423 Royalty-Free Audio Tracks for "Gain"

Accidentally, dropped a metallic rod onto my wooden table while trying to record some audio with it. My mistake is your gain. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.

Car door closing, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Car engine starting, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Car engine starting, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Car engine starting, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Heavy reverb and delay effects, low gain guitar. To the point type of licks but then some moody chords to finish it out. Probably best served up in smaller sections.

Some real snaps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the mid frequencies. ) great for layering on top of each other! -eg.

Samples of a buffet crampon e-11 clarinet, serial #b222120. Two behringer xm8500 dynamic mics, nos stereo technique. The instrument was about 0. 8 meters from the microphones. Both microphones had gain set at about 60%.

Mono-e-guitar-track amp-everything-at-11 boss-metalzone-60%gain metal-loop-dirty-noisegates-off i-cleaned-it-up-!boring! so-i-took-all-noisegates-off-for-a-more-authentic-sound.

A single plane coming in from the right to the left, creating some nice reverbing sounds at the end of the recording. Some low level sounds from bystanders. This is a recording with normal input gain.

I clicked it so hard, that if i clicked it half as hard twice at the same time, it would be the same volume!!! there's quite a bit of background noise on this one because i am the king of maximum gain. Bzzhzhhshshhzhzhhhzzzz.

A refrigerator's running compressor, close-mic'd from side near back, by the wall. Schoeps cmc6-uxt/mk41 > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, amplification, downsampling) > flac.

Winding of a music box. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Long knife being sharpened down a steel. Recorded on r09hr in kitchen then gain enhanced and processed in digital performer with proverb to give an eerie one shot effect that can be used to create tension and foreboding in horror films or events.

A twisted door knob is released and springs back to center. Schoeps cmc6-uxt/mk41 > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr, normalization, downsampling) > flac.

Accidentally dropped my glasses in the middle of recording. Tascam dr-05x placed above doorway in narrow hallway, gain set at 80, distance of impact from recorder is about 8 feet.

A wine glass made to resonate by running a wet finger around the rim of the glass. This recording has slight clicks as the camera uses the automatic gain control. I would not recommend this for serious recording. Recorded on a canon d550 camera.

Springtime in a rural indiana neighborhood. A pair of neumann km183 microphones connected by canare l-4e6s and neutrik connectors to a zoom f8 recorder. Gain set to 60db. 120hz highpass filter applied.

An open exterior door is slowly shut with an agnonized squeak and a thump. Schoeps cmc6-uxt/mk41 > sound devices mixpre-6 @ 24/96 +46db gain > adobe audition (edit, nr, normalization, downsampling) > flac.

I recorded this sound at the steam-locomotives preservation park in kyoto, japan. Roar of steam whistle was much louder than i had imagined, so it was necessary to set the gain level of mic-preamp carefully. Using at825 and fr-2.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Weird sorta lo-fi type of riff which changes to an almost country type of lick, then it changes again near the end. Middle of the road distortion. Might work as a background noise track in smaller segments.

The user nayruslove (https://freesound. Org/people/nayruslove/) uploaded this sample of his girlfriend vocalizing, and it's absolutely stunning. However, it has this very strong gain buzz to it and i went to great lengths to get rid of it is a much as possible, so here it is.

Simple type of riff which would work for a beginning or break segment. Low gain type of sounds. Call it garage rock or alternative lo-fi rock. Actually changes into a couple different segments which might be useful.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Automatic stick shift being shifted, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

A fly buzzing around a small room, bouncing off windowpanes, resting, repeating. Akg perception 220/400 mid-side stereo > sound devices mixpre-6 @ +50db 24/96 > adobe audition ( digital gain, noise reduction, downsampling ).

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

Nighttime steady rain in cold still air, recorded through second floor window overlooking deck and forest. Sound professionals ms-tfb-2 binaural microphone setsound professionals 12vdc battery boxgriffin imic usbdigital gain applied.

Garage door closing, electric motor, single garage. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Nighttime crickets recorded on the screened porch of a log cabin in cooperstown, new york, usa. Zoom h1n, stereo, 48k, 24-bit. Gain boosted 12 db. Minor cleanup with izotope rx. Recorded in october, 2020.

Cd player mechanics recorded from 5cd charger panasonic cd stereo system sa-pm27. Edited speed and pitch on some parts of audio to gain robotic like mechanics sound.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Wind can sometimes play havoc with recording --- but, with some luck you can get good wind recordings. Here is a recording of lake waves lapping at the short of a small lake in southern illinois. This particular day, the winds were blowing steady out of the south at 25 miles an hour, with gusts even higher. Recording made with my trusted zoom h4n recorder, using its built-in microphones. Of course a foam wind-screen made this recording listenable. Without the foam wind-screen the recording would simply have been an obnoxious, unintelligable roar!also, since the waves were so loud to begin with, i did not have to crank the recording gain real high -- i had the gain only on 65 for this recording. .

Nagranie wykonane podczas burzy nad warszawą 19 lipca 2015 roku bez użycia włochacza zasłaniającego mikrofony. Jakość 320 kbps mp3 high gain, agc comp - off.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Music box revolved on a 12" x 12" ceramic tile. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

This sound was recorded while driving down the road on my way to school while it was raining. I was traveling between 0 and 60 miles per hour. So there is a variation in the intensity of the rain falling against my car. As-well you gain a slight acknowledgement to the acceleration of my engine.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording breaking frozen/mostly frozen ice puddles with my foot in january 2014 at horizon's park in north carolina. Recorded with a zoom h4n in the afternoon at 96/24 sample/bit rate. Mics set to gain 50 and mic position set to 90 degrees.

Group kmm-ambient college campus recording of a distant fire-truck siren. Siren is long and sustained. Other ambient sounds (ie. Birds, leaves, etc. ) can be heard in the sample. Recorded with a zoom h4 handheld recorder, on medium gain. Normalized in peak pro 6.

Mountainside forest, high elevation, thunderstorms in the vicinity. Recorded using a sound professionals ms-tfb-2 binaural headset microphone worn in my ears and their 12vdc power box connected to a griffin usb imic and laptop running audacity. +6db digital gain applied.