414 Royalty-Free Audio Tracks for "Gain"

Water dropping on tile and metal drain randomly, with a distinct rythm that slows down towards the end of the file. Recorded with zoom h4n embedded mics, quickly edited on protools for gain, noise reduction and artifact removal. Still a little noisy, though.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

The user nayruslove (https://freesound. Org/people/nayruslove/) uploaded this sample of his girlfriend vocalizing, and it's absolutely stunning. However, it has this very strong gain buzz to it and i went to great lengths to get rid of it is a much as possible, so here it is.

Simple type of riff which would work for a beginning or break segment. Low gain type of sounds. Call it garage rock or alternative lo-fi rock. Actually changes into a couple different segments which might be useful.

Music box revolved on a 12" x 12" piece of hard foam. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room). Http://i. Imgur. Com/vmsk08p. Jpg.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Wind can sometimes play havoc with recording --- but, with some luck you can get good wind recordings. Here is a recording of lake waves lapping at the short of a small lake in southern illinois. This particular day, the winds were blowing steady out of the south at 25 miles an hour, with gusts even higher. Recording made with my trusted zoom h4n recorder, using its built-in microphones. Of course a foam wind-screen made this recording listenable. Without the foam wind-screen the recording would simply have been an obnoxious, unintelligable roar!also, since the waves were so loud to begin with, i did not have to crank the recording gain real high -- i had the gain only on 65 for this recording. .

A few strokes from a felt tip pen. I couldn't find any of the right length on here so thought i'd share. Unfortunately these are recorded on a mobile phone, but i've not done any audio processing so you can gain and de-noise to your own needs.

Group kmm-the beginning of this sample has a piano playing in the background. There is a lot of wind noise. There is the sound of a door being closed. There is the sound of a train in the distance at the end. Recorded with a zoom h4 handheld recorder, high gain.

It's me growling "metal barrel" in a few different ways. It's an inside joke, but maybe you'll find it funny too. Recorded with an sm57 via umc202hd into audacity under manajro linux kde. I was adjusting the mic gain during recording, so the levels vary.

Recording of an electric kettle boiling water in the kitchen counter of my apartment. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

I clicked it so hard, that if i clicked it half as hard twice at the same time, it would be the same volume!!! there's quite a bit of background noise on this one because i am the king of maximum gain. Bzzhzhhshshhzhzhhhzzzz.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Timex analog office clock, front perspective, muted ticks. Recorded in mono 44. 1/16 from an earthworks sr69 into a zoom h4n, trimmed with a bit of gain boost and a bit of noise filtering eq.

Recording of city ambience from my apartment window at night. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

A sound created in my daw milkytracker. Intended to sound like a defense up, or attack up spell. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

Generated in audacity, this sine tone has an elevated pitch with lowered gain to emulate a generic censorship tone you would hear on public television. The tone is suitable for use in any field, most notably in video games, films or animations. Whether it's comical, functional or both, this tone is a viable resource for censorship detail.

Springtime in a rural indiana neighborhood. A pair of neumann km183 microphones connected by canare l-4e6s and neutrik connectors to a zoom f8 recorder. Gain set to 60db. No processing. Wind noise occasionally, but no overs. This would be a good file to experiment with highpass filtering to remove wind noise.

Distant, quiet, consistent city ambience: traffic at street crossing, some people, airplane. Motor rumble of starting/stopping vehicles, some distant voices, little wind noise. Recorded with tascam dr100mk2 (built-in cardiods 58mm/90°, gain m9, 80hz-hp), no processing. Recorded on an april evening on the rooftop of a 5 store building in berlin moabit.

Quiet, consistent city ambience: traffic at street crossing, some people, airplane, one loud bang. Motor rumble of starting/stopping vehicles, some distant voices, honk, shot/bang. Recorded with tascam dr100mk2 (built-in cardiods 58mm 90°, gain h7, 80hz-hp), no processing. Recorded on an april evening from a 5th floor balcony in berlin moabit.

This sound was recorded while driving down the road on my way to school while it was raining. I was traveling between 0 and 60 miles per hour. So there is a variation in the intensity of the rain falling against my car. As-well you gain a slight acknowledgement to the acceleration of my engine.

