924 Royalty-Free Audio Tracks for "Acoustic"

An edited version of my upload uke_single_notes. Wav. I shortened that recording to its last four notes, then included a fade out to eliminate most of the non-ukelele sound at the end. This recording has notes as follows: g4 g4 a4 d4. This sound was originally created for the coursera course "audio signal processing for music applications. " i recorded this sound myself with a zoom h2 microphone and a kala classical ukelele.

Formatted for use in the makenoise morphagene eurorack module. These live acoustic recordings i made with a sony pcm m10 around my house / farm in thailand. They concentrate on the percussive hits, scrapes, cuts, frogs, insects, water wells, metal farm things, gongs, railings, fans, crushed snail shells, creaks, dogs, drips and clicks. Useful for musique concrete artists. Https://www. Instagram. Com/p/cczmpenh1n0/?igshid=13qsz9itlxntphttps://www. Instagram. Com/p/cfb6blvhexl/?igshid=b35rj1fju85rfor morphagene users, just rename the wav file "mg1" for it to be seen. The wav file can be used in any sampler but you may not see any of the morphagene slice points - so you need to slice manually. I record music as "mudlogger" using buchla easel/200e, serge 4u and eurorack instruments and as "hoan kiem chess team" using ciat lonbarde instruments. Https://mudlogger. Bandcamp. Comhttps://hoankiemchessteam. Bandcamp. Com/.

Unprocessed recording of a small gong. I'm not sure about the classification. Captured using a røde nt5 microphone and a zoom h5 recorder. Date of the recording: 13/09/2016. Cut in ocenaudio. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

A sound travel in space beetween earth and the international space ship, french announcer (ddo) in control room for countdown, verification of parameters, stowage and separation, entry into the international station, congratulations, release. . This sound story was made with neumann microphone for voices, shoeps microphone for originals acoustics sounds, kurzweil synthetizer, albino and sampletank plug in, waves and isotope on protools for modelisation and mix. Total use of bandwith, so take care of yours speakers. Enjoy.

Rd 2000 sound with organ mode, there’s also escapement, which on an acoustic piano refers again to the stage at which the hammer is destined to strike the string even when you pull your finger back inside the crucial. On the electronic piano, simulated escapement has a tendency to make for an natural and organic and non-fatiguing think that’s exclusively recognizable on speedily solitary-observe repetitions and arpeggios. Review about this piano : https://newpiano. Xyz/roland-rd-2000-review/.

A crowd of fans singing latin song la mamba with guitar accompaniment during the 2018 fifa world cup russia in moscow. Gear: zoom h6 recorder with bundled xy capsule.

The sound of a cracking wood. Recorded within the shooting for my new film https://youtu. Be/xfj8mbsuoec. You can use this sound for free. It would be nice if you add this to your credits:sounds by https://www. Youtube. Com/user/diramus. Sound recorded with the tascam dr 60d and the rode ntg1. Thanks for using ;).

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

H4zoom recodered (place: quebrada de here, toconao, andes mountain on north of chile) processed with sound studio (normalize to 0db). I work in documentary and fiction films in chile. These small sound clips i made while accompanying friends to make hands-free climbing on a small creek near toconao south of san pedro de atacama. They like to play drums to quench anxiety. Was in october 2012.

Electronic snare drum 4. Suitable for dubstep, drumstep, electro, house, electro house, drum and bass, or any other edm genre. Modify/use however you want. Made with fl studio 11 & edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Just a large group of people talking in an amphitheater after a wedding ceremony, recorded with an h4n. I really liked the acoustics and felt like it would work well for background sound. Use however you'd like- no attribution required!. If you feel like saying "thanks" by sending a few dollars my way you can definitely do that!. Paypal: billgrip@gmail. Comvenmo: @bill-grip.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

A set of 3 high-pitched bird calls echoing across an empty graveyard. Scary sounds is a set of spine-chilling noises and creepy creatures. All the sorts of sounds you might hear in and around a haunted house. Created using an acoustic guitar and a variety of delay effects. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Just intonation minor chord from maurolupo’s “ahohe” (211961, “girl's voice singing”). Https://www. Freesound. Org/people/maurolupo/sounds/211961/. Used sonic pi to add a minor third (315. 641 cents) and a perfect fifth (701. 955 cents) while maintaining the duration. Code snippet:```sample dir, "ahohe"sample dir, "ahohe", pitch: 3. 15641sample dir, "ahohe", pitch: 7. 01955```.

