2,829 Royalty-Free Audio Tracks for "Set"

Recording of a male slowly breathing in through his nose which i made for a poetic video edit. 4 slower + 1 fast breaths in. 3 slower breaths out. Recorded with my rode ntg-2 on a tascam dr-40 at 96khz 24-bit. Cut in premiere pro and exported with same settings as recorded.

Stereo recording of the main printing floor of a printing firm in berlin/germany. Recording was conducted in the rear of the hall, printing machines are running and idling, some workers' voices can be heard in the background. Recorded with a zoom h2n, mics set to 90° dispersion. This recording is also available in 5. 1 surround. Drop me a message if you want it.

I needed the sound of a plastic recycle bin being rolled out to the curb. I set my zoom h1n on the sidewalk at the end of my driveway and - in two trips - rolled the cans out to the curb. You will hear me walking to the cans in the right channel, the garbage bin is rolled from the right channel to the center-left. Then repeat for the recycle bin.

Timestamp ymd : 20220130recording equipment : zoom h5 stock capsule micdescription of the sound : tinyhawk 2 micro quadcopter flying, microphone set at waist level and i'm flying infront of it, more or less hovering. Recorded indoor. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Warum sollt ich mich denn grämen, Evang. Gesangbuch 370 Lasst und Gott, dem Herrn, lobsingen, Gotteslob (1975) Hildesheim 840; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 820

Kommt und lasst uns Christus ehren; Evang. Gesangbuch 39 Hört, es singt und klingt mit Schalle; Gotteslob (1975) 139; Gotteslob (2013) 240

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Billy Murray sings "You're a Grand Old Flag". This recording contains the second of three sets of lyrics written for the song. ("You're a grand old flag, tho' you're torn to a rag...")

City Ambiance sound effect. Great for a movie or game that is set in an inner city or downtown area. You can clearly hear cop or ambulance sirens in the background.

A fidgety drum and bass loop with a cowbell, a bunch of claps, shakers and tambourines, arranged in fl studio, run through fl studio's gross beat plugin, which was set to 1/2 speed slow, and this is what the original and the processed drumloop sound like combined.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.

Title Aleatoric Music with 5 pdsounds Artist stephan Original mp3 data Length:1:17 minutes (1.18 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags aleatoric, Background, glum, lonely, Music, random, soothing Type Experiment PDSounds record number 268 Comment Aleatoric music made by randomly playing a set of 5 sounds of pdsounds.org Impression: lonely, empty, glum

Geh aus, mein Herz, und suche Freud (Evang. Gesangbuch 503; Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 865)Dich lobt, mein Gott, was du gemacht (Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 812

This is a recording i took in my back yard on the 4th of july 2014. There are the sounds of crickets as neighborhood fireworks being set off faintly in the background sounding almost like a war zone. The house is off a busy street, so there is also some traffic sounds. Neighborhood dogs bark at the fireworks faintly in the background.

An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.

O Mensch, bewein dein Sünde groß (Ev. Gsb. 76); Ich grüße dich am Kreuzesstamm (Ev. Gsb. 90); Jauchz, Erd, und Himmel, juble hell (Ev. Gsb. 127); Erhebet er sich, unser Gott (Ev. Gsb. 281)

O Heiliger Geist, o heiliger Gott, Evang. Gesangbuch 131 O Jesulein süß, o Jesulein mild, volkstümliches WeihnachtsliedMelodie nach Ist das der Leib, Herr Jesu Christ

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Freu dich, Erd und Sternenzelt; Evang. Gesangbuch 47, Gotteslob (1975) Hildesheim 813; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 741

German Church Hymn Gelobt seist du, Herr Jesu Christ (Gotteslob (1975) 560; Gotteslob (2013) 375Herr, nimm auch uns zum Tabor mit (Gotteslob (2013) 363 (Alternativmelodie))

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

A 1-minute field recording of loyola high school in los angeles. There is a keynote sound of a bell tolling indicating that it is 8:00. There is also a sound signal of the school bell ringing that signals that class is about to start. You can hear people talking throughout the recording. There is a sound of ping pong, as well as the sound of tables being set up in the recording.

