643 Royalty-Free Audio Tracks for "Equal"

Summer rain falling at various levels of intensity. Occasional droplets hit a wooden porch. Audio has been denoised, equalized, and leveled to peak at no higher than -6 db. Waveform audio, 96000 sample rate, 24 bps, stereo.

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

The soundscape is created by using behringers pro-1 and crave. I recorded into logic via a yamaha mixer and steinbergs ur22 mk1. In logic i destroyed the sound completely with a bunch of effects. Effects used: space delay, microphaser, a vocoder and of course my beloved bitcrusher. Did some equalizing too.

*Thirty-ninth harmonic on C = E♭. Just: 39/32 = 342.48 cents. Equal-tempered: 23/12:1 = 300 cents. Limit: 13-limit. MIDI pitch bend: 76,77

Este sonido lo grabé para colocarlo en un video que hice como introducción a un podcast que estoy haciendo. . . Después de grabarlo lo ecualicé en audacity. "i recorded this sound to put it in a video that i made as an introduction to a podcast that i'm doing. . . After recording it, i equalized it in audacity".

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

Opened tracks and added new stereo track using audacity, generated brownian noise with. 9 amplitude and applied equalization effect removing all frequencies below 30hz and above 80hz to -120db, applied bass and treble effect increasing output volume 5db, applied limiter effect using soft limit and limit to -5db with a 20ms hold to remove spikes.

Hitting a wooden table with the palm of the hand. Sound produced by the strenghtening of fingers against a wooden table. Technical aspects:- zoom h4n handy recorder- built-in microphones. Edition:- adobe audition cc. Effects:- (slight) noise reduction (process)- fade out- multiband compressor -> classical master- filter and eq -> graphic equalizer (20 bands) -> classic v.

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

People in the hood having each their bit of fun. One drilling his life away, the other beating his drums, playing some girl into ecstacy. Recorded on october 7 2017 in the afternoon. Recorded with a zoom h6 through a roof window on the second floor with the xyh-6 capsule. No montage, a little equalizing in reaper.

Este sonido lo grabé para colocarlo en un video que hice como introducción a un podcast que estoy haciendo. . . Después de grabarlo lo ecualicé en audacity. I recorded this sound to put it in a video that i made as an introduction to a podcast that i'm doing. . . After recording it, i equalized it in audacity.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

Formatted for use in the make noise morphagene. This reel was used in the morphagene: plane of composition video. It consists of several splices of equal length to be traversed through linearly or nonlinearly. Audio is counting from 1 through 8 with various text-to-speech voices. The output has been edited so that the numbers appear at the same time in each splice for plane of composition traversal.

The sound of a piece of packaging paper paper punched by the fist. A very thick sound. Also sounds like a gun shot. Recorded using the sampler in redrum in propellerhead reason 5. Equalizing used to get rid of noise and harsh frequencies and maximizer use to make sound audible. Recorded on 3 jan 2012.

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

Lift of an university. First he says "lift up" and then "2nd floor". The sound of doors opening and closing. We can hear the distant voices. Sound environment. I used zoom h4 handy recorder with built-in microphones. I modified the original sound and added equalized and compression. I changed the input and output sound progressively decreasing. All with adobe audition 2014.

Honking cars pass through the street, celebrating a turkish wedding. Recorded through a roof window from the second floor of a house. Recorded with a zoom h6 with the xyh-6 capsule. Recorded october 7th 2017. No montage, just a fade in and fade out and a little equalizing done in reaper.

Ten whole minutes of night time suburban ambiance. Insects take center stage against a subtle backdrop of suburban sounds like cars and people. Might be good for a meditation session. 2 em172 omni mic capsules > zoom h1 > equalizer.

A kick drum produced for moody trance project. Production process: sound generated from kick synth; signal splitted in two bands; high band signal filtered, distorted and panned (this gives nice roughness and makes kick sound pretty good with center panned bassline); low band signal equalized with some re-verb; both bands mixed back together.

December 2017. Recording equipment: mk105 condenser mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. New not free version of similar sound, recorded in 2021. For new recording used stereo pair rode m5 mic and zoom h5 recorder:https://audiojungle. Net/item/water-to-the-glass/32282046.

I've used a lot of sounds from this site over the years so i thought it was about time i gave something back:). Field recording on h4n zoom recorder as a concrete was spayed against the wire frame of our in ground pool. This has been normalized, equalized and compressed in audacity. Happy for this to be public domain, use it as you see fit. And thanky ou to the contributors on this site:).

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

This is a remix the piano sounds available @. Https://freesound. Org/people/josefpres/sounds/574711/. Added a bit of equalizer, reverb and some light background evp static from a field-recording. Original sound credits;https://freesound. Org/people/josefpres/sounds/574711/.

