393 Royalty-Free Audio Tracks for "Textures"

Walking on beach sand with variations of footsteps. Closed microphone technique used to capture sounds and focus on the steps and texture of sounds.

Recording of me zipping and unzipping my winter coat. Rustling sounds for adding texture or color to sounds are also included. Recorded with my zoom h1.

Dsgnmisc, dsgn, designed, bass, deep, low, drone, rumble, texture, textural, bypass, pass, ominous, tension, tense, spooky, strange, eerie, sci-fi, alien, click, clicking, panning, movement, reverb, delay.

Dsgnmisc, dsgn, design, designed, bass, deep, low, rumble, filter, texture, textural, mysterious, thriller, tension, tense, eerie, suspense, fear, ominous, post apocalyptic, ambience, atmosphere, environment, rhythm, move, movement, musical.

Play quietly! or not. Should loop seamlessly. Just felt like making some pleasant noise.

The sound of a metal handle hitting the side of a bucket. It might be good to layer with a snare or clap for added texture and character.

Bird song recorded in my back yard. Mostly a texture of birds chattering rather than any single distinct bird. Includes moderate background noise from distant traffic.

Stone beat (120)a common 120 bpm beat with a slow stoner feeling, but also a downtempo trip-hope texture.

This is a short, dissonant loop made with a neapolitan mandolin. This has been recorded with an sm7b into a rme interface, and quantized to 148bpm in logic pro x. This is a dry file with no other processing. I used it on a couple of old-school hip-hop beats to trigger effects or completely butchering with distortion for some extra textures. I thought it might come in handy to rap producers out there! if you do something with it, i would love to check it out!. I was recording an acoustic version of a song called "closer" by my band dead rituals, and a friend let me borrow this old neapolitan mandolin. I made some random noises by picking behind the strings at the end of a take, and i decided to sample it!.

I made a creepy sea monster sound. I just took something with a soft and bouncy texture. Shaked it around and pitched it down and put vocoder on it. Made with audacity.

Foley sound effect of aluminum bat used to bludgeon a victim. Produced by a wooden bat struck against a metal post covered in foam, with some chicken bones for texture.

Format: wav - 24 bit, 48khzdescription:a sound-to-image processing using fft. Sounds like aliens communicating in a cave or underwater environment. Added convolution reverb. The image used was a photograph taken by martin popek called "red sprites" attached below is the modified version i used for conversion. . Retrieved from http://spaceweathergallery. Com/indiv_upload. Php?upload_id=117053. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

My fmc002 submission!. For this, i generated several sounds from audiopaint (free software) and spectrobits (free vsti), two image->sound synthesis softwares. These sounded interesting but i wasn't sure how to use them. Then i made a drum beat, synth bassline, and some other stuff, rendered the song, used paulstretch to stretch the song out 4x, put it back in the project, added even more stuff to other tracks (mostly timestretched versions of my own samples), rendered the result, brought that render back into the daw, and then reversed it. A lot of effects and automation were also used during all 3 stages of the track's creation. Further, each time i rendered, i used the same mastering chain, so eq and other stuff is being applied multiple times. This brings out some surprising timbres and overtones. Really, the final recording sounds nothing like the sounds i began with.

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

This is a sample i made from a piano through a variety of processors. It sounds to me like a texture you may hear in a boiler room or some kind of ventilation system.

An out-of-tune guitar being strummed. Useful as a spooky texture/stinger. All my sounds are fully free to use, but please consider leaving a comment to let me know how you'll be using them. Just curious! :).

Water dripping, captured from under the sink. I filled the sink while holding a sponge on the drain, then let the water slowly escape down the pipe to record the texture. I do not remember if the water was warm or cold, please don't ask.

Took some foley i had and stretched a few times using ableton's texture setting, with flux parameter turned to zero. Could be good for an experimental song, or a horror film. This sound is in open domain, use it freely without need for retribution or credit.

Created by dmak and formatted for use in the make noise morphagene. Based on multi-resampled stacked loops with enough space to play with. I hope people who are looking for structure, texture and glitchy sounds will find there a useful playground.

Double bass bowed harmonics. Bass played by houston guy, recorded with a shure ksm44, 24bit mono. I was producing a song and asked mr. Guy to give me some noisy strangness just to layer in for texture and he performed admirably.

Sounds made with modular synthesizers clouds texture synthesizer & marbles random sampler & semi modular synthesizer behringer crave. Recorded with audacity wav format mono, sampling rate 44100hz 16bits. The 64 wav files complete the 4 mb which supports the korg volca sample. Make noise ;=).

I recorded my dishwasher with my phone and used made it into a shaker-ish loop by speeding it up and using an expander. Its kinda weird but with the right processing it can give a really nice texture and rhythm to your tracks. Tempo is 125 bpm. Have fun.

Description :sound of audacity : pluck. N' : itération tonique. Morphologie :- masse : son seul tonique- timbre harmonique : net et clair- grain : pas de grain texture lisse et rigide- allure : pas de vibrato- dynamique : attaque franche et dure, le son commence au plus haut. - profil mélodique : variation scalaire- profil de masse : équalisation des son aigus. .