I started recording a vinyl lp into my computer before realising that i hadn’t set the anti-skate properly and the needle was stuck in the lead-in groove. I trimmed this bit of snap crackle n’ pop and kept it in the hope that it might be useful for me or anyone else. Have fun.

Ever wandered through a spanish street market? the sound will be familiar to — very possibly all too familiar! this recording was made so close to the offending mechanical toy, that it has even picked up the noises of the mechanism itself. There is a small amount of background noise. Seemingly unnecessary period of silence included is the exact cause before the next outburst of squeaking. Set repeat function on your sound editor recording.

Field recording of the vakö myr swamp near älmhult in sweden, uncontaminated by any human or traffic noise. It is a windy and cloudy summer day, the wind is stirring the trees quite a bit, insects and birds cam be heard in the foreground. Recorded with a zoom h2n. These are the front channels of a 4ch surround recording. Mics set to 90° dispersion.

Gym studio21 leuphana universität lüneburg - take settings on the treadmill. Modify the speed. Wave, 44. 1khz, 16bitstereo recording device: zoom h2next with xy-capsulelow-cut: yes (80hz)normalized. Location: leuphana universität lüneburg, gebäude 21. Date: 2013-11-20, 14:00h. Recorded and edited by: marie mävers. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Atmo of london's trafalgar square, recorded by nelson's column. It is late morning and the place is already full of tourists and traffic. This clip was recorded on the traffic island in front of the square, facing the column with the national gallery behind it, street traffic can be heard in the foreground with the tourists on the square further in the background. Recorded with a zoom h-2, mics set to 90° dispersion.

Gregorianische Antiphon Tu es Petrus, et super hanc petram aedificabo Ecclesiam meam - "Du bist Petrus, und auf diesen Felsen werde ich meine Kirche bauen" (Gotteslob (1975) 645.1)

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

A dark and dissonant hit on the very low piano keys. With a bit of eq to increase the low rumble and a lot of reverb. Not a real piano but a vst instrument. Suitable for e. G. Horror films and games. The versions (a) and (b) of each sound in this pack are the same notes but on different pianos with sligthly different settings. Post-processing: eq & reverb.

Early morning in the barbacane of neuenburg castle, located above the german town of freyburg on unstrut. Birds are singing, some light traffic and bells ringing from the town can be heard in the distance. These are the rear channels of a 4ch surround recording. Recording conducted with a zoom h2, mic's set to 120° dispersion.

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

Random sci fi sentences said in a very futuristic robotic way !pretty adequate for games/videos/movies set in a futuristic secret lab or a spaceship or something. If you like the sound but would like other sentences, just say so in the comments and i can upload them ! or just pm me, also works. Wav files, 24bit, 48000 hz.

This sound was made purely with audacity and my laptop microphone. I basically moaned into my microphone then used paulstretch with certain settings then slowed down the speed. It sounds like something adjusting or breaking far away. Feel free to use without credit.

File contains a second collection of 4 or 5 creepy, clichéd "hypno-tones" in the theremin's lowest ranges, each separated with 5 seconds of silence. Each hypnotone in the file uses a different waveform/tonal setting to give you various textural choices. As always, these sounds are recorded "dry" so that you can tweak and tweeze, add effects, overdub and mangle them any way you like.

Set of water sounds we made for our sound library in our studio in chiang mai, north thailand. We are called digital mixes! hope these are useful. If you want a quality 5. 1 or 2. 1 professional mix for your film get in contact! save some money, come to thailand! www. Digitalmixes. Co. Uk.

A czech guy named "staney the robot man" who lives in prague build this little synth. It's completely handmade and consists of a bunch of analog circuitry that when powered creates strange oscillations in current. It's also built into a seseame street toy saxophone. This set sounds like a robot talking. If chopped up and sequenced you could do a lot with it.

11 minutes of ambient noise from a city: people chattering, pigeons and birds calling, traffic moving, dogs barking, buses taking off or squealing to a stop, etc. Taken from my apartment window in downtown seattle. Mic used: blue yeti (usb condenser, cardioid setting).

After working for the last several years on holiday spots that required the need of sleigh bells, i finally decided to get my own set of sleigh bells. All the ones online i could find didn't pass quality control. Here is a loop i created at 90 bpm. Hopefully this comes in handy for someone who was in my position the last few years. Enjoy!.