731 Royalty-Free Audio Tracks for "Acting"

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Here's some ambience i recorded in 2021 when i went to surf side beach, texas for a weekend vacation with family. This was recorded from the decking of the house we were staying in. The beach was probably around 50 yards away from us, give or take a few feet. The ambience was recorded with the sennheiser ambeo smart headset (no longer made) connected to an apple iphone 8 with an app called backpack studio acting as the actual recorder.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

So you decide to make some more "lotta" money modeling, without asking for specifics. Having committed to carrying through, you then find out they intend to tie you up. Well okay. But this guy is serious. He doesn't so much want acting. He wants real stuff. My advice: if you're going to do this, don't bring your sister along.

This is my voice of frustration. I recorded this by an accident, i got angry in the middle of recording something else. Authentic - no acting. "kurwa" is a polish word as popular and as meaningful as english "fuck". It is also (sadly) the most well-known polish word among other nations. Recorded with a zoom h2 via usb @ 48khz/16-bit into ardour 2. Edited and converted to flac using ardour 2. I apologize for uploading this.

played live - getting some cool trippy sounds out of a little circuit i built. Jammin on the 60hz hum! i think my body was an acting as an antenna for that ubiquitous drone as i laid my hands on the device. Reminds me of certain early progpsy tunes, c. 1999. Really creates some interesting moods with a little echo. Enjoy!.

My housemates are horny all the time and always shagging. I had to soundproof their bedroom to try and contain all the noise from the incredible orgasms they were having. One day they let me record them in the act as i placed a couple of sm58s in the room in an attempt to capture their intense climax; this one being a deeply satisfying snippet full of moaning pleasure inside the exquisite sounds of true love & fucking.

Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.

Ah! fors'è lui and "Sempre libera" from Act I of Giuseppe Verdi's La traviata. Performed by Lucrezia Bori in around August 1910 for Edison Records. Matrix number: 180-1, NPS object catalog number: EDIS 87690-a "Ah! fors'è lui" и "Sempre libera", первый акт. Исполняет Lucrezia Bori, примерно август 1910 для Edison Records.

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

An audio representation of the pigs in the story of jesus casing out the unclean spirit "legion" - from mark 5:1-20. We created this to use as a part of acting out the skit - to experience how scary it would have been for the people in the town and those tending the pigs. Original sounds from:sound effects obtained from https://www. Zapsplat. Com "herd of pigs grunting and screaming madly" by smartsoundr27-12-heavy splashing in water. Wav by craigsmith on freesound. Org15y08m20_herd_of_horses 01 mixdown 1. Wav by n_audioman on freesound. Org.

A recording of the riots in leipzig, germany at the 12th of december, 2015. After a more or less peaceful protest against right-wing parties, neo-nazis and other right-wing extremist, the mood shifted. The policemen and the black bloc acted aggresive against each other. Armored water canon trucks,teargas grenates, stones. . . I also had to run often, stood in the middle with my microphone. I just cuttet out some hard knocks on the mic. . . Nothing more. .

Https://www. Youtube. Com/channel/ucneirnarxcfnpvwzlwg2pzg. 비명지르는 소리를 만들어봤습니다. ----------------------------------------------------------------------------------you can use the sound freely ( i made it )if you interest my sounds, please visiting my youtube channel!!!--------------------------------------------------------------------------------. 누구나 쓸수 있는 무료음원입니다. 사운드가 도움이 되셨다면,저희 유투브 채널 한번 방문 와주시면 감사하겠습니다 ^^. 무료효과음, 무료bgm 꾸준히 업로드 하고 있으니 제 채널 한번 보고 가세요!!감사합니다.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

This is a recording straight off my phone, so sorry for the terrible quality and the rustling. The speaker in the car was acting up and played some sort of choppy cut of what i believe to be rocket man, since that’s what started playing when the bluetooth got back into range. At the end of the recording you can hear my dad getting back into the car. Use all you’d like, but i do like to hear about where you did use it so i can look it up myself.

Italiano: Scena della lettera, primo atto di Eugene Onegin di Tchaikovsky, canta il soprano Claudia Muzio in italiano. Rappresentazione del 3 novembre 1920 al New York Metropolitan Opera, con il ruolo principale affidato al baritono Giuseppe De Luca. Letter Scene, the first act of Eugene Onegin by Tchaikovsky, the soprano Claudia Muzio sings in Italian. Performed on November 3, 1920 at the New York Metropolitan Opera, with the main role played by the baritone Giuseppe De Luca.

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

Warrior aggressively yelling the line "ho, land approaches, prepare to beach!" dry, with no added reverb. Taken from my viking audio drama: where the thunder strikescheck that story out here:https://youtu. Be/0unhlnhj350. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

A sputtery drum beat. The bass is from freesound, the snare is from a small chop of my fist hitting an oil drum, and the small breath that acts as percussion is from a children's toy. The hi-hats are from vinyl crackles and mistakes in other recordings, made to sound like the crackles themselves are making the music. 88 beats per minute. Used this in my song tai chi, chai tea: https://soundcloud. Com/user-32192831-668958257/tai-chi-chai-tea.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

There i was late a night. I was turning my computer off after editing my site. I was silenced by night. But there was a storm a brewin' i opened my bedroom window and put my ear to the icy wind. I knew then this wasn't the usual mellow wind. I ran down the stair with my zoom h4n equipped, went through the garage into the black of night. I sent my gain levels to 60 and with only a foam wind shield i put it between to to boards of wood to act as a wind shield thus allowing my to capture the wind slicing through the trees. With only adjusting the gain levels slightly in post nothing else been done, allow you to add you own effect on it.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.