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

Field recording of a person who walks inside a living room and closes the slide door. You can slightly feel the transition from exterior to interior reverberant space. I really liked the texture/character of her shoes/pants.

Old yamaha drum kit recorded through a qfx shoebox taperecorder's built in mic. Then i played the tape and recorded a voicenote on a samsung galaxy note s1. I like the grain and texture so hopefuly helps for your lo-fi intended tracks.

Amplified fake silence. Enregistrement avec un micro d’ordinateur portableamplification : +15dbfondu en ouverture et en fermeture. Typologie : x, continu complexe. Morphologie :. - masse:son « rappeux » et présence d’un parasite continu aigu. - timbre harmonique:tendance inharmonique…. - grain:beaucoup de grain, texture « rappeuse ». - allure:bruit continu. - dynamique:attaque finition en courts fondus mais son continu abrutissant. - profil de masse:du bruit, un aigu mais peu de basses. .

This is a mono recording of a psaltery. This was recorded as-found with no tuning or cleaning done to the instrument. It is a series of single tones followed by two note chords. Dissonant and full of texture. It was recorded using an audio-technica at875r microphone at 48khz/24bit.

Water drop recorded in my kitchen. //////////typologie (p. Schaeffer)///. V' : impulsion variée. ////////morphologie////////////. Masse:son seul / (tonique &) varié. Timre harmonique:clair. Grain:pas de grain, texture "soyeuse". Allure:vibrato (un vide graduel entre la première note de la goutte et la deuxième). Dynamique:attaque franche mais mésurée, entrée du son assez douce. Profil mélodique:variation serpentine. Profil de masse:une impression de léger filtrage des aigus.

This is me playing around with my various string instruments. I decided to try to create a creepy string texture-ish sound, but it came out sounding like a haunted string orchestra. I hope you like it. I used a foot-long violin, a full-sized violin, a ukulele, and my father's home-made frettless banjo-thing.

Https://multimediagigant. De/wavestate background fear adventure thriller drama phantom nightmare haunted fearful thrill suspense terror spooky terrifying sinister dramatic scary macabre ghost anxious hell creepy spectre bogey weird atmos delusion grisly gothic phantasm frightful shady nexpectedly imminent depressive fearing wierd background-sound threatening cellar impending general imaginair symphonic frightened film frightening tonal texture whitenoise.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

This is a field recording from a window on a street corner in williamsburg, brooklyn, during a summer afternoon in august 2019. This is a short clip of a single distant horn honk from a car. This is a short clip intended to be a background texture for sound design, longer version also available. Recorded with a neumann stereo pair into the sound devices 633.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

This is a soundscape i made for a large scale art and oral history event for light night in liverpool. It was designed to create the texture of a working docks in liverpool in the 50's & 60's. Some of my sounds from a tascam dr-07 mkii. Plusprops to these sounds to adding to the mix. 98479__juskiddink__flock-of-seagulls72805__lg__steam-whistle-090518106111__thatjeffcarter__clanking-warehouse-combined-stereo145721__rmutt__mooring-rope171376__klankbeeld__container-port-01213600__genghis-attenborough__train222037__sailor55__marinepiledriver-sel244233__ikbenraar__car-ferry-terminal-dover. Cheers. Gav. Http://gavcross. Co. Uk/time-liners-and-light-night-liverpool/. Let me know if you use this - just out of intrigue!.

The new and improved ultra-soft noise v2 is here!. This has been optimized for itunes and other audio players. The file includes full tags and album art - 320kbps mp3. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. The audio has been updated to higher quality:3x the noise of the previous version, but with a slightly softer tone to increase effectiveness. Over 100 separate streams of noise was generated to create this. (v1 used 21 streams in 44khz/24-bit in a v0 mp3)the entire project was created, mixed, and mastered in 96khz/32-bit float. This file is limited to 1 hour because the use of a larger bit-rate and the amount of noise used. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. If this has helped you, please share your story in the comments below and feel free to distribute this all over the web to help others!. I am leaving the original file https://freesound. Org/s/132275/ online for those who prefer it's tone and texture over this - v2 is a smoother and more relaxing texture.

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.

Here it is! my first ever submission on freesound! i decided to start this all out with a bang, and post something really cool that i'm proud of making. I'm not sure exactly what this creature was supposed to be. I'll leave that up to your imaginations. How it was made:. Software: fl studio 20. Plugin(s): serum, valhallaroom, ott, fruity parametric eq 2, and fruity delay 2. This was made completely with synthesizers. I used serum for the main synth, made copies of it, and modified each of them to sound unique from the other. I'd try to explain how the synth was made, but there's a lot of stuff. To process it, i used ott to make it sound more powerful and clear, eq to get the frequencies and texture right, delay with a low pass filter to get that outdoors echo feel, and valhalla room for the reverb. I had fun making these. Enjoy!.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.