414 Royalty-Free Audio Tracks for "Gain"

Cd player mechanics recorded from 5cd charger panasonic cd stereo system sa-pm27. Edited speed and pitch on some parts of audio to gain robotic like mechanics sound.

Springtime in a rural indiana neighborhood. A pair of neumann km183 microphones connected by canare l-4e6s and neutrik connectors to a zoom f8 recorder. Gain set to 60db. 120hz highpass filter applied.

Back yard neighborhood sounds recorded with an olympus ls-10 stereo field recorder with gain set to maximum. The original. Wav files was exported to this one to save disk space. The file was then amplified with audacity© sound editor.

It is a monotone and low sound because it constantly repeated at certain time, therefore we have need to use a high gain to record it. It is the sound of the barefoot feet walking on the ground.

I recorded this sound in a dry cleaning shop in istanbul. One of the employee is ironing, other ones are doing another work or just talking. Note: i raised the gain level at the middle of the record.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

An open exterior door is slowly shut with an agnonized squeak and a thump. Schoeps cmc6-uxt/mk41 > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr, normalization, downsampling) > flac.

Samples of a buffet crampon e-11 clarinet, serial #b222120. Two behringer xm8500 dynamic mics, nos stereo technique. The instrument was about 0. 8 meters from the microphones. Both microphones had gain set at about 60%.

Simple type of riff with some flange and vibrato/noise. Low gain type of distortion. Sorta random chords type of playing which would probably work broken up into smaller sections. Gets nasty at the end.

Sound of a locker latch close on. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees, at the wc of the dining room of the poblenou campus of pompeu fabra university.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Heavy reverb and delay effects, low gain guitar. To the point type of licks but then some moody chords to finish it out. Probably best served up in smaller sections.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Winding of a music box. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

This sound was recorded when dragging a chair in the gutenberg square at poble nou campus, pompeu fabra university. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Nighttime crickets recorded on the screened porch of a log cabin in cooperstown, new york, usa. Zoom h1n, stereo, 48k, 24-bit. Gain boosted 12 db. Minor cleanup with izotope rx. Recorded in october, 2020.

Music box revolved on a 12" x 12" ceramic tile. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Real sound were recorded with rode nt1 with the best gain settings and a spectral denoise post production for the best snri was collecting coins from my table, putting it in hand and the dropping to a heap.

A single plane coming in from the right to the left, creating some nice reverbing sounds at the end of the recording. Some low level sounds from bystanders. This is a recording with normal input gain.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Weird sorta lo-fi type of riff which changes to an almost country type of lick, then it changes again near the end. Middle of the road distortion. Might work as a background noise track in smaller segments.

I recorded this sound at the steam-locomotives preservation park in kyoto, japan. Roar of steam whistle was much louder than i had imagined, so it was necessary to set the gain level of mic-preamp carefully. Using at825 and fr-2.

Group kmm-this is a sample of a closet door being opened and closed. It is a sliding wooden door. The sound of a squeaky shoe also got in the recording at the beginning. Recorded with a zoom h4 handheld recorder, high gain.

A wine glass made to resonate by running a wet finger around the rim of the glass. This recording has slight clicks as the camera uses the automatic gain control. I would not recommend this for serious recording. Recorded on a canon d550 camera.

Long knife being sharpened down a steel. Recorded on r09hr in kitchen then gain enhanced and processed in digital performer with proverb to give an eerie one shot effect that can be used to create tension and foreboding in horror films or events.

Mountainside forest, high elevation, thunderstorms in the vicinity. Recorded using a sound professionals ms-tfb-2 binaural headset microphone worn in my ears and their 12vdc power box connected to a griffin usb imic and laptop running audacity. +6db digital gain applied.

Sound shutter and rapid shooting of old nikon 2020 camera edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Group kmm-this was recorded while leaving the studio. There is some wind noise at the beginning and the end. There is also the sound of the door closing that was recorded at the end of the sample. Recorded with a zoom h4 handheld recorder, high gain.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded using a canon gl1 and an audiotechnica shotgun mic(unsure of model number, a cheap one i'm sure). The sound of a finepoint pen scribbling on the hard cardboard of the back of a notebook. The audio is low so the gain might need to be adjusted. My professorliked this one.

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

Looped files and added header informations for the files from saif sameer pack "sy99 afm fm waveform operators" https://freesound. Org/people/saif_sameer/packs/31288/. Looped sounds, added header infos loop settings, root key, key range, velocity range, tune and gain. Thanks for sharing sameer!.

Wind noises recorded under a window in a high city block. Apart from huge amount of mic internal noise the recording is nice. Could be useful only when played really quiet. Captured with zoom h2 with hi gain at 96khz/24-bit. Edited and normalized with audacity.

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

Recording breaking frozen/mostly frozen ice puddles with my foot in january 2014 at horizon's park in north carolina. Recorded with a zoom h4n in the afternoon at 96/24 sample/bit rate. Mics set to gain 50 and mic position set to 90 degrees.

Recording breaking frozen/mostly frozen ice puddles with my foot in january 2014 at horizon's park in north carolina. Recorded with a zoom h4n in the afternoon at 96/24 sample/bit rate. Mics set to gain 50 and mic position set to 90 degrees.

Sound of old and clunky auto focus from old nikon 2020 camera. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Group kmm-ambient college campus recording of a distant fire-truck siren. Siren is long and sustained. Other ambient sounds (ie. Birds, leaves, etc. ) can be heard in the sample. Recorded with a zoom h4 handheld recorder, on medium gain. Normalized in peak pro 6.

Group kmm-ambient field recording of faint construction, leaves, birds, and the usual sounds of a college campus. Recorded from third floor dorm room, pointed directly at ground, and recorded with a zoom h4 handheld recorder, high gain. Normalized in peak pro 6.