414 Royalty-Free Audio Tracks for "Gain"

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Samples of the legendary boss dr-55. These are one-shot samples of the entire boss dr-55 drum machine. This is a vintage analog drum machine, and every recording of the circuit's output is unique. As such, i believe recordings of the machine to be freely distributable. No harm/ financial gain is intended by this upload, only love! enjoy!.

At the morning, saint-blimont, la somme, france. Recorded on 2018/11/01 at 8h24 by a rode nt4, sound devices 302 and olympus ls100. This is a good example that the rode nt4 is not a good system for quiet ambiances. High-pass (160 hz) on the sound devices, +12 db gain on pro tools.

This sound was recorded via the use of a behringer b2 microphone, fostex fr2 and a home made parabolic reflector made from a tv satellite dish. The source of the sound was between 100m-200m away from the microphone. This has been eq'ed with high-end shelving to reduce gain noise, low-end shelved up to 1khz (to reduce wind and background noise) and the overall gain has been increased. The bird sound on the recording, is a bird called a "nightjar" which is a nocturnal bird. If you are interested in the build of the reflector itself, i have documented it here: https://www. Youtube. Com/watch?v=jyssecw1qf0. This sound is also available to listen to on my soundcloud: https://soundcloud. Com/jonmacmusicproduction. If you use my sound in any productions could you please put a link to my free sound, sound cloud or youtube channel so it can reach others!. Thanks for listening and downloading.

Bees swarming in an aspen tree in pursuit of its sap. Schoeps cmc6-uxt/mk41 (mid) + cmc6-uxt/mk8 (side) mid-side stereo array in hand-held rycote zeppelin + shockmount > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr of handling noise/wind?, amplification) > flac. Compare and contrast with the audio-technica ldc mid-side version here:http://freesound. Org/people/chromakei/sounds/400169/.

I needed a quick fix for a bomb sound effect, and i think i made this one okay. Honestly, i just went "pkhoooooo" into my laptop mic, bass boosted it, slowed it down, pitched it down, and ran it through a low-pass filter in audacity. This sound is licensed under a creative commons 0 license, meaning you can use it in any project you want (for monetary gain or not) without creditting me. Enjoy!.

Rodovia 262 minas geraisposto de paragem de ônibus, carretas e caminhões. ** acidentalmente deixei o agc (automatic gain control) ativado. É possível perceber pequenas variações de volume no waveform. Sorry!. Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). 16 bit. Wav48. 000 hzmono.

Recorded and raised the gain very high, this is simply my fingernails gently rubbing against the fabric of my fender mustang iv amplifier. I also recorded some egg rolls cooking and got some of that spicy hot sizzle in there :) bass boosted in audacity and equalized to perfection in audacity. *if you download this sound, please write in the comments what you used it in!*.

My first ever field sound recording, made with diy mic and sony mz-n707 md, sp mode, mic gain set to "low". Tommorow will make some more :). Gilera runner sp50, 50 ccm 2-stroke scooter, with removed factory speed-limiters (some of them are in the exhaust). Mic was positioned maybe and inch above exhaust. At the begining automatic choke is engaged, hence the high idle revs. .

Recording of rain in a small town with some thunder, cars and birds. Plane passing by in the sky. Recorded with sound devices mix-pre-6 ii and two mxl 603s mogami custom mics in din stereo. Recorded in 192khz/32bit. Post editing with rx8: low/high cut with eq to reduce rumble and noise, also gain increased and cut to length. Converted to 320kbps/cbr mp3.

Recreated sounds of a field recording done for loyola high school. There are only two sounds under an attribution license. For the first sound, i just made the duration shorter. Here is the link https://freesound. Org/people/moonfisher/sounds/185950/. The second sound has also been shortened. Here is the link: https://freesound. Org/people/juskiddink/sounds/127795/. All sound modification has been done using garage band. Mods include these: shortening duration, lowering volume, and shifting gain.