Field recording of an electric train passing by. Recorded fairly close, wide dynamic range. I had to reduce the input gain during the middle section of the recording to avoid overloading the adc. I think this a fairly good example of the spatial image binaural recording can provide. Gear: sharp minidisc, soundman okm binaural microphones.

Quiet, consistent city ambience: traffic at street crossing, some distant people, a dog. Motor rumble of starting/stopping vehicles, some voices, barking. Recorded with an ortf/ck91-array into tascam dr100mk2 (gain h6, 80hz-hp), no processing. Recorded on a may evening from a 5th floor balcony (17m above street level) in berlin moabit.

It's me, peeling off carrot skin with a dedicated kitchen tool. Recorded with a shure sm58 via behringer umc202hd at 48khz/24-bit into ardour 6, then truncated and exported to 24-bit flac. No processing or gain applied. Recorded for music production during a monthly livestream on youtube:https://youtu. Be/kcgvwdsnaj4.

A sad ambient piece i made using fl studio and east west's composer's cloud. I'm actually trying to gain more experience with music, so if you direct message me, i will create custom music for your film or video game free.

Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.

It is a very strange sound:) made by my reloop rmx-30 dj mixer's and sb live soundcard's bug! there could be a malfunction and when i used the gain potmeter the sound from nowhere (the cable, the mixer, the soundcard, don't know. . ) became mad. It is travelling on freaky frequencies which makes your ear bad. It is worth to listen:) pure hardware sound.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

New recording of the same garage door with better microphone: https://freesound. Org/people/samsterbirdies/sounds/581601/. Recording my noisy electric garage door opening and closing. First 2 is my right door, last 2 is my left door. Recorded with a boya by-m1 through an awful phone that does garbage post processing and gain control.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Think maybe a sabbath type of riff, low gain distortion but enough of an edge to call it thick/heavy. Probably better split into a smaller segment. Number 95 – flange harmonics g to d – harmonic noise which you could probably use smaller pieces of to signal an alarm/warning type of sound.

Didgeridoo performed by jimmie p rodgers, recorded with a zoom h2 at various mic gain levels. Permission to upload under cc0 has been gracefully given by the artist. Http://upload. Wikimedia. Org/wikipedia/commons/3/36/elderberrydidgeridoo_little. Jpghttp://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats.

A sound found in the midst of me shuffling coins around. Trimmed and editedto sound like a "money collected" sound effect. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

There i was late a night. I was turning my computer off after editing my site. I was silenced by night. But there was a storm a brewin' i opened my bedroom window and put my ear to the icy wind. I knew then this wasn't the usual mellow wind. I ran down the stair with my zoom h4n equipped, went through the garage into the black of night. I sent my gain levels to 60 and with only a foam wind shield i put it between to to boards of wood to act as a wind shield thus allowing my to capture the wind slicing through the trees. With only adjusting the gain levels slightly in post nothing else been done, allow you to add you own effect on it.

Recorded with a tascam dr-05x with gain at 75% and positioned by an open window. 10:00 am sunday, clear sky, cold with some ground frost. Background distant traffic noise and helicopter appears about halfway through the recording then some people's voices near the end. I've amplified this recording by around 8db, no other processing applied.

Spring at noon time, a russian olive tree is swarmed by bees gathering the nectar of the tiny yellow flowers. You can hear a distant motor, magpies, and a wind chim. Recorded with an alesis palm track with the recorder placed directly in the tree, resting on a branch. Processed with soundbooth. Nothing added except gain.

Lighting a safety match. No other effect apart from using the zoom h6's xy mic at 90 degrees and a bit of trimming and the tinest amount of volume automation to rise the end part to an audible gain. Possible applications could be used for a character who smokes cigarettes, foley for a ignition sound effect or literally lighting a safety match.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

At the morning, saint-blimont, la somme, france. Recorded on 2018/11/01 at 8h24 by a rode nt4, sound devices 302 and olympus ls100. This is a good example that the rode nt4 is not a good system for quiet ambiances. High-pass (160 hz) on the sound devices, +12 db gain on pro tools.

Samples of the legendary boss dr-55. These are one-shot samples of the entire boss dr-55 drum machine. This is a vintage analog drum machine, and every recording of the circuit's output is unique. As such, i believe recordings of the machine to be freely distributable. No harm/ financial gain is intended by this upload, only love! enjoy!.