Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Central heating heater unity sounds of it being hit as well as the pipes being struck and hit. Slow down for horror show. Zoom h2n with auto gain (bad choice).
Recorded celery snapping in wooden sauna for use as foley broken bones sound. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low.
I recorded this sound in a dry cleaning shop in istanbul. One of the employee is ironing, other ones are doing another work or just talking. Note: i raised the gain level at the middle of the record.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Garage door opening, electric motor, single garage. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
I say "ofishal in the mix" in a deep voice. The vocal sample is a response to the sample request "simple samples" by dj ofishal. Have fun with it! :). Recorded with zoom h2n handy recorder and audacity. Connect to computer with audio i/f mode. Recording mode: xy stereosampling frequency: 44. 1khz/16bitinput gain: auto gain, soloedited and exported to flac with audacity. Supportyou like this sound? then support my work and flattr this sound!. Http://api. Flattr. Com/button/flattr-badge-large. Png.
Recorded using a canon gl1 and an audiotechnica shotgun mic(unsure of model number, a cheap one i'm sure). The sound of a finepoint pen scribbling on the hard cardboard of the back of a notebook. The audio is low so the gain might need to be adjusted. My professorliked this one.
Car door opening, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Group kmm-the start-up of a dorm air-conditioner. Recorded directly on axis, low gain, pointed directly at vent. Recorded with a zoom h4 handheld recorder. Normalized in peak pro 6.
Group kmm-the beginning of this sample has a piano playing in the background. There is a lot of wind noise. There is the sound of a door being closed. There is the sound of a train in the distance at the end. Recorded with a zoom h4 handheld recorder, high gain.
Simple type of riff with some flange and vibrato/noise. Low gain type of distortion. Sorta random chords type of playing which would probably work broken up into smaller sections. Gets nasty at the end.
Spanish voices walking by at a local market, teror, gran canaria. Field test with my new tascam dr-100 mkii and the internal unidirectional microphones (high gain/half open).
Group kmm-this is a sample of a closet door being opened and closed. It is a sliding wooden door. The sound of a squeaky shoe also got in the recording at the beginning. Recorded with a zoom h4 handheld recorder, high gain.
A little bird in a meadow in western new york state, usa. Recorded with zoom h1n, 24-bit, 48khz, stereo. Post processed in izotope rx to reduce ambience and bring out the birdy. Gained up by 6db.
Interiour fan on defrost, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Real sound were recorded with rode nt1 with the best gain settings and a spectral denoise post production for the best snri was collecting coins from my table, putting it in hand and the dropping to a heap.
This sound was recorded when dragging a chair in the gutenberg square at poble nou campus, pompeu fabra university. It was recorded using a zoom h2 with medium gain and directionality of 90 degrees.
Accidentally, dropped a metallic rod onto my wooden table while trying to record some audio with it. My mistake is your gain. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.
