13 Royalty-Free Audio Tracks for "Towing"

Locking a tow strap fast.

Performed by Whit Cunliffe

Jazz 18+FADE605605DAC38451F0AD49EB1B1BAB+1769019 - Memphis Slim

Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Diesel locomotive moving rather slowly with whistle. Engine only with no cars in tow.

Car by's recorded with a sennheiser mkh416 through a sound devices pre onto a zoom h4n at 24bit 48khz.

Diesel locomotive moving rather slowly with whistle. About 20 cars in tow. Whistle blows nearby and in distance.

A diesel flatbed tow truck idles for two minutes, moves the truck into position,backup warning beeps, moves the car back, adjusts the position of the truck once more, extends the rollback tilt-tray, connects the car, winches the car up, retracts the rollback tilt-tray, secures chains to the car, then drives off. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

I was up in the loft and found tow old 'light sabres' that had been there for years. To my surprise they still worked, so heere thy are, as recorded. There are a few clicks on here that are the sound of the buttons being pushed.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.