731 Royalty-Free Audio Tracks for "Acting"

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

Our neighbors fought a lot. Usually at around 2am and it would go on for about an hour or two. Besides being angry and annoyed, my girlfriend and i were always curious as to what they could possibly be fighting about. I had the idea to record them via a long mic cable stretching down the hallway, strategically hidden behind a few pieces of wood, to their apartment door. My plan was to one day play this from my stereo at a loud volume around 2am. As i later thought this through i realized that this would only disturb my other quiet neighbors and was a fairly selfish act. Anyway, i used a $100 audio-technica stereo mic and recorded it directly into my computer as an. Aiff. They seem to be arguing about a stereo and someone not loving the other. It's rather sad. We no longer live in that building so i have no idea what became of them. I hope they are happier now. Enjoy.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. This is from the spider incident, hence why it is far away. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I think this was also from the spider interruption. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

These sounds were recorded in a dumpster for a sound installation project. The ease at which members of our society buy and dispose of our goods is quite disgusting, much more than the experience of rescuing useful things from the trash. The idea of making things to be thrown makes no sense unless money is the highest form of good. Companies make things to be disposable so they can sell more, with no thought of what will happen when we have used up too much, or the environment becomes so polluted that it can no longer support human life. Dumpster diving has many negative connotations, but recently it appears to have been embraced by freegans and those who are environmentally minded. The act saves things from thousands of years of preservation in a landfill, while decreasing production. I often try to forage for useful items and food in the wild, while dumpster diving is more like urban foraging; an experience that reveals the culture of the city, rather than the culture of the nature. The sad fact is that what i leave in the wild is used and recycled naturally, while what i leave in a dumpster is sealed in a time capsule that will outlast present successes and show future generations how we have failed, should future generations come.

Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

This 6:17 minute cut from a 25:00 piv (penis in vagina) sex session that features loud doggystyle sexual intercourse between two young consenting adults. Recorded in september 2016 in a california dorm room: female is asian, 19 y. O. , male is white, 21 y. O. Both are rather slender, and have already had orgasms from oral sex. The slapping sound is made from the male's lower abdomen and testicles rhythmically striking the female's bum during rapid penetration -- the female is kneeling on the edge of a bed and the male is standing on the floor. There is no artificial birth control used -- the couple uses "natural family planning" meaning sex occurs only during infertile times of the female's ovulation cycle. Despite the loud sound of flesh slapping together, the couple is actually very slender -- the recording is natural with no effort to "act out" and there is a slight background music: classical. The parts edited out to make this 6:17 cut were aspects of piv sex that was too quiet to hear -- other sexual positions, i. E. , the female lying face-down with her stomach touching the bed, male atop, were at a much slower tempo so as to be nearly silent.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. Funny story. . . The reason this one is from far away is because while recording a narration, a lovely spider decided to descend from the ceiling, and i flipped out, having decently bad arachnophobia. It also got near my hamster's cage, so naturally i bellowed "die!" when killing it. I'm uh. . . Very passionate about certain things. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi Đoàn Ca múa quân đội, Quân đội Nhân dân Việt Nam. Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023. Tiến Quân ca is the national anthem of Vietnam. This version was recorded by the Military Band of Vietnam People's Army. Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Tiến Quân ca is the national anthem of Vietnam. This version was recorded by (likely to be) the French Far East Expeditionary Corps (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam. Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi (có thể là) Quân đội viễn chinh Pháp vùng Viễn Đông (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).