I whipped up this wacky reinterpretation of the twilight zone intro while doing a sound design concept. This was made using "caustic" an android music creation app by single cell software on my htc one. Http://www. Singlecellsoftware. Com/caustic. I used a default piano synth, played around by ear and applied aparametric equalizer effect. I'm not much of a musician but it turned out alright! :).

Chirp sound, 250hz - 800hz square waveform. Linear interpolation. Wet reverbed and compressed to 3:1 ratio. Equalized with riaa wave curve (top-left to bottom-right). Each chirp lasts 3. 750s. Repeats 4 times layered over itself, including the last chirp without any layered sounds on it.

Recorded and raised the gain very high, this is simply my fingernails gently rubbing against the fabric of my fender mustang iv amplifier. I also recorded some egg rolls cooking and got some of that spicy hot sizzle in there :) bass boosted in audacity and equalized to perfection in audacity. *if you download this sound, please write in the comments what you used it in!*.

An attempt to make an entire drum kit using only cymbal sounds. Cymbals were pitch-shifted, compressed, equalized, and subjected to other effects in order to make them capable of filling the roles usually occupied by actual drums. Hear them in action: https://soundcloud. Com/sonic_kitchen/amc001-cymballistix.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

A brook near my home. I like it’s sound but not easy to record. But here i try again with my zomm f4 and sennheisser mke 600. I did some adjustments with an equalizer and i'm happy with resault so far. But i'm not completely convinced, maybe i'll try again sometime later :. Equipment usedzomm f4 and sennheisser mke 600.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

A small bassline created with my new rocktile ebass. I used the (free) safe plugins compressor and equalizer by semanticaudio for the effect part. I used audacity to merge the parts. Recorded with wavosaur. There are small pops at the transition from no fx to fx and at the end of the fx part, just cut them away with some audio software. I didn't listen to it before uploading. My fault, i was sloppy cutting. Plugins: http://www. Semanticaudio. Co. Uk/.

This track was developed in 2018 via apple's logic pro x on a macbook pro 2017. The home studio employed the usage of the presonus eris e4. 5 near field monitors in east harlem new york city. The project used sample files already included in apple's logic pro x. The mixing process employed only logic pro x plugins (e. G. Compression, equalization). You may find the developer at twitter: @harlemdaw.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Sound 4/4, the highest note - thus white, of my epic ambience pack. Created in audacity by recording 4 strings of a violine, slowing down tempo, boosting bass frequencies with an equalizer and finally paulstretch. Silence has been truncated and endings are faded. Feel free to use as you like under public domain/cc0.

Wooden, headless tambourine recorded using a zoom h5 and a rode nt-5 in a bathroom. Edited in ocenaudio, also some de-reverberation. No equalization applied. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

A poot recorded with relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.

Artificial beep used for research purposes in the behavioral experiment (link to the paper: http://www. Ncbi. Nlm. Nih. Gov/pmc/articles/pmc3384222/). The sound was generated in matlab using binary click trains at the fundamental frequency of 330 hz and 100 ms duration, which were bandpass filtered with a bandwidth equal to 1/50th of the formant frequency using malcolm slaney's auditory toolbox. Formant center frequency was 6. 912 khz. The formant frequency was chosen to lie within rat and human sensitivity range.

The very traditional jarabe tapatío, one of the most beloved pieces that you can ask to a mariachi group. The last segment is commonly use as fanfare (in mexico we call it "una diana"); you probably hear it in old mexicans movies. I recorded this on the street (so, you need to equalize it a little), in oakland, california, in august 20, 2011, with my zoom h2. Use in case of 5 de mayo celebration.

Well, the pond area still had a layer of ice on it, but the birds were getting chatty anyways. Spring may eventually crack around here…. You can hear a freeway in the background, just pretend it's a river, m'kay?. Recorded march 20, 2014 near chicago. I achieved great detail with equalization, but it’s uploaded here au natural so you can do as you like. Cheers!.

Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Heard a barred owl calling in my backyard. Grabbed my zoom h4n with audio-technica at897 shotgun mic and started recording. Did some minor equalization to soften the higher frequencies and roll off the low end. Crickets are chirping in the background, a few other insects make some sounds. Soft droning of a couple planes flying by and vehicles from a highway about a mile away, but do not overpower the barred owl.

Here's a recording of a small campfire in the forest at night made in saint-urbain (charlevoix) pq, canada in a night of august 2014. You can hear wind in the leaves and crickets in the background. It was made with a sound devices usbpre2 into a tascam dr-680 (spdif) and 2 microphones studio project c1 in ortf stereo pattern. A little correction was made in equalization of the sample and the volume was augmented w limiter. It's in 24 bits 96khz , 40hz low cut.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.