174 Royalty-Free Audio Tracks for "Tail"

Free!. A recording of an old coffee grinder. It begins with the raw recording which then moves into more creepy and eerie aesthetics and design examples. Easy to cut up and fade off the reverb tail. Perfect for psychological/horror/thriller games or animations, cut scenes or flashbacks of live action productions. Feel free to message me if you would like anything tweaked and we can work something out.

A crowd of about 20 people gasp - reacting in surprise or horror to the scene before them. Interior recording in small hall (somerset, uk). Part of a series of recordings made for an amateur show featuring a football match. Recorded with a rode videomic pro onto a panasonic hcx-900 (camcorder), top and tailed in audacity on 17/02/2015.

A grey squirrel (sciurus carolinensis) recorded early afternoon on 23rd july, 2018. The animal was shaking its tail while calling from the trees, approximately, 3 metres from the ground. Recorded with sennheiser k6/me66 attached to a zoom h5. Editing was done with audacity, mainly to cut the worst of the road and aircraft noise. No noise reduction was been carried out. There is some road, aircraft and rail noise. There can also be heard woodpigeon, carrion crow, blue tit and some insects.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Http://www. Myspace. Com/capashen2note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. Made with : white noise filtered, drum layering, big plate reverb. . . I use it all the time hehe. Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.

Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

Lean minced beef frying in the pan recorded with olympus ls 12, sounding like hard rain. Thunder-esque sounds recorded by blowing into the mic of my olympus ls 12. Mixed with segments of dry thunder3. Wav by juskiddink https://www. Freesound. Org/people/juskiddink/sounds/101948/ for the tail of my blow thunder and thunder! by netaj https://www. Freesound. Org/people/netaj/sounds/193170/ for the last clap of thunder. Reverb and delay added and mixed with ableton. As crap or good as it sounds i had loads of fun with this.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.

My first little attempt at making some film-like sound effects. Alot of bass in this one, tried to cut it below 30-50hz. I just want to point out to the people having a listen, that the sample that streams on the website has a small static-like noise in it. . The download version will not have this noise, i believe the compression for streaming degraded the sound a bit.

Not a very good recording, and very short - but this is the flapping of a juvenile bald eagle's wings and its cry. I'm only uploading this because i don't think there are any other samples on freesound. I didn't manage to get a good shot at this one, so that's all there is. But i'll try for a better sample as soon as i can. This is a real bald eagle - not a red-tailed hawk, which is what most eagle samples really are. As with the loons, i'm on a bad dialup connection but if i get a better sample i'll upload it as a wav.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

(wikipedia) the european nightjar (caprimulgus europaeus), common goatsucker, eurasian nightjar or just nightjar, is a crepuscular and nocturnal bird in the nightjar family that breeds across most of europe and temperate asia. The latin generic name refers to the old myth that the nocturnal nightjar suckled goats, causing them to cease to give milk. The six subspecies differ clinally, the birds becoming smaller and paler towards the east of the range. All populations are migratory, wintering in sub-saharan africa. Their densely patterned grey and brown plumage makes individuals difficult to see in the daytime when they rest on the ground or perch motionless along a branch, although the male shows white patches in the wings and tail as he flies at night.

This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.

Tail end of a paper-airplane competition as part of #azwud (arizona world usability day) in scottsdale, az. About 100 adults and 3 kids made paper airplanes then flew them in an informal indoor competition. Sounds of the crowd reacting to the different flights as planes flew off in all directions, hitting the ceiling, the floor, the audience. Announcer in the bkgd. Children approaching the 'launchpad' then the crowd reacting to their winning throw. After the kids' throw, the sound of another competitor's plane hitting the ceiling/floor (?) and then his comment "too much thrust. " a kid saying to an adult, possibly her mom (?), "please don't succeed" as the woman approached the launchpad to throw her plane.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Recorded at hope st radio, a bar/restaurant/radio station at collingwood yards, during the tail end of a disorganising community dinner. In this recording, about 80 people are learning or playing mah jong while the restaurant kitchen closes service and the sound system is off. There are adults and a few small children in the room and too many djs (common problem here). It was recorded on a sony pcm-d50's internal stereo microphones at 120°, mounted to a tripod while everyone drank the last of the free natty wine. #natural #wine #salomons. This recording was taken in may 2021 on unceded wurundjeri land, which belongs to the woi wurrung people of the eastern kulin nations. I acknowledge their sovereignty and pay my respects to their elders and all first nations people.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. The amtrak pacific surfliner winds it'd way up and down the pacific coast coast. This train is known for spectacular coastal views. Here you can hear this high-speed train come screaming through burbank's downtown station (traffic can be heard on i-5 in the distance). You will hear a security guard walk behind me just before the train comes through. He was one of our trusty transpo officers making sure i wasn't up to no good with my zoomh4n device. Thanks for keeping us all safe officers!. The train makes a pass from right to left and i kept recording so you would have some room-tone at the tail. Enjoy!. Christopher c. Courter.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

I recorded these spring peepers in upstate ny on march 18, 2022 in a wetland area. Spring peepers are small tree frogs. They are rarely seen, but during mating season in the spring, they are often heard. They are generally about one inch (2. 5 centimeters) in length, or about the length of a paper clip, and their weight averages from 0. 11 to 0. 18 ounces (3 to 5 grams). Spring peepers are known for the males’ mating call—a high-pitched whistling or peeping sound repeated about 20 times a minute. However, the faster and louder they sing, the greater the chances of attracting a mate. They often congregate near water and sing in trios, with the deepest-voiced frog starting the call. They begin breeding early in the spring and call on warm spring nights and during the day in rainy or cloudy weather. Females lay their eggs in vernal pools, ponds, and other wetlands where fish are not present. A female may lay anywhere from 750 to 1,200 eggs, which attach to submerged aquatic vegetation. Males fertilize the eggs as they are laid. Depending on the temperature, eggs can hatch within two days to two weeks. The tadpoles have gills to breathe underwater and tails to help them swim. Tadpoles transform into frogs over the course of 6 to 12 weeks. Spring peepers are said to have short lives, living three to four years at most.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.