3,255 Royalty-Free Audio Tracks for "Pitch"

An abstract sound created with bosca ceoil and audacity. The sound has been pitched shifted repeatedly. It is noise, but hopefully you'll find it to be a pleasant sort of noise. If memory serves, some forms of (non-audio) computer data can produce sounds like this if imported into an audio processor.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Sound of two knife edges scraping together. I slowed it down in adobe audition and used pitch shift to make it deeper sounding, like a sword being drawn. Enjoy! it's free!!.

I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.

The deep, low octave sound effect popularised by eric serra for the goldeneye film score. It is available on the e-mu proteus 2 fx synth module under the patch "infinite". Alternatively, you can make a similar sound by sampling a woodblock/tambourine/cowbell and then pitching it down heavily (with added reverb).

My voice, three "moans" slowed down/pitch changed with reverb added to sound like a humpback whale. Might need to use noise reduction for the popping/clicking when you use it. I made this because icouldn't find a good clear whale song.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

A rendition of :: http://freesound. Org/people/kkz/sounds/66224/. Just pitched down an octave with another layer 2 notes up so they are modulating plus a bitcrusher with amount going down plus a flange/chorus thing.

Phaeton, was a son of the sun god, helios and the oceanid, clymene in greek mythology. He asked his father helios for permission to drive the solar chariot, but his team killed him.

Recorded on an ipad from a musical box played very slowly to get a single note. Then topped and tailed in audacity. I made it for use in the program sonic pi eg https://soundcloud. Com/scrbn/march-of-the-tin-soldiers-musical-box-version-played-by-sonic-pi.

Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).

6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.

Recording of me "growling" that has been highly altered to sound like a demon snarling. Same as "demon_ghost growling 1" but amplified to sound more sinister. Recorded and edited using audacity.

A evil sort of claustrophobic hollow winterstormy wind heard from inside some sort of. . . Building or shed. . Pitch up and down for variations , you get different moods. It says its 64kbps 44100khz. . . Its actually a vbr using all the kbps necessary for it to have a non mp3 garbly sound.

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Recording of a diesel loc, part of a maintenance train, returning to depot at about 1am. Recorded from my bathroom window in cardiff east. Repetive sound, thythmic in nature but with a clear pitch. Occasional white noise from airbrakes. Recorded with zoom h2n, 44. 1/24.

A few different options for a choking monster/creature at different pitches. You don't have to, but if you feel like crediting please do so: molly from aquilegiamedia. Com if you need anything similar but different contact me here. It's fun to be a monster.

I copied the gem breath sound effect from the original ex and pt tv series. I modified a noise i made with phaser. I had accidentally not known that i should set the pitch-shift in delay to off.

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel with lfo routed to certin parts sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

A digital sounding humming ringing noise, or a ringing humming sound. Not really sure how to describe this what this is, but i liked the way it sounded so i uploaded it. Sound is a paulstretched cello. Used audacity's pitch lower till it made that ringing noise. Was trying to make sound for ambient tracks.

I created this witch laughter in adobe audition using pitch correction and reverb. I hope you find it useful.

I said a sentence into the mic and made its tempo and pitch very slow and low. You could probably use the part of it that sounds like a screech(which was literally me pronouncing "ssuck")for some kind of video game monster like scp 096 (hence the scp tag).

For this sound i used 4 differents kind of tonality :261,6 hz293,7 hz329,6 hz349,2 hzand then i used the effect low and high and i put an higher pitched sound to make a sound more like videogames style. This sound have a joyful purpose like when you finish a stage in a game.

Recordings of 9 ghanaian double bells. Bells are arranged in rising pitch of the bottom bell (from _1 to _9); bottom bell is mared -1 and upper bell marked -2. Dynamic are indicated as pp (very soft, with soft marimba mallet) to ff (loud, with wooden stick).

How does earth should sound? uh. . . I don't know, but i started to my make some noise with this old dead plant. I duplicated 6 times the track with different treatement on each ; pitch, overdrive, lo-pass, delay etc. . It's now sound more like earth quake than anything else. . .

Two small blades sliding over each other. The sound is made by using two small kitchen knifes however, try pitching it down to -12 semitones and further for a sword-like sound. The noise of the recording is gated so it still comes through a little on the decay.

I'm record this sound from my pc. It's sound of press a random button on my keyboard. I'm record this sound, change some pitch/speed so it's finally be like this. Feel free to use or edit then use this sound even on commercial project, no payment needed. Thank you.

Create trốn 10 sound from fullmetaljedi’s «d4xx__bass-impact" sound. Audacity:. - cut from 1. 000s to end (remove). - effect→fade out (0. 000s to 1. 000s). - copy. - create→add new→stereo track. - paste at 0. 000s. - effect→change pitch…semitones (half-steps): 6. 00.

I joke i made when i was bored about roblox bypassed audios, im not gonna mark it as explicit since i did say a few bad words, but i wahwahed, distorteded, and pitched them out of the song, just like bypassd audios.

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

1. Growl into the mic2. Load into audacity3. Lower pitch by 20%4. Duplicate and reverse5. Add reverb to duplicate, wet only6. Reverse again7. Mix and render to a new track8. Add reverb to the mix9. Upload.

A gunshot sound effect recorded for a high school production of the musical heathers. It was recorded on a zoom h1 and was made by a theatrical cap gun. I recorded it at a distance of about 5 feet and then again at a distance of about 40 feet from the audience and allowed the sound to reverberate both times. Then i duplicated both and mixed in both original sounds on top of each other, plus each sound pitched down 1 octave and the 40-feet away recording at 2 octaves down, plus the closer recording pitched one octave up. We then added and adjusted reverb in audacity and adjusted the sync of all the clips to be aligned, and adjusted the mix to make it sound as real as possible.

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.

I rapidly pressed the fast forward and reverse buttons on a little cassette recorder while it was playing an old radio show from the 90s. One of the first fx recordings i ever did. Recorded with a samson c03u microphone, no processing.

Heavy rain followed by a blast of thunder that 'rushes' away and fades. I've left enough room for an audio edit to fit your project. Enjoy. On playback, there seems to be a very high pitched 'tick' in places. This is not part of the original recording and is not included when 'downloaded'. I think this must be a slight fault on the web site.

Horror birds - morning birds recorded with h2n, cloned to 4 tracks in audacity, pitch shifted by various amounts and one of the tracks paul-stretched and sped up. Mixed down but then removed lower frequencies (wind or traffic rumble became too noticeable). Normalized. Here's the result.

This recording was taken in the highland park, a chicago suburb. In this recording, the person recording took notice that there were many different pitches in the sound of the air in the open space. Listeners will also hear a rushing car and birds chirping. Furthermore, listeners will hear similar drops of water hitting a puddle off a gutter.

This is a higher version of row row row your boat. This was sung by my friend keli and modified in audacity. Please contact me to use for commercial use. For any noncommercial use please just credit me by using my name, chisai tori.

Please comment if you download, i am interested to see what it's being used for. I am not looking to be credited at all it's just pure interest. I do this for fun. I did this with my mouth and pitched it down 3 semitones. No other effects were used.

Speech recorded and processed by me for casual game "chile vs aliens"game: http://sumersion. Com/studio/games/mundial-chile-vs-aliens/recorded with tascam dr-40 and rolled nt1, fx: uhe g.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

Medium length clap-beat music intro. My own composition made with garage band. Feel free to use as u will. [high pitched beep will dissipate when downloaded :]. As used in this lego batman comic:https://www. Youtube. Com/watch?v=arjddr9sysw&t=4s.