All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.
Plucking and pulling a rubber band to get some variation in the sound. Originally recorded as foley for a giant slingshot release. Recorded with a zoom h4n.
Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.
Made on fl5 back in 2005 for one of my first rap beats. . Used a pluck instrument on fl5 to create this loop. Has a harmony on the second time around on a higher octave.
Banjo sampled from an older record, morphed into complete new sound, after adding audio effects, changing pitch, warping, changing eq and cut offs. It has 3 plucks around 96 bpm.
Drop noise made with the mouth and amended by accelerating the speed and introduction of a "pluck" between each drop of molten noise at the beginning and end.
Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland juno 6patch name (pack): pw plucknote: c2midi note: 36.
Fiddling with a disposable plastic comb, mainly by plucking and stroking the edge and side of its teeth with my fingers. I also play around with the comb in my mouth a bit, using the resonance of my vocal cavity to modify the sound, and also running the teeth of the comb over my own teeth.