Field recording of a train ride in the western outskirts of paris. I wanted to capture what passengers actually hear when they take that train. It's a bombardier regional train with diesel engine. This is simportant because it gives this particular train a distinctive acoustical fingerprint: you can hear engine bursts (a bit like a bus hitting the gas) no electrical train does that. . . It also has a nice roaring drone. Recorded with a zoom h2n in stereo x/y mode.

I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

Little lain inspired guitar thing i came up with while practicing. As always i don't mind this being used, but i do ask that you let me see if you do or at least message me so i can check out your project!.

A stereo field recording of hundreds of several species of frogs at spring in raleigh, nc. Recorded at a very large concrete stormwater retention pond. The tall concrete walls made a nice effect acoustically. There are a few other faint sounds such as my dog walking around, a bit of wind and a car door as the pond was next to a parking garage. But, the frogs definitely dominate. I recorded this with an olympus ls-11.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a low acoustic impedance. Humans will be able to identify tones as low as 12hz. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or tojust jam with. That's why i create these types of loops; they help me create full finishedcompositions. If you would like to check out my music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

Not just any thunder this! this is the spanish variety and anyone who has been around a spanish thunderstorm will know what i mean. This field recording was made from my villa and this is both rural and situated between two mountain ranges. So, you've got the thunder, the acoustics, the sound of the rain and the birds in the nearby trees. If you listen closely enough then you might hear the sound of the breeze through the palm trees. Recorded with twin directional mike pointing away from each other. . . For just about the best stereo separation you're going to get!.

Guitar strings solo recording with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

A thing a did on acoustic guitar on my phone. Added voice to make it sound more like a satanic ritual or something like that. Made the final touch in garageband for something called victors crypt. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Shell casings being dropped onto a tiled floor. I got some shell casings from a local shooting range and recorded the sound of various sized casings bouncing on a tiled floor. I used a usb condenser mic (samson co1u pro) with audacity. The section of floor i dropped the shells onto was surrounded by acoustic panels to dampen the echos. A couple times the casing bounced into the mic stand, but i've left them in because they're still useful. There was some background noise caused by my computer which i removed with audacity.

I installed in december 2011 my sound data for bfd-eco, an acoustic drum vst that really rocks. By that time i had my akai mpc 1000 connected to my computer to do some sampling. While i didn't do any sampling while the installation progressed i did hear that the external hard drive that i was installing onto sent out disturbing binary pulses that my mpc picked up. I quickly started the sampler, and recorded as much as i could of the noises. This is the result.

Stereo recording of a train arriving and departing at aldgate east tube station, and another train departing on the other track. London underground trains have rubber wheels and a characteristic kind of rumble. The doors open and close automatically. Faint tannoy announcement in the background, and a couple of electronic warning tones when the doors open and close. Aldgate east station is huge but has a surprisingly 'dry' and 'dead' acoustic so that it is very quiet when the trains have gone. Recorded on a zoom h2 recorder, front microphones, 90 degree separation. No amplification or equilisation on this sample.

Zoom h1 / 5 30 am / jan 27. I was camping at this location in guanacaste, costa rica when this beautiful landscape woke me up, can you please comment the animal you think you can hear?. There are sounds like steps, this are some chickens around the mic. And also there are some barks that you can hear the marbella's acoustics. . . Lovely!!!. I hope this might be really useful in the future when ais will domain the world!this is all you need to know in this momento!. Cheers. Joan villaperros.

A bit i did on acoustic guitar at first. I added the line "satan" and the rest of the music in garageband. Made it for something called victors crypt. Could be useful for something dark occult with lucifer for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Csonor kickhead: 1mic: rpressure: 1 of 6. The sonor kick set includes many acoustic field recording samples of a sonor kick drum. The recordings are separated by categories denoted by a number and letter according to drum head & microphone position, including different volumes/velocities. Here is a key to help you understand:. Csonor kick[#] [pan][pressure]. [#]: which drum head used. [pan]: which side the microphone were partial to. [pressure]: the velocity/hardness the drum was hit at (ascending in intensity). By providing the different heads, mic positions, and intensities, the sonor kick set has everything you will ever need to get authentic kick drum samples. Enjoy!. .

