174 Royalty-Free Audio Tracks for "Tail"

This one i made myself with some visual basic programming. I used it as an alarm and ringtone on my smart phone. You may want to trim the silent tail.

The tail end of a song from an lp including vinyl crackles. Unprocessed raw audio from a turntable. A great sample for electronic music, hope people use it in interesting ways.

A boing sound made with a jaws harp. Recorded with a behringer c2 pencil condenser into an m-audio projectmix i/o interface. Ver little processing, just topped and tailed.

I make this sound with serum on ableton live 10. Royalty free!if you like, follow me on my soundcloud:-> https://soundcloud. Com/user-777960719.

Rattle snake hissing or shaking its tail at variable pitches. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

An edited version of fiditg's freesound 198046, with a slow down added to its tail.

The sound of a car passing by at about 35 mph on a tar and chip roadway. Iphone, external mike, audacity. Modified from original file to extend the tail of the audio a bit.

Recorded during the tail end of a rather large rainstorm. The birds go nuts whenever it rains, so they were out in full force! recorded with a tascam dr-07 mk. Ii microphone.

These are some short loops i made, they each have a tail included but it should cut fairly cleanly if you do it right on the last hit.

The name says it all mostly. This sample is @ 135 bpm, with a delay tail to overlap to the next loop. Please use and enjoy.

Made this sound myself with some visual basic programming. I used it as a ring tone to tell me i have a message. It is a burst of a rtty-like sound. You may want to trim the silent tail.

Registered with zoom h5 + lr integrated mic (48khz - 24bit)a trip in naples inside a train in garibaldi's station.

Lower pitched, and deeper monster roar. Long tail. Recordist peter brucker / recorded 5/20/2018 / shotgun microphone / edited in logic pro x.

Spectral synth chord made with sunvox's spectravoice + reverb.

Ben burtt style retro laser gun blast made from hitting a long fence wire. I left more of the tail resonance on this one. This recording is unprocessed so you can shape it yourself.

Insects and birds wake in the morning along the banks of the delaware river. Recorded with a zoom h3vr in ambisonic a formatrecorded in 48khz 24bit waveambisonic a format is decoded in stereo left-right.

This tollbell is exactly 4 seconds in length. Use this file for creating a sequence of bell strikes. Use original tollbell at end of sequence for long tail at end. This file is 2 bars at 120 bpm.

A wooden door creaking dramatically on its hinges, and letting out a very long and sustained groan. Recorded on zoom h2n with rode nt4 in shockmount. Normalised, topped and tailed, no further processing or editing.

My ford escort mk3 1985. Running stationairy after cold start. Recorded with my phone+- 30 cm from the tail pipe at 90 degrees.

This is a sine-wave that sweeps from low to high. Cassette emulator is added and some reverb. A long high pitched tail is at the end, which i forgot to remove. Inspired by the film "wavelength" by michael snow.

Just a simple big room house style kick with a quick punch and lots of tail. As far as i know from ableton, it's in the key of a#, if you can find the exact key just comment and i'll fix the description.

I have this drummer's stool that creaks when you rotate it. So this is that sound. Metal scraping against metal through reverb, echo, and harmony pedals into a delay/looper.

The tail end of a rumble of thunder. I chopped off everything above 1. 5khz or so, since is was all background noise. Recorded with a tascam dr-07 mk. Ii microphone and a røde dead kitten windscreen.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Four-bell tower at bethesda church, saratoga springs ny usa - electronic control rings the bells at random. Long tail fade to silence at the end. Sm58 up in the tower to behringer usb interface to audacity, trimmed and amplified.

My old rebuilt cj5 warming up and driving away. If you amplify the tail end you can hear thejeep faraway amidst the recorder noise. Recorded in mountain view ca with a zoom h2h recorder. Amplified, and noise reduced with audacity.

Pine woods about half of a kilometre away from the shore of lake huron. Late summer afternoon. Steady wind in trees. Cicadas at start, quiet middle, birds and flies at tail. At 5 minutes a single car passes in the distance.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

A short deep pulse sound that can be used as an effect for a distant weapon discharge. Wide spatial image. Dolby 5. 1 ready; 6 channel wave. Created with audacity 2. 0.

Novation supernova's vocoder working on a vocal sample. Marries well with your own reverb and has an interesting cadence if you loop it at about 2. 16s, just cutting off the delay tails.

