2,829 Royalty-Free Audio Tracks for "Set"

Set of water sounds we made for our sound library in our studio in chiang mai, north thailand. We are called digital mixes! hope these are useful. If you want a quality 5. 1 or 2. 1 professional mix for your film get in contact! save some money, come to thailand! www. Digitalmixes. Co. Uk.

Random sci fi sentences said in a very futuristic robotic way !pretty adequate for games/videos/movies set in a futuristic secret lab or a spaceship or something. If you like the sound but would like other sentences, just say so in the comments and i can upload them ! or just pm me, also works. Wav files, 24bit, 48000 hz.

A czech guy named "staney the robot man" who lives in prague build this little synth. It's completely handmade and consists of a bunch of analog circuitry that when powered creates strange oscillations in current. It's also built into a seseame street toy saxophone. This set sounds like a robot talking. If chopped up and sequenced you could do a lot with it.

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

A long walk at night through the redlight city district in amsterdam, build in the 13th century. International mostly young, male audience. English, chinese, danish, spanish, dutch & other voices. Various swells from intimate to more crowded settings. Happy, aroused, drunk, stoned. Narrow alleys and wider streets. Might hear some words not suitable for children.

File contains a second collection of 4 or 5 creepy, clichéd "hypno-tones" in the theremin's lowest ranges, each separated with 5 seconds of silence. Each hypnotone in the file uses a different waveform/tonal setting to give you various textural choices. As always, these sounds are recorded "dry" so that you can tweak and tweeze, add effects, overdub and mangle them any way you like.

I really needed something that sounded like a group of horses galloping in the distance and couldn't find anything. So i busted out my zoom h6 and set it on my futon comforter and then just tapped my fingertips on the surface right next to the stereo mics. Then i put that track in premiere and made four layers, all offset to get different rhythm and i thought it turned out pretty good so wanted to share it.

A compressor at the atacama large millimeter array (alma) radio telescope, at 5028 m elevation, in chile. The compressor, which is part of the cryogenic system, makes a rhythmic wheezing sound. Some voices are heard in the background. Loops at 120 bpm (loop points set in. Wav file). Alma is an astronomical interferometer of 66 radio telescopes in the atacama desert of northern chile, which observe electromagnetic radiation at millimeter and submillimeter wavelengths from the depths of space. .

This sound was made purely with audacity and my laptop microphone. I basically moaned into my microphone then used paulstretch with certain settings then slowed down the speed. It sounds like something adjusting or breaking far away. Feel free to use without credit.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

As a professional dj, you know that having high-quality sound effects and drops can make all the difference in your sets. But where can you find these essential audio files?. Here at https://topdjdrops. Com , we have a huge selection of dj sound effects and drops to choose from. Whether you’re looking for a simple “hit” sound to punctuate a mix, or a more complex and layered soundscape to create an immersive experience for your listeners, we’ve got you covered. Https://topradiojingles. Com. Https://topdjdrops. Com. Https://sungfx. Com. And because we know that time is often tight for busy djs, all of our dj sound effects and drops are available for instant download. That means you can be up and running with the perfect sound for your set in no time at all. So if you’re looking for high-quality, professional dj sound effects and drops, look no further than http://topdjdrops. Com. We’ve got everything you need to take your sets to the next level. Top dj drops - #1 hot spot for dj drops and dj intro jingles in ghana and worldwide. | best dj jingles and radio imaging voice-overs, we have a wide range of voices that cut across chr,urban, hot ac, country and sports jingles. We reaching the world with world-class radio imaging as well as dj drops. #1 top dj drops: best custom jingles radio voice overs 2022custom dj drops, radio drops, dj intros with free dj sound effects around the world. Podcast intros, commercials, and concert & event promos 24 hour turnaround.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

This is an a gathering of college students having a backyard get together with a bean bag toss (cornhole) as the primary entertainment. Male and female voices, profanity, and the sound of bean bags landing on the boards. Urban city setting, so occasional motorcycles and trucks can be heard passing, birds and squirrels chirping, dogs barking, kids wailing, and occasionally you can hear a radio playing.

Recordings of a fairground in a small town in germany, starting the day's business. Wide angle shot of the fairground, somewhat later. All the rides are working, some early customers are milling around, you can hear german "schlager"-music playing and a spooky voice beckoning people to the haunted house ride. Recorded with a zoom h2, mics set at 90° dispersion.

This is a short sample from a noise track i just completed. It sounds a lot like someone screaming/roaring into a microphone, but it's actually a roland juno-6 played through various fx pedals (boss metal zone, boss xtortion, boss me-30 on ring mod setting, danelectro fish & chips, and a sprinkling of various other fx pedals throughout the recording). Recorded direct to sound card.