Samples of the legendary boss dr-110 *. These are one-shot samples of the entire boss dr-110 drum machine. This is a vintage analog drum machine, and every recording of the circuit's output is unique. As such, i believe recordings of the machine to be freely distributable. No harm/ financial gain is intended by this upload, only love! enjoy!.

My goal has been to open any jar or bottle without assistance. Some of those are screwed on pretty tight, unlike, uhm, me. So i bought one of those squeezy things where you work against a spring, but, my hands are a bit too small to gain the necessary advantage. The alternative? a crush-able exercise ball. It's really working. I measure my progress, from time to time.

These are original writing's. Consciousness+darkmatter+sound+light=universe. We are the children of creation imbued with the creationary power of sound vibration. Royalty in the first house of the universe. Unlike the so called royalty of this world we are charged with bringing order and decency to it. Not seeking power or material gain. Stand and be noted if the calling falls on your heart?!~. Regards israel (bradley) alan.

Recreated sounds of a field recording done for loyola high school. There are only two sounds under an attribution license. For the first sound, i just made the duration shorter. Here is the link https://freesound. Org/people/moonfisher/sounds/185950/. The second sound has also been shortened. Here is the link: https://freesound. Org/people/juskiddink/sounds/127795/. All sound modification has been done using garage band. Mods include these: shortening duration, lowering volume, and shifting gain.

Bees with a frenzied interest in the pollen or sap coming off the leaves of an aspen tree in my back yard. Distant construction equipment audible. Mic stand below the tree, mid-side stereo array pointed 'forward' nearly straight up at tree limbs/leaves. Audio technica at4040 (mid) at4050 (side) > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, eq, 'mastering exciter/loudness/width') > flac.

Opening a sliding door to a lot of chatty morning birds. You can hear a some fire truck sirens far in the background. After a few minutes, door is closed, i let you hear the difference, and we’re done. Recorded with a tascam dr-05 at about 5 am. Converted to mp3 with command “lame --preset extreme” since it’s rather huge. Not normalized; lame reports a playback gain of +21 db.

Recorded with zoom h2 at 96 khz / 24-bit. Edited and converted to flac using audacity, otherwise unprocessed. Midway through recording i have lowered my gain setting from hi to mid to avoid clipping. Some background noise (fridge) is left in for noise removal. I prefer to get raw audio from freesound i can process myself - gives me maximum options, that's why i deliver the same. Video recording:https://youtu. Be/ezqsxnbvl4o.

Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).

The high desert (6-thousand feet) of northern arizona, near flagstaff. Walking at midday with the sandy gravel and dry, stunted vegetation crunching. You will also hear the many locusts which seem to be present by the thousands in place. Big blue sky all around, and nothing but the steps, and the crunching of the ancient land. Recorded on october 17th, 2017 near flagstaff arizona. Equipment used: sony pcm-m10 using built-in stereo microphones. The gain on my recorder was at 6.

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

A busy sunny summer sunday morning in bellefonte, pennsylvania, us. On this recording you will hear cicadas, traffic on the street at the bottom of the hill, brief voices and a following chorus of barking dogs, police and fire sirens, and church bells. Recorded using a lavalier mic and the hi-q app on an android phone. Gain set to +. 05.

The melody is made for my game and an inspiration of polar light( aurora),. I use it in my game:http://www. Newgrounds. Com/portal/view/650628. The lyric is:. When you stand, you understand, you shouldn't be afraid. All the wind and all the pain, won't stop your steps and faith. While the sprite turns green or red, we dance for what we gain. Fa-lala~ la-la lalalalala la lala lalala~. Composing by finale 2002editing by audacitytransfering midi to. Wav by format factory.

A diesel train flushing out the condensation from a particular valve, as i am told. Sounds like electricity sparking or something. It was quite loud, my gain was set extremely low, enough that i didn't pick up any of the road traffic with cars passing a few feet behind me. Mic: audio-technica at-875r shotgun micrecorder: tascam dr-40. Creative commons license because lengthy attributions suck. Use as you will.

