2,569 Royalty-Free Audio Tracks for "Guitar"

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Oliviolin is a very simple kind of primitive instrument made from two olive tree sticks and a guitar string!.
Author: Uzbazur
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Title: fight for the villagegenre: epic orchestra, actiontrack: 81/100. Feel free to use my music, it would be great if you credit me.
Author: Migfus
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Perfect soundtrack for a haunted house, i made this using audio from my electric guitar and working some magic on it to alter the sounds and re-organizing the ones i needed.
Author: Badwolf
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After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.
Author: Hyacinth
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Slicex (fl studio)pedals "amp guitar" (vst)db glitch (vst)gross beat (fl studio)reverb effect (adobe audition)my computermy brain lol.
Author: Samplag
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I was tried to make a tape loop, and this is what i got. For those who haven't tried, it's very difficult to make a tape loop. This one broke after two loops, so i'm lucky i recorded it!.
Author: Hello Flowers
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Made with omnisphere, guitar rig etc. . .
Author: Younoise
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A sound i made by scraping guitar strings with my fingernails. Recorded on november 20th, 2021.
Author: Hajisounds
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Raw percussive type synth sound made by hitting muted string on a guitar that is connected to boss sy-1 synth pedal with a palm of the hand. Best used with a sampler and a lot of effects.
Author: Mutumaniac
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Electro-Acoustic AGM Guitar, Rickenbacker Bass, Logic Drummer, and at least 5 instances of the ES2 synth. Dedicated the Public Domain May 8, 2014. If you use this in anything DO NOT credit me. Thank you. - Kevin MacLeod
Author: Kevin MacLeod
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This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.
Author: Veiler
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Random guitar playing with many experimental pod x3 effects, and some post-processing on the recordings. These resulting ducks have seen better times, and have been in better places :-).
Author: Burning Mir
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Alt version of a melody i came up with in midi shifting notes around. The sound is from an acoustic guitar note sample of mine with effects, ran through structure free in pro tools.
Author: Mooncubedesign
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Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.
Author: Tubbers
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Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: tenor saxophone, drums, double bass, electric guitar.
Author: Emirdemirel
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Jazzy rock tune i made 2 days ago on bandlab. I used upright piano and daylight guitar. Also added some fx. Made on bandlab.
Author: Dearydanmusic
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My version of Down by the Salley Gardens. Originally a poem by W.B Yeats, it has been set to music and performed by many artists over the years. Here I play it on the low D whistle with guitar accompaniment.
Author: Halveyp
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A spooky "wailing" sound, that puts your senses on-edge. Simply made with my electric guitar and me messing around with effects in audacity. Paul stretch is a superb effect for creating a stretched out "wailing" sound.
Author: Glock
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Sorta spooky and creepy, almost as if something is following you or hiding from you. Low gain but tones of echo and delay.
Author: Aceinet
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I created this with a custom rakarrack patch and an epiphone explorer guitar. Captured with jack_capture commandline program.
Author: Unfa
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Cafe_evening (x). 5 tracks. "homemade" created. 1 track - guitar2 track - background chattering3 track - ambient (cafe)4 track - background chattering (3 seconds delay)5 track - ambient (kitchen).
Author: Univ Lyon
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Bass and drum loop - brand new bass strings - come get 'em while their hot.
Author: Badoink
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It's a dance beat. . . . Duh !!!.
Author: Badoink
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Made with some free samples found on this site and production magic.
Author: Thrashzilla
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Latin experimental ethno world moderm music beat - mastered.
Author: Szegvari
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This is my music created with rytmik studio. You can find rytmik studio on steam. You can see some stories here: https://www. Youtube. Com/channel/ucbgcngoxppkgplliquuppkw/videos.
Author: Bravehearthjk
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Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.
Author: Alfredo Pelaia (1888-1942)
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A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.
Author: Wricken
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Nasty type of tones, think bad garage rock. But a simple type of riff which could be used for a beginning or break segment if shorten.
Author: Aceinet
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Recorded this at friends haunted house. Paranormal activity is present on tape. Use with caution.
Author: Evanjones
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Low gain, blues like riff. Almost sounds like something you might hear on the radio in the background. A little all over the place after a while.
Author: Aceinet
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Simple type of riff with some flange and vibrato/noise. Low gain type of distortion. Sorta random chords type of playing which would probably work broken up into smaller sections. Gets nasty at the end.
Author: Aceinet
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Just a project i've been working on for a while, thought i'd share it here! this was made using soundtrap. Have a nice day and feel free to use this however you like!.
Author: Felineterror
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I created this perfect seamless loop using a zoom r8 portable studio. I played all the instruments. It's got a cool jazzy feel to it. Feel free to use it for your projects.
Author: Badoink
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In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.
Author: Kbclx
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Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.
Author: User:Hyacinth
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Made in ableton live. Layered together out of various explosions sounds and a kick drum. One sound layer ran through a guitar amp for distortion. Low-fi-ish.
Author: Superphat
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A ''two-guitars-riff'' i created using magix music maker 2006 riffs that i cut up and edited, with additional drums(also cut up and edited with mmm2006-sample). Thought it sounded nice and heavy, so here it is. . .
Author: Fossa
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This is used by fliter of a vst bp 48 fx using a sharp nice smoothing synth sound.
Author: Staticpony
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A sound i created in garage band i originally intended to use as a podcast intro. . . I suppose it could also work at the beginning of a pop song or something as well. It includes some synth, guitar, processed vocal sounds, percussion, and a panther growl.
Author: Tigerduchess
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A thrilling music part based on strings and guitars. Made in garageband for something called victors crypt. Could be used in something fearful and creepy. Like a horror film or a mysterious pod for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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An eastern-european musician playing guitar in a paris subway train. I was on my way to downtown paris when this guy started singing for money. I chose to record the scene because i thought this was a typical parisian soundscape, something parisian subway users experiment every day, and a real insight on how this city actually sounds. I happened to be sitting in one of these new line 5 trains. I think theyre audio footprint is much smoother than the old trains. . . Recorded with a zoom h2n in x/y stereo mode.
Author: Schafferdavid
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Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.
Author: Antwerpsounddesign
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I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.
Author: Tarane
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Harley benton b-550fl fretless bass with sadowsky sbf40b flatwound 40-125 strings. Recorded directly, no effects. Open e string, both pickups.
Author: Mrforfs
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Time is running out track with nice and warm sound. Track features piano and guitar. Space pad. Plugins omnisphere. Ableton 9, 11 midi channels. Bpm 103.
Author: Andrewkn
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Victor recording from May 29, 1916. Matrix B-17760. "Hawaiian Portuguese tango" by Louise and Ferera. Guitar duet.
Author: Frank Ferera, Helen Louise Greenus
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Mellow type of lick, good for an intro, sorta blues sorta doom/stoner rock, clean tones, lick starts to build up near the end.
Author: Aceinet
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Recorded with my epi sg through the focusrite and walrus slo pedal. Bass recorded just through the focusrite. All edited with reaper. Thanks to kenny gioia for the reaper tips. Please comment on what you may use it for. Thanks. :-).
Author: Tubbers
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