Nikon d5300 shutter sound. Af-s nikkor 35mm f/1. 8 attached. Taken with the following settings:- 1/100, back & close perspective- 1/10, back & close perspective- 1/2, back & close perspective- 1/100, front & close perspective- 1/10, front & close perspective- 1/2, front & close perspective. No edit was done except for trimming and adding beep sound.

Sound of a calculator when turned on, very similar to casio wrist-watches' sound. Recorded and noise-filtered with my laptop's microphone and adobe audition cs6. Sonido de una calculadora al encenderse, muy similar al que hace un reloj de pulsera casio. Grabado y limpiado con el micrófono de mi portátil y adobe audition cs6.

I created this machine gun sound effect quite by accident. I was synthesizing a snare drum in fl_studio using multiple synth layers, effects and automation trying to create a really short and snappy snare and set the loop length really short by mistake and when i hit play to audition my sound i thought it resembled machine gun fire. So anyway enjoy and feel free to use it in your game or whatever way you want.

Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.

Limerick song Fünf leichtsinnig hüpfende Zeilen, die eilen und reimend verweilen – die längeren drei, die kurzen nur zwei – und eine Pointe anpeilen: das ist eine Kunst, die von Schweden bis Kapstadt beglückt, doch nicht jeden; so mancher, der’s möcht, mehr schlöcht oft als röcht, begann schon in Reimen zu reden.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

Many find the sound of a prop-plane flying lazily very peaceful --- especially if it is a late summer day against a blue sky on the edge of a forest. Even though i was actually on an outing to record the birds of the deep forest in summer, this plane came right overhead and, well, here it is. The ocassional soft chirp of the birds adds a nice touch. Recorded with my zoom h4n recorder with the internal microphones set on an input volume of 75.

Faucet in a metal sink turned on and off. Hands are run through the water to simulate hand washing. Recorded in a tokyo apartment with a coincidental mic pair placed at a 90 degree angles it's basically a raw recording, but i ran an ssl hpf with the cutoff set at about 28 hz to take out the rumble of the train passing by. . . Since the apartment was near the station, the train sound was unavoidable. But if this is used in a larger mix, it probably won't be noticeable.

Made using the online remote shortwave receiver of university of twente in enschede holland:http://websdr. Ewi. Utwente. Nl:8901/made in the part of the 20-meter ham band where psk31 is the dominant digital mode, with the receiver deliberately mistuned, in fm mode at it's widest setting to get a mishmash heterodyning sound.

A recording of a recording as it turns out. Throughout different tropical countries you can often hear this being played out of buildings quite loudly and constantly. It is the sound of swallows who are known to make valuable nests out of their saliva. This hardened saliva is quite valuable and so this recording is often used to attract swallows in to nest in buildings. This was recorded in malaysian borneo and used originally here: https://soundcloud. Com/evil-ear/sets/malaysia. Enjoy. Evil ear recordings.

A snowboarder is quickly crossing the sound space from left to right. Then his dog running after him in the snow: dog paws, breath and metal necklace. France, 2021. Recorded with a pair of clippy em172 in ab set-up (40 cm)recorded on sounddevice mixpre6wave stereo, 24 bits 48khz. Part of the sound work "dur la neiz":https://soundcloud. Com/user-876924050/dur-la-neige.

Field recording of the ocean surf at the outer banks, nc. Recorded approximately ten yards from the surf line on a zoom hand held recorder mounted under a beach umbrella. Record mode was 4 mic, using front and rear stereo mic pairs summed to stereo mix. Front (90 degree) mics facing ocean, (east). Rear (120 degree) mics facing the dunes, (west). Was a somewhat large surf day with shoulder to overhead sets. Enjoy ;)!.

Português: Cantai ao Senhor um cântico novo Singt Gott, unserm Herrn, singt ihm neue Lieder (Evang. Gesangbuch Bayern-Thüringen 600); Auf, singet dem Herrn, singt ihm neue Lieder (Gotteslob [2013] Freiburg/Rottenburg-Stuttgart 837)

Wir danken dir, Herr Jesu Christ, dass du für uns gestorben bist (Evang. Gesangbuch 79; Gotteslob (1975) 178; Gotteslob (2013) 297)

Small waves ( 30cm) are breaking on the sand. Close up with clear details. Mics are very close to the water, following the movement. No disturbing noise. Corsica, mediterranean sea, 2020. You can also lesen to "small waves on the sand general. Wav" on the same beach:https://freesound. Org/people/bruno. Auzet/sounds/542121. Recorded with an ab stereo set of clippy em127recorded on sounddevice 63324bits, 96 khz, stereo.