The past two nights were very stressful and restless due to this crazy hurricane which has come to the balkans and has been terrorizing all the nearby cities. I thought it'd be a cool memory so i took out my zoom h2n and made this recording. Not the most pleasant thing to experience but pretty unforgettable anyway. Mode used: 2 ch (+2) | gain: 10.

1 of 3 mics recording a peugeot 404 injection driving on the road. There is a 3mics in one edited version too. Some gain control may have been done within the take. Mostly driving down hill. This recording was done with a rode wireless go near the engine, in the inner bonnet on the wall driver side. Recorded in 48khz 24bit on a zoom h5.

It's recording of a passenger train's on duty. You can hear the train's motors, the wheels rumbling against the rails, the wagon connectors hitting each other, when the train stops also people chatting. Near the end of the recording the room acoustics change, because a woman entered the area between wagons where i was standing with my recorded pointed down. I was standing in a narrow passage, where two wagons were joined, between two closed slide-doors. She have opened those so the overall sound has radically changed and i decided to end the recording. Through the entire recording the unit is moving forward, decelerating, stopping, staring and accelerating again repeatedly as it travels stopping at several stations. The recording was done with a hand-held zoom h2. Rear mics used pointed to the ground. I was in the loudest area in the whole train. I was using "low" gain (h2 has three mic gain levels to choose from: l/m/h). Viewed and converted to flac using audacity, the file hasn't been altered in any other way. Originally recorded as a 96khz/24-bit stereo wav file.

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

A sound effect for "powering up" in a retro game. Derived frommy "square wave build up" sound. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Here is the sound of a 50-caliber barrett rifle being fired. You'll first hear the sound of the bolt being pulled back. Really cool sound if you can listen on some nice big speakers. Recorded with my handy zoom h4n using a rode ntg-2 shotgun microphone. I was standing about 20 feet from the rifle, and i still have the input gain turned way down to about 30, just to make sure the circuitry was not overloaded. Also, since this was in a big, wide-open field, you get a nice echo.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

I made a great impersonation of the grudge when she is angry using adiomass and my own voice! i thought it was a good idea since i had figured out how to make that sound a long time ago (like 2 months or something) the scream you may hear at the end was me breathing out but because i added 250% more gain over and over again i ended up sounding like i met the "grudge". Good for horror movies and possibly a grudge 2 (although i already saw the old grudge 2 this would be a remake. ).

Victorious fanfare that would play after a win or accomplishment. Designed in milkytracker, and later edited. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Multiple gunshots recorded at an indoor gun range. Many of the shots are from an ak47, including single shots and full auto. There is some background noise, but there are some good clear shots in there that can be easily cut out and used. Unfortunately the original recording is only mp3 and the recorder had auto-gain set so some shots are recorded louder than others, but there are still some usable shots in there.

A recording of dry leaves skittering across an asphalt parking lot around 2:00pm on a friday afternoon. I feel this recording captures the serene, but sad, sound of dry leaves in the fall being scattered about by a strong north wind. Recording made with the marantz pmd661-oade, and the incredible beyerdynamic me58 microphone. Since this particular microphone is a dynamic microphone, i had to crank my record gain up to 7. I was really happily surprised that the sometimes un-listenable wind-roar and wind rumble is barely noticeable on this recording. . . . . . Emjoy this autumn soundscape.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

A car engine startup recording with lom (slovakian microphone manufacturers) omnidirectional microphone ("ucho"). If by chance i gain access to stereo diaphragm mikes of good quality, the re-take of this will be of higher quality. I intended to use this for gta sound modding and for general car ignition noises. For anyone curious, this is a second-hand honda accord (2006) saloon's engine revving, the person revving this vehicle is one of my friends starting it up who i asked kindly if i could record it.

