18 Royalty-Free Audio Tracks for "Slow Tempo"

Gloomy, moody, slow tempo loop. A dejected sounding melody.

Writing on a keyboard, slow tempo.

Playing around with tempo automation in fl studio and came up with this.

A drum pattern created on audacity x.

(loud) slowing the tempo of something and amplifying it.

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

I generate a sound f# 2 seconds. Then i created several silences in the track to the rhythms and sounds different (change the pitch of the sound). And i finally slowed down the tempo and accelerated speed. I selected it and i have made repeated 2 times.

I tried to make a sort of explosion w/ my voice, and added a compressor, reverb, a little bit of distortion, quicker tempo, and i lastly slowed it down.

Rock and Pop Mid-tempo electronic song with indie vocal. Slow build up. The songs don't reach full speed until the 2.5 minute mark. - statusq

Coming hair: you can hear the typical crunch of tangled hair being combed out. You can hear the hairbrush gliding through the hair. It varies in tempo and rhythm to add realism to this sound. As she struggles with the knots it is slow but picks up tempo as her hair becomes less tangled. Recorded with the zoom h6, rode ntg in a recording studio. Great for any make-over montage or scene.

I said a sentence into the mic and made its tempo and pitch very slow and low. You could probably use the part of it that sounds like a screech(which was literally me pronouncing "ssuck")for some kind of video game monster like scp 096 (hence the scp tag).

Recorded with my epi sg, finger style with a capo on the 5th fret. (i like the slow tempo). I went through the walrus slo pedal on 'dream' setting, then into the focusrite 2i2 interface, and then into reaper. Please comment on what you may use it for. Thanks. :-).

A small, mechanical music box plays, slows down and stops. Synthesized sound with stereo light reverb effect. Duration 0'52". Three turns of a wooden boxed clockwork mechanical key followed by a bright, nonsensical music box tune. As the tune plays, the tempo slows down - gradually at first but becoming profoundly slower towards the end. Tune ends on a melancholic note mid phrase. Could be used as a standalone effect, or perhaps metaphorically as a cipher for the aging process and cessation of life. The clockwork key effect is a rapidly repeating single mechanical clock tick filtered to sound box-like. The sound of the music box tines was created with ni fm8 using four sinewave oscillators, one of which feeds back on itself to produce a hint of metallic ringing.

An imaginary steam-powered machine runs up to speed and slows to a halt. Created in flstudio 11 with a commuted synthesis model for emulating engines and other cyclic mechanical sounds, also known as virtualmachine, by rurik leffanta. See http://www. Xoxos. Net/about. Html. Flstudio 3x osc noise was used as a hissing sound similar to venting of high pressure steam. The hiss is granulated to simulate a slight sputtering effect. As the machine tempo increases, lf rumble is introduced to evoke the notion of a rolling load. The rumble dies away as the machine slows down. 100% synthesised sound. No audio sample is present in this recording.

Sound 4/4, the highest note - thus white, of my epic ambience pack. Created in audacity by recording 4 strings of a violine, slowing down tempo, boosting bass frequencies with an equalizer and finally paulstretch. Silence has been truncated and endings are faded. Feel free to use as you like under public domain/cc0.

Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.

Theme scary siren :. Production step :i record a scream. I cut it and extract two different sounds from it. I change the pitch to get the sound more high-pitched. I also change the tempo to be more slow. I separate the track in two and invert the last part. With the enveloppe tool, i change some part of my track manually. I amplify the track. I also use the reverb effect and amplify the size of the room of 60%. I used the noise reduction. At the end i fade out. I used the noise reduction. Description :this sound look like a siren or an alarm. Because the sound is high-pitched, it award an horrific aspect to the track. For me this siren can take place in an old and creepy factory. In some aspect, there is some metallic noise in this sound. The no-regularity of the siren also participate to this strangeness feeling. Typologie de schaeffer :. Masse: toniquetimbre harmonique: acidegrain: itérationallure: naturelledynamique: violenteprofil mélodique: descendant puis ascendantprofil de masse: aminscicement.

Autumn is a time for slowing down and allowing yourself time for reflection and contemplation. The accomplishments and mistakes from the previous year. Especially if you make it a habit of getting out all year long and exploring nature, autumn can be a much-needed change in sensory soundscape. . . . After a busy spring listening to the many different warblers which come to visit and a busy summer immersed in the busy sounds of life----both human and natural----autumn's subtle, quiet muted soundscape can be almost like a re-birth for the ears and the soul. The insects, which had taken over center stage since august, are still singing---though now with a quieter volume and a more even sleep and though-inducing tempo. . . . . . . . Brisk winds from the north can be heard more clearly now----swishing, rustling the weedy, tan edges of fields. . . . . Hinting at the bite of much colder masses of canadian air waiting on deck for their turn in the months of november, december and january. . . I made this recording on the evening of october 4th 2014 at the edge of a field which was bordered by thick stands of oaks and pines of a major national forest. . . . . I couldn't help but pretend i was linus waiting in the pumpkin patch for the great pumpkin to arrive!. Recording made with my marantz pmd661 and a rode ntg-2 shotgun microphone on a tripod about 3 feet above the ground. My input volume was 6. I hope you enjoy this soundscape as much as i do.