3,255 Royalty-Free Audio Tracks for "Pitch"

I turned my kitchen sink on and off several times. Its a fairly noisy sink. You can hear the faucet squeaking and a high pitched hum that comes from the pipes. Once the faucet is turned off, you can hear the water running down the drain.

Messing around in logic with some surround impulse responses and delay designs. Ended up with something that sounded a bit like a submarine sonar blip. . So i added the sound of a fridge, time stretched using the flex tool and pitch adjusted and now it sounds almost real :).

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

An antique metal security box with sliding metal lid, struck with a hammer while lid is partially open. Stuck variously on box bottom or lid.

Owl hooting: you can hear a very distinct owl sound created through foley by lowing air into folded hand. An almost glissando of pitch is present to create a realistic feel. Recorded with the zoom h6, rode ntg. Great for a night-time scene and to fill up atmosphere an ambiences.

Marble falling on a tile: in this sound a marble falls to the ground creating a very high pitch sound when the marble hits the ground multiple times in short succession. Recorded using the zoomh4n and the rode ntg1 condenser shotgun microphone. No processing was done to this sound. The tile is a common bathroom tile.

*Major third on C = E. Equal-tempered: 24/12:1 = 400 cents. MIDI pitch bend: 0,64

*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

I put this recording through a 'pitch looper' a program called cecilia, really cool program if you want to produce something similiar. The original recording i've also uploaded separately was taken with a rode nt4 mic and with a didge of mine in the key of b from northern queensland (kuranda).

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

An exercise thing which you squeeze that makes a loud creaking noise, sounds interesting pitched down. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Breaths a human would make after they take a sip of a refreshing drink. Recorded on an iphone and x-noised (waves plugin). Also is pitched up and contains reverb.

Sound you would probably hear in a jurassic park or king kong movie i made this using text to speech and then slowed the speed and pitch simultaneouslyp. Slol its actually microsoft david saying go f* yourself. . . . Aint that just scary😂.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

A bassy, wobbly sound effect that can be used for sci-fi weapons and such, created by overlapping pitch-shifted bass synthesizers and adding distortion and drums.

Sound of a giant snoring. Sleeping giant sound effect made by pitching down sawing noises and slowing them down. Also amplified the sounds.

Foley for a bug scurrying along rocks in a glass tank. Quick, high pitched scurry in the pebbles. Made by shaking a plastic jar of almonds.

Basically i recorded a fidget spinner spinning into my windshield of my condenser microphone, it made a cool low end sound. I made some post processing at the end just to make it sound more cohesive. The sound is tuned to g but the pitch slightly bends.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (without pitches: unpitched percussion) Created by Hyacinth (talk) 02:04, 23 March 2010 using Sibelius 5.

Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).

I set a hammer down on a variety of wooden surfaces, so that it could masquerade as someone setting down a big old fire axe in an audiodrama. (it does work to lower the pitch if you're looking for a bigger sound. ) mono recording, zoom h4 internal mic.

Cd player mechanics recorded from 5cd charger panasonic cd stereo system sa-pm27. Edited speed and pitch on some parts of audio to gain robotic like mechanics sound.

A higher pitch of my original thirteen-chime clock. This sound would be suitable for smaller clocks such as mantel clocks and so on. It is ideal for haunted houses and other horror works. Created in musescore using default soundfont (tubular bells) which is gnu gpl licensed.

Recorded using mixcraft 6 and a shure ush mic. I growled while inhaling and made funny sounds. I added effects and duplicated the track. One was pitched high the other low.

A high-quality recording of an old metal bathroom stall. Could easily be slowed down and or pitch adjusted for use as an old jail cell door, metal door, eerie sound, etc.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.

Field recording made during a walking tour of the boston harbor tunnel while under construction during the "big dig" project: huge echoing bangs with high pitched beeps and machine noise in distance.

A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

Recorded this group of disabled vets who were playing all kinds of instruments around the temples at angkor wat. A high pitched reedy sound is from a blade of grass. I don't recall the rest of the instruments. Background noise are jungle animals.

Recorded with zoom h1. Friend of mine had stereos that made this sound when they were switched on. Edit: i changed the license to public domain. Enjoy.

This is the helvetia paddle steamer boat of cgn fleet. It was moored to be renovate and repaired. Little waves make the boat pitch and the big metal rope linking the boat to the quay is producing these nice metallic noises. 48khz schoeps.

These are some remixes of hello_flowers, the ones here are all the screaming pack hit with some major reverbcut in audacity, tone and pitch taken down and multiplied compressed,and run through d. Blue glitch, (mainly a stretcher a pass a crush andthen a gate etc. ) there are also some pads made from massive.

Made some sounds for a film i worked on. Thought i should share since i use so many of the sounds from this website. =).

Raw sampled ieframe. Exe on a hungarian windows 7 64-bit computer using audacity. The reason why it's only 11khz in frequency range is becaue 44 100 hz makes the sample too high pitched.

I was fiddling around with an analog synth that went into a peavey km50 keyboard amp and i made this soundit has loads of pitch editing giving it the house-ey feel to it and i think it was an fmaj5/9 chord with extra 6ths and 4ths.

Rubbing a nail directly on a contact mic. This could be suitable layered as a foley sound to serve in place for writing with a pencil, pen, or chalk. If necessary, eq out some top end if it's too metallic sounding or adjust for speed and pitch.

I have no idea if this is sounds real but i hope it does a little. I created this with virtual guitar program. I played with the pitch and volume. Its all free enjoy.

Sci-fi warning sound effect that was created using the free and open-source software zynaddsubfx, you can use the sound however you like, change the pitch of the sound effect to suite your needs, good for video games.