A full hip-hop rap beat with piano and strings to make it emotional. Please do not use this loop as a sample for your rap or hip-hop tracks. This loop if not to be used as free sample for rapping purposes. Since there are some comments about using this loop, in response to this. Yes, this is a free website where you can download sounds and samples. Yes you can download this and yes you can rap to it. What i specifically want to state is that, no you may not breeze by and "steal" this loop to "rap" over it for commercial use, for your own gain. Yes you can use this sample i created for a video, film, documentary. No you may not build a complete or partial song of your band or rapper rapping to it and release it to the public for your gain. In other words, feel free to use it as you wish, but respect the work. If you feel the need to download this sound to make it "big" then go ahead, "steal" it. But i hope you have more respect for artists that write music such as myself. I cant stop you from doing as you wish with it, but i can make a statement and tell you what i want my music meant for.

The recordings found in this foley pack are all original recordings made by myself and they are intended for free public use to help content creators with their commercial or non-commercial projects. They are not intended for redistribution and misappropriation with monetary gain in mind. Microphones used:- rode m5 stereo pair. Processing applied:- minimal low-freq. Filtering- denoising where necessary. These recordings were made with the best of intentions and with the limited resources so do not expect professional studio recorded foley. Thank you and enjoy!.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

A sound i initially made for scp containment breach's ambiance sounds when i had first had the zoom h6 (2019 december, i regularly sound mod old games to gain learning experience of the encoding, the resampling quality of that engine and the internals and since then i've improved in many places). The actual recording is the pressure sound of water going down its sinkhole, filtered as to "muffle" the sound due to the design being that behind a wall and catching the attention of the player likely leading to their death by scp-173 but also was done to boost its bass and it gives a sort of comfortable, releasing feel.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

Field-recording of the creek found in old ellicot city, md. The creek is located in a suburban town, and is surrounded by a man-made rock moat about a story below street level. Recorded using a sony pcm-m10 at 24bit, 96k. The sound has been gently processed!!- hpf (6db slope) to remove rumble- compressor (ni supercharger gtx) with a minimal 1db gain reduction in m/s mode and a bit of warmth added. - ozone 5 for a little m/s eq to alleviate some of the watery pops on the sides and a little stereo widening to compensate for the pcm-m10's built in omni mics.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

My contribution to the freesouond collaborative performance of gyorgi ligeti's "poème symphonique for 100 metronomes". The metronome is marked "wittner" and "made in w. Germany". It ran for a little over 13 minutes at about 140. 7 bpm. Recorded on the hardwood floor of my bedroom, with the mic in front about 30 cm away. Equipment used: oktava mk102 mic, art digital mpa preamp, m-audio audiophile card. This sample is completely unprocessed. It looks limited or clipped, but i can't hear it - must be from the tube preamp (i had the gain cranked way up). It's pretty quiet, but if you listen carefully you may hear some noises in the background, especially near the beginning where i leave the room.

It's a recording of a man operating a chainsaw in a forest near an underground repair station. I've been biking through the forest whe i heard the chainsaw, so i stopped and recorded 7 minutes of him cutting off branches, tembers and walking around a bit. You can heat the chainsaw, natural forest reverb, sometimes a plane flying by or an undergroud train. The recording was made from around 20~30 meters from the sound source. Recorded with a zoom h2 (rear mics, hi gain, 96/24). Originally a 96khz / 24-bit wav file. Converted to flac using audacity.

It's a recording of over 100 people watching a football match (poland-greece @ uefa euro 2012). Recorded in a medium-sized hall. You can hear the sport live commentary broadcasted from television, people expressing their emotions with their voices. Clapping their hands, cheering their team (poland) and generally making a lot of interesting noises as they watch the game. Recorded with zoom h2 in 2-channel surround mode. Originally 24-bit wav, normalized and converted to 24-bit flac with audacity. I have reduced the mic gain at 0:56 to ensure i will not have a clipped recording. I didn't edit the result to let you cut-out whatever you may need.