20 Royalty-Free Audio Tracks for "Compass"

Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Pieza de tres sonidos, uno grave, medio y agudo, inspirados en la clave africa rumba. Piece with three sounds, one high, one mid and one low, inspirited in an african compass.

This is an edited version of https://freesound. Org/people/contramundum/sounds/266440/. Used as the sound of a big stone door slamming shut in my lateral-thinking puzzle game, compass rose. Http://pace212. Itch. Io/compass-rose/.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Sample of open door , with dub delay, torra verb, and nitro plugin.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Metal compass hitting desk and being slid. Recorded with h4n, editing with adobe audition cc 2014.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Male vocalising the direction south recorded on my huawei p20 and converted with format factory.

O father of compassion recorded by Ivor Robert Holmes in Warsaw. Gramophone matrix 1222ab. [1]

O God who art full of compassion recorded in Warsaw by Franz Hampe. Gramophone matrix 7110L. [1]

Ritmo métrica binaria de 4 pulsos y 4 compases. El sonido agudo marca la síncopa. Síncopa --> 5. Binary metric rhythm of 4 pulses and 4 compasses. The high sound marks the syncopation. Syncope --> 5.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

Base de compás por bulerías de Jerez (palmas y caja), 9:41 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Este sonido es el de unas maracas de las que se utilizan en la parranda venezolana. La maraca es un instrumento musical de percusión, formado por un recipiente hueco elaborado a partir de un fruto leñoso o de material plástico, dentro del cual se introducen cuentas, y que se agita para marcar el compás. Este sonido fue grabado como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this sound is that of some maracas used in the venezuelan parranda. The maraca is a percussion musical instrument, formed by a hollow container made from a woody fruit or plastic material, into which beads are inserted, and which is stirred to mark the beat. This sound was recorded as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.