification of a street map of paris. If you look at the sound's spectogram you can see lines which represent streets. On the left for example is a star-shaped crossing of several streets: this are the champs elysees ending in the etoile place. For details see http://www. Waqwaq. Info/atanasiu/art/synesthesia/.

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

This is a clean stereo recording of a oddly shaped gong with some stones resting inside it. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Noises from a factory recorded from outside. The factory shapes metal parts with a punching press. You hear the punches as well as machine noises and metal parts being moved. Recorded with a samsung siii phone, multiband compressed and equalized afterwards.

A very old production. A simple dark ambient track, slow, brooding. It can be the dark cold regions of space, or the cobweb-filled but lifeless corners in the cellar of a haunted mansion. Mostly vst synthesizers, lots of reverb effects and eq's to shape the sound.

Drip coffee without sugar recorded with internal zoom h1 mics @ 44. 1k 24 bit. . . Leveled and normalized and dc removed in reaper with various vst's. Rendered @ 44. 1k 16 bit with dither and noise shaping probably not needed. . . Then encoded to flac level 6 with dbpoweramp and uploaded.

An emergency siren, electronic. Rapidly switching 440 and 640 hz. Tones. Made in audacity, by me. Please, feel tree to use in any way, shape or form, but be sure to give me credit. Thanks!.

A simple beat. I have shaped this kick myself in the modular synth. The high-hat is from barton musical circuits decaying analog noise (bmc23). The other sound is a small sample. . . Analog delay on that sample.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

My girlfriend brushing her teeth with an electric tooth brush. The fundamental pitch of the toothbrush motor is just near b2. The mouth shape adds the first few upper harmonics (a la throat singing). Make a pad or pull into a granular synth!. Recorded with an akg c214 into an ni audio kontrol 1.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

A recording of my bathroom ventilation fan shutters clicking in the breeze. The fan is not on so you can hear birds in the distance, and the wind in the tube-shaped fan chamber. When the wind blows it catches the plastic shutters and they rattle and click. Recorded very close to the fan with two dynamic microphones, there is virtually no bathroom ambience detectable. I'd be intrerested to know what this could be used for!.

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

This is one of the v-shaped hand exerciser's that you squeeze together. I use it every day as i also play the drums. My physical therapist says it's also good for the shoulder. Recorded with my yamaha pocketrak and edited on sony vegas. I duplicated the tracks which gives a better sound. Please comment on what you will use it for. :^).

One of a series of sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I felt like the expulsion of air made a nice swishy ui sound. Recorded with a rode nt1 into a universal audio arrow.

This song is a poetic reflection on life, where rivers symbolize human strength and connections. It tells a story of loss, betrayal, and the struggle to reclaim oneself, showing how water, even in a land scorched to ashes, can bring life and restore hope. It’s a tale of challenges that shape us and the resilience we must find to move forward.

Several spitting noises recorded with the aim of getting a realistic sound and nothing besides spitting. I actually spit (not dry spitting) into a plastic bag. The impact on the plastic bag can be heard, but it isn't too bad. The first half is p-spitting and the second half is t-spitting (shape mouth is held in). A little bit of horking and squishing as well. Recorded with a shure sm58 in a treated room.

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

At the Mountains of Madness, H. P. Lovecraft "Another race - a land race of beings shaped like octopi and probably corresponding to fabulous pre-human spawn of Cthulhu - soon began filtering down from cosmic infinity and precipitated a monstrous war which for a time drove the Old Ones wholly back to the sea - a colossal blow in view of the increasing land settlements."

This was recorded from one of those large box-shaped fans often right beside houses. It's a powerful fan. Thanks for listening, and be sure to check out some of my other sound effects!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Bonshō von japan (large bell in the temples of the mountains) recorded in march 2017 in hida no sato village near takayama. Nice spectrum shape. My regret is that tourist ruined the take but it's fine. Recorded with zoom h4n, front microphone. Licence creative commons, feel free to use.

Recorded at my kitchen with zoom h4n with built-in microphones, over stainless steel sink, using 3 bottle shapes 700 and 750 ml filled with water and drained. (it's a foley story--i wouldn't be guilty of wasting good 12-year-old scotch, or bourbon or australian wine--no way--sorry dad. I drank them all down my gullet. )(but not all in one sitting!).

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.