132 Royalty-Free Audio Tracks for "Decay"

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

Recorded originally in m-s at the lake of "kloental", switzerland. Stones of various sizes, sliding, falling or bouncing on rocks. Dry sound, no ambient noise.

Another set of hits to a metallic tray (probably tin or aluminum), with good decay. Rhythmic variations. Mic: schoeps c-mit 5.

Hitting a tin tray several times, nice decay time. Gong-like sound. Mic: schoeps c-mit 5.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Quite loud, close-mic sounds of low-register piano strings being played (c thru f) with long, uninterrupted decay on each note.

Plucking and strumming low strings on a piano with the sustain pedal depressed. A nice long decay at the end. Apologies for bumping the mic and the snickering at the end. Recorded with an m-audio 24/96.

Fm bell for a request. Done in caustic 3 on the fm synth. Has a little longer decay than the example. But just adjust that on the sampler and you should be fine.

Techno drum loop with long decay kick from my arturia drumbrute impact.

Hit with another glass. Long decay time. Quite nice for sampling. 400 hz ≙ ~g4. Recorder/mic: zoom h4n pro (stereo x-y)processing: denoiser.

Poor salad bowl being hit multiple times, to produce this track, which is ready to be chopped up into single hits and become a multisample eventually :)the bowl itself is tuned almost exactly to g.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Some ride cymbals loop i created. This is at 133 triplets. This is actually a 909 ride with a very open decay with a volume saw wave vfo.

Bouncy bass 1 shot with a long decaybig bass 1 shot, long decaysquare wave with a bit of noise through a filtermother 32 set with quick attack slow decay.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

Single string plucked medium-loud with finger, allowed to decay. This is string 12 of 23, pitch g3 (196 hz). Recorded with stereo pair of oktava mk012 mics overhead, xy-ish.

Some flying lotus-like fx. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

Cymbal-like spacey sound, produced with sunvox reverb chain and a noise burst. Slow attack, slow decay. May be useful for dramatic scenes or other horror stuff.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.

Old mechanical door bell, not in best condition. Rattles while the switch is closed (whether it's designed to do that i don't know) and clicks rather loudly on the low bell. Not much decay.

Synthetic sound depicting the sound an old crt monitor makes when switching on layers:- thumb from power switching on- decaying bursts of hf noise- 15. 6khz electronic switching noise (squarish with lower frequency jitter).

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

The sound of a large tam-tam being struck. Long decay. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Sound of a large metal rusty door bein opened. Great for a haunted house or halloween sound effect. Really rusty hinges.

Here are some single shots from a drum track i recorded. I actually used these for a great hiphop sounding drum track by putting them in my sampler and shortening up the decay. Recorded with a zoom ps-04, transfered to computer digitally.

This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.

A simple beat. I have shaped this kick myself in the modular synth. The high-hat is from barton musical circuits decaying analog noise (bmc23). The other sound is a small sample. . . Analog delay on that sample.

Two small blades sliding over each other. The sound is made by using two small kitchen knifes however, try pitching it down to -12 semitones and further for a sword-like sound. The noise of the recording is gated so it still comes through a little on the decay.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

Seven rounds from a lever-action marlin 1984c (cowboy rifle) in. 357 magnum. In most cases, the reports come rapidly on one another - this was necessary in order to eliminate background noise pollution. In one or two cases, there is a nice "decay" as the shot echoes into the distance.

An 8 bar loop done in fl studio 7 using silverbox 303 clone vst. No effects used just automted cuttoff/env mod/decay. Got a few of these. Done in 32 bit 96000khz so you might want to resample for your project.

Track was created using audacity®. The track was a generated chirp of 1 sec. Repeated once and then reversed. The gverb filter was used with a low early reflection and high room size value. And then the echo filter with 0. 2 delay time of seconds and decay factor of 0. 5 seconds was applied.

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

A long echoing foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. This is the best of the foghorn sounds i recorded. I think it sounds surprising like a real foghorn in the distance. Nice long reverb/decay after the main sound is over.

Sound of an old door creaking open. you can hear the stress and rust on the hitch as it swings open. Great for a haunted house or halloween sound effect.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.

Here's a old geiger counter with the tube held by a radioactive test sample, probably / hopefully fairly well decayed. Audio is recorded by hanging the headphones on a blue bluebird condenser, as the headphone connector is an unusual 1/2 inch threaded thing. The serial number of this unit is 71605.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_kickdrum_2_3as previous, but pitch env decay =12.

Synthesized string ensemble short. Long decay, wide stereo image. Made to help you build tension in your amateur movie. Synthesized with zynaddsubfx inside lmms (96khz/32-bit). Edited and normalized with audacity, then saved as 24-bit flac.

Vibratone (like a big cylindrical tuning fork) struck once, rings on e note, decays to silence. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

This is a collaboration of the following freesound. Org samples:. Http://www. Freesound. Org/people/klankbeeld/sounds/161280/http://www. Freesound. Org/people/snapper4298/sounds/161290/. I applied a nice long decay to the field sounds in time with the tempo. Loops at 90bpm over 8 bars.

Finally having the hard disk next to the built in mic i use has helped me. For once. My hard disk running, modified in audacity 1. 2. 6, using the decay effect. I would appreciate it if you could mention my youtube channel* if you use this, but if ya can't just link freesound. *http://www. Youtube. Com/user/tripledstudios8.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

The oud is an oriental instrument,which is being played at egypt,syria ,palestine,maroc,algeria,jordania. Greece etc. . . It is the predecessor of the european lute,but sounds quite different. The original samples are very short. I put them into my akai 2000,looped them and tried to give them a synthetic decay. The file contains a collection of twenty different samples,arranged from d 1 to f 3.

Three sounds. 1) make noise function samples from 25hz bipolar lfo (doepfer a-147-2)2) make noise function samples from 25hz looping envelope (intellijel quadra)3) make noise function samples from noise generated by barton musical circuits bmc23 decaying analog noise).