Small waves ( 30cm) are breaking on the sand. General point of view 10 meters from the sea. . No disturbing noise. Corsica, mediterranean sea, 2020. You can also ear "small wave on the beach close up" for a close-up recording of the same waves:https://freesound. Org/people/bruno. Auzet/sounds/542120. Recorded with an ab stereo set of clippy em127recorded on sounddevice 63324bits, 96 khz, stereo.

A recording of a series of northwest wind gusts blowing through the bare december branches. A wind-chime adds some color, as well as a far-off train towards the end of the recording. Recording made on december 17th, 2014 with the zoom h4n recorder and using its internal, built-in stereo microphones with the record volume set on 82.

This mp3 contains a series of sounds that can be divided into individual elements if needed. I set down a full, unopened can of beer several times on a hard surface. Then i opened the can of beer. Then i placed it down again and flexed the aluminum a bit. Finally, i took a long gulp of beer and let out a satisfied "ahhhhhh!" now i'm drinking the beer as i upload this file. Mmmmmm. . . Beer.

Sci-fi sound of a metal corridor or a passageway with metallic walls, synthesized by me. Fit for any foley work, would play nicely in spaceship, horror, factory, indusrial setting. Has an illusion of being quite far. Thank you for enjoying my work. You can listen to my music at http://vospi. Com/.

A male demonic voice saying "get off the map". Created in audacity using the following macro. . . --------------------------------selectall:amplify:ratio="3. 6618454"noisereduction:use_preset=""changepitch:percentage="-30" sbsms="1"duplicate:selectall:reverse:use_preset=""selecttracks:mode="set"reverb:delay="32" drygain="0" hfdamping="50" reverberance="60" roomsize="20" stereowidth="20" tonehigh="50" tonelow="100" wetgain="1" wetonly="0"changepitch:percentage="-30" sbsms="1"selectall:reverse:use_preset=""---------------------------------------.

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Es ist gewisslich an der Zeit (Evang. Gesangbuch 149) Auf Christi Himmelfahrt allein (Evang. Gesangbuch 122) Ich steh an deiner Krippe hier (Gotteslob (1975) 141) Lobpreiset all zu dieser Zeit (Gotteslob (1975) 158; Gotteslob (2013) 258) Ein Bote kommt, der Heil verheißt (Gotteslob (2013) 528)

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.

The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.

Captured in a small she-oak forest on the edge of pink lakes, a salt lake in murray sunset national park , victoria australia. The wind sings beautifully through these trees. Recorded with a ms set up using a sennheiser 416 paired with sennheiser mkh-70 into a zoom h4n. I then synced this up with another recording from a different position using a zoom 4n.

Two sennheiser g3 transmitters were set for the same frequency; one of them was transmitting a previous interference recording from my macbook p2 phone output, the other one had no input;the receptor was connected to loudspeakers; the interference would vary as i moved each transmitter around. I recorded the loudpeakers output through the macbook built-in microphone, on audacity. This is a specially noisy part i exported. Not a pretty sound, but may be useful.

A timbre (rendered with something akin paul naşca’s padsynth algorithm) which has partials of form m + n φ where φ is the golden ratio, and m, n are integers. Though not all the partials, just such a set that this all resembles a usual harmonic timbre. This sequence starts. 1. 000001. 618032. 618033. 618034. 236075. 236075. 854106. 854107. 854108. 47214. This sequence is of several powers of φ up and down from 440 hz (φ⁻² to φ⁵). Look at the spectra for a full dose of xen.

Aus meines Herzens Grunde (Evang. Gesangbuch 443; Gotteslob (1975) 669; Gotteslob (2013) 86); Die Ernt ist nun zu Ende (Evang. Gesangbuch 505); Nun jauchzet, all ihr Frommen (Evang. Gesangbuch 9, Alternativmelodie); Gott in der Höh sei Ehre (Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 821)

Traditional music of Tunisia. Disc 24 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2] Tradycyjna pieśń tunezyjskich derwiszów opublikowana w 1931 roku jako część serii Musik des Orients pod kierownictwem niemieckiego etnomuzykologa Ericha Moritza von Hornbostela. Македонски: Песна на туниските дервиши, снимена во 1931 г.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

The underground railway stop aspudden in stockholm/sweden. The recorder is situated near the end of the platform, facing along the line to the entrance. A fair crowd of passengers is waiting on the platform. The pa is announcing the next train, which promptly arrives and opens it's doors. Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.