Sound made by bowing a detuned guitar tied to a clothes hanger. Recorded with two contact microphones. No effects were added, the apparent reverb tails are the waves resonating within both the guitar and the metallic clothes hanger.

Recorded on an ipad from a musical box played very slowly to get a single note. Then topped and tailed in audacity. I made it for use in the program sonic pi eg https://soundcloud. Com/scrbn/march-of-the-tin-soldiers-musical-box-version-played-by-sonic-pi.

Made from a 909 kick re-edited, layered and re-sampled a couple timeshad to chop the tail of on this cause it sounded like crap so just a short one this on is tuned to g. Propa terror none of that uptempo piep kick shite.

Single gunshots with three different guns, 9 mm, 7,5 mm and. 22 mm. All recorded at close distance with an sony pcm m-10.

This free trap beat is a fine loop of 28 seconds. You can leave the tail sound, or overlap it on beat intro on each new beat to make it seamless. The bpm is 140. Enjoy it as you please. Leave a comment if yo like this! attribution appreciated, though not mandatory!. Rame.

Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.

Field-recording of a 9mm pistol at 25 meter distance 180 degrees off axis on a shooting range using a sony pcm m-10.

A recording of a thunderstorm using my zoom h4n from my front porch. The clip starts toward the tail end of the storm, and the thunder and rain slows down throughout. Starting in the middle and towards the end of the clip, there's even some birds and forest frogs in the background. A few cars drove past, and they can be heard as well.

Recorded from inside the garage on a very quiet night. First is the sound of it opening, second is of it closing. No processing other than normalization. 16bit/44. 1k. Nady scm-2090 stereo condenser microphonefocusrite saffirepro 24 mic pre'spresonus studio one 2 for recordingsoundtrack pro for processing (normalize) and editing (cut off head and tail).

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.

This is a hawk. "these birds are slender with short broad rounded wings and a long tail which helps them maneuver in flight. They have long legs and long sharp talons used to kill their prey and a sharp hooked bill used in feeding. Females tend to be larger in size than males. They often ambush their prey, capturing it after a short chase. They mainly eat small birds and mammals. ". Minidisc.

The window in my studio has an exceptionally long tail of the spring vibrating. I could see this with some effect thrown on being very useful in music or fx situations. Recorded with a zoom h6, stereo xy attachment with internal compression.

A soft texture for synth pads in a3. Built by layering several sine-wave generators to create the note a and some of its overtones. It was then drowned in reverb. The sine-generators played just a short impulse, what you hear is the tail of the reverb, to give it more richness. Post-production: reverb.

A kick i created somewhere between 2012-2014. It belongs to a pack "harha's hardstyle kicks" and i don't have the interest to describe every kick in this pack separately. For pitching the bass part / tail up and down, i suggest using cool edit pro or adobe audition. Cubase pitching/timestretch algorithms are quite nice as well.

Rhythm machine single drum hits, crushed and distorted. Ideal for layering your drums. You can use adsr to lower the length of the sounds, since they all have a noise tail. Check out the other sounds from this pack too.

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

Heres a quality fat "street" beat ready for use in a aggressive hip-hop or big-beat production. Long sample containing subtle variations and a ending tail fx. Lots of bass and sub in the kick, designed to bang hard in a car system. Ps:would appreciate a link to interesting finished productions using it!.

Field recording of the tail end of a brief rain shower recorded approximately 1 foot (30 cm) from the sidewalk and 183cm from the street. You will hear rain pattering against the sidewalk, passing cars, one group talking while walking past, distant dogs, and birds.

Sennheiser mkh 8040/mkh 30 ms in a cinela pianissimo windshield into a sound devices 744t; limiters on, no hpf. Stereo-linked 50-50 blend. Normalized to 0dbfs with spot noise removal on birds during the drive-by in rx5, tail left unprocessed. No other processing of any kind. This sound effect acts as a demonstration of this stereo pair mic combination right out of the box.

Blood quickly escaping an open artery. (actually just me squeezing the hell out of a grapefruit). Begins with a steady spray, then ends in several loud spurts. More blood/gore fx coming soon-ish. Recorded in a studio with a sennheiser 416, very close proximity. < 1' away. Through an mbox directly into protools, edited to remove head/tail ambience. You might hear me breathing in there, very low.