370 Royalty-Free Audio Tracks for "Octave"

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

I tried to emulate the sound of an analog piano and progranmed my yamaha fs1. I used 8` and 4 `squarewave and two sinewaves for the higher octaves. Try chorus or tremolofor this sound.

I tried to emulate the sound of an analog piano and progranmed my yamaha fs1. I used 8` and 4 `squarewave and two sinewaves for the higher octaves. Try chorus or tremolofor this sound.

I tried to emulate the sound of an analog piano and progranmed my yamaha fs1. I used 8` and 4 `squarewave and two sinewaves for the higher octaves. Try chorus or tremolofor this sound.

I tried to emulate the sound of an analog piano and progranmed my yamaha fs1. I used 8` and 4 `squarewave and two sinewaves for the higher octaves. Try chorus or tremolofor this sound.

I tried to emulate the sound of an analog piano and progranmed my yamaha fs1. I used 8` and 4 `squarewave and two sinewaves for the higher octaves. Try chorus or tremolofor this sound.

A gunshot sound effect recorded for a high school production of the musical heathers. It was recorded on a zoom h1 and was made by a theatrical cap gun. I recorded it at a distance of about 5 feet and then again at a distance of about 40 feet from the audience and allowed the sound to reverberate both times. Then i duplicated both and mixed in both original sounds on top of each other, plus each sound pitched down 1 octave and the 40-feet away recording at 2 octaves down, plus the closer recording pitched one octave up. We then added and adjusted reverb in audacity and adjusted the sync of all the clips to be aligned, and adjusted the mix to make it sound as real as possible.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Recorded classical guitar cuenca mod 10. Made in spain. The sound is recorded on condenser microphone octave mk-220 and fw 1814.

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

A sequence of 2 octaves of notes starting on f. Played on the worst casio vl 1 copy ever: the excel o tone. Bought for 1 euro in the market.

Two octave riser in key of c made with granular synthesis from samples i got off this website :).

A sound i created by compiling saw wavs in various octaves/harmonies and then adding effects. If you decide to use this, credit me using the name, samtrobson.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

It's just me growling in my microphone and i pitched it an octave. Its basic and i didn't add to many effects so it can be adapted to any environment.

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

Accidental noise reminded partial lullaby of the leaves. +5 octave from original sound creation. Overdrive, limiter, la de da- transformed said sample into multiple abstract creations.

I pushed the tempo of a bunch of stuff in ampify as high up as they could go, then sped it up and took the pitch up two octaves. This was the result.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

A nice and wide sounding piano chord, using a digital piano sound i'm developing from public domain piano samples. Enjoy!.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Inspired by the synth secrets article "synthesizing pan pipes" from sound on sound, i created this. It's completely unrealistic, i know. This is the note a sharp in octave 5. (created with audiosauna. ).

A very hard hitting sub kick drum. A filtered heavily compressed 808 that's been dropped half and octave.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Electronic phone ringer sound, uses a tritone plus an octave for the two notes. Distinctive "double ring" format, like what is used in the uk, and some offices for out-of-area calls.

A sound which reminded me a lot of the gameboy. I've named it after the gb's cpu - the sharp lr35902 - which also handled the gb's audio. This is the note a of octave 5. (created with audiosauna. ).

Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.

Scale of g played slowly, 2 octaves, each note detached, on a reed quena (south american flute). Might be useful to sample notes. Recorded with zoom h4n, unprocessed.

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

A synthesized cello sound created through audiosauna. I'm not sure i'll ever find a use for it, so maybe you will. No claims on realism; that is in the eye of the beholder. This is the note a sharp in octave 3.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Lots of echo and reverb, also layered 1 regular pitch and the other one octave down. Free to use as you like.

A multisample of strings sound from vintage soviet synthesizer rmif opus incl. Internal chorus. Two notes from each octave (c and f#) were sampled.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

A cool little sound i accidentally made with vocodex using my voice. It's very bass-heavy when played at lower octaves. Made with fl studio 10enjoy!.

I accidentally combined all the samples from this pack. Http://www. Freesound. Org/people/vlad99/packs/13522/. And played them two octaves lower, the result was to my liking.

A scared male cartoon character saying "oh my gosh, did you hear that?" i recorded it with my camcorder and imported into power director and changed it to a higher octave and saved it as a wav file.

Made with fl studio using speech synthesizer. Saying "looks like we have a runner" 4 times in 4 different octaves in random melody. Have fun and enjoy.

Made this sound effect/pad by playing different sound samples far below their initial octave range. I really liked the outcome of this particular sound so i decided to post it. Made with fl studio 10. Enjoy!.

I recorded myself on my camcorder, brought it into power director 9, altered the audio by dropping the octave slightly then adding a little reverb and saving it as a wav file.

A morphagene reel recorded from an old swedish air organ. The reel is organized into 5 groups, cmaj scale, octave up, thirds, fourths, and fifths. Really nice slowed down or through a low pass gate.

A setting on my toy keyboard called "pearl drop" shifted two octaves down (shifting this far down made the sound just start to break up in a glitchy sounding way).

Jen pianotone 600 was an electronic piano from the late 70s. Vox built a same-sounding instrument. Presets: bass,piano and harpsichord. It had five octaves and no touch sensivity. I sampled the pianovoice.

Decided to test my mic to record high frequencies)) note that even with a decrease in the loop on the octave (-12). Harmonic signal will sound up to 20 khz. Tune: f2, +25 centrecord gear: ecm 8000, prismsound lyra. .

Made on fl5 back in 2005 for one of my first rap beats. . Used a pluck instrument on fl5 to create this loop. Has a harmony on the second time around on a higher octave.

Whitney music box, variation 6. In this variation the 48 dots are arranged to trigger microtonal pitches in one octave. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v6.