This is an audio concept for the flash vs quicksilver video from ismahawkhttps://youtu. Be/vwcqy-d0i_g. Jet rockets are the main element for the flash. A dentist drill is the main element for quicksilver. I used the waves doppler plugin and added reverb and delay to make it fit in an acoustic environment. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

An audio translation of statistics on the current covid-19 pandemic. A sound composition that makes the pandemic tangible on an acoustic level, based on data series and curves. The basis for the auditory presentation of the statistics is provided by pixelsynth, a browser-based synthesiser for generating sounds from images. A cursor scrolls over the monochrome image of a statistic and plays notes when it comes into contact with bright pixels. The audio tracks generated by pixelsynth from the statistics were then recorded in logic pro and individually processed using effects, automations and other synths and sounds. Additional information: the audio is complemented by appropriate animations of the statistics, which cannot be shown here, however.

This is a short, dissonant loop made with a neapolitan mandolin. This has been recorded with an sm7b into a rme interface, and quantized to 148bpm in logic pro x. This is a dry file with no other processing. I used it on a couple of old-school hip-hop beats to trigger effects or completely butchering with distortion for some extra textures. I thought it might come in handy to rap producers out there! if you do something with it, i would love to check it out!. I was recording an acoustic version of a song called "closer" by my band dead rituals, and a friend let me borrow this old neapolitan mandolin. I made some random noises by picking behind the strings at the end of a take, and i decided to sample it!.

Music i made in garageband for something called victors crypt. Use it if you want tostarts off with acoustic and later on drums, bass etc comes in. Think it would be perfect as intro or something to build up a tension. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

Some raw and dirty random samples of a small, out of tune yamaha pianino (upright piano) at a friends flat. There's noise of my laptop and there even might be some traffic noise in the background. Also no string scratching etc. In this pack. Nevertheless i thought it might be better to share the samples, than to have them just rot on a drive. I suggest throwing them into your software or hardware sampler of choice, manipulate them and listen what you come up with. Cut in ocenaudio. No noise-reduction or other processing has been applied. Enjoy ;-).

I made this in garageband to something called victors crypt. I began recording bass, drums and the rest of the sounds, then i played my acoustic guitar over that. Made kind of a moody solo over it. Could be perfect for something that needs a scary atmosphere and a spooky feel. Maybe could be an intro for something. . . . Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

An eerie little tune i made in garageband for something called victors crypt!. Came up with a music structure on acoustic guitar. Did drums and added synth and brass and more to build up the atmosphere. Could be useful in anything dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Choro polka "Cruzes, Minha Prima!", composed by Joaquim Antônio da Silva Callado in 1875[1]. Recorded in 1913 by Agenor Bens (Flute) and Arthur Camilo (Piano) Português: Choro polca "Cruzes, Minha Prima!", composta por Joaquim Antônio da Silva Callado. Gravada em 1913 por Agenor Bens (Flauta) e Arthur Camilo (Piano) 1: Choro-Polka: Cruzes, Minha Prima!, komponiert 1875 von Joaquim Calado, Aufnahme 1913 von Agenor Bens (Flöte) und Arthur Camilo (Klavier).

This is a recording of all in-flight announcements from a flight attendant, the first officer and captain during a flight from atlanta to new york on august 17, 2018, recorded directly from the headphone jack at my seat with a zoom h1n. Each clip is separated by a few seconds of silence. For authenticity, i left all the dc voltage spikes and electronic noise in place. This may be useful if you want an authentic announcement without the acoustics, i. E. Use your own speaker sims or impulse responses to fit into an existing sound design environment. I never did figure out why the first officer said "hello. . . Are you back there? hello? hello?" but it has been captured anyway.

Music i made in garageband for something called victors crypt. You can use it to whatever if you like. It's a bit of a spanish touch i think. Played it on my acoustic guitar first and layed on some tracks with choir, drums etc. On it. A bit mysterious, spooky and could definately work as an intro for example. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.