215 Royalty-Free Audio Tracks for "Separator"

These are the sounds of real swords against various materials. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

These are the sounds of real swords banging against each other. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

Recording of a pair of oven mitts being hit together. Might be useful in a game as an inventory sound. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

Here is the sound in zurich international airport recorded on thursday afternoon august 22 2019. Departure lounge #1 airport code zrh. Voices, footsteps, luggage being hauled around and adults and children. 96khz 24bit stereo.

Some stuff i added to my playing drums to 'rich woman' and i added some claves, drumsticks, cowbell, tambourine and maracas all on separate tracks recorded with my yamaha pocketrak and edited with sony vegas. It stutters slightly near the end. My computer? i'm not a pro by any means when it comes to mixing, but please comment on what you may use it for. Thanks. :^).

A collection of sounds of a magazine flipping through its pages and a heavy book slamming shut. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

I think this sounds a bit like a jazz age theme reflecting a journey by steam ship. It was bolted together from little loopable sections (also uploaded separately here) which were all created using edirol orchestral samples and the magic of arpeggiating programs. Feel free to use this for anything you like without crediting me, or assemble your own tune out of the individual sections.

A drum loop with bass and a bass line separate. Made in fl studio. If you want the bass preset for sytrus email me paulstitz316@gmail. Com enjoy!!. This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

90 beats, beeps and blurts culled from freesound. Org's public domain uploads. Also, 13 sounds culled from freepd. Com which are public domain as well. All in one file, separated with cue points that have file info. Easiest way to sort it out is to use a sound editor that can separate the files by cue points into one folder. Mono 44k and mostly 140 bpm, should be fun for rave tracks. Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file name into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Mournful cows mooing in the night. These are my neighbor's pasture-raised cattle and they have a pretty good life but about this time every year he has to wean the calves. He separates the calves from their mothers. They are on opposite sides of a fence. The fence is a single electric wire. The mothers and their calves are inches from each other but not in the same field. It makes me so sad to hear them in such distress but they seem to get over it in a few days.

Part of "semiloopdrumsamples" package, please dl the whole package. . With 'semilooped' i mean that only the ride and hihat are longer loops and the kick and snare is separate for better flexibility. I only made basic patterns tho as this package is mostly meant for creating custom playalong/click tracks. No eq's, i'll let the user do that. . Again for flexibility. All samples are stereo(48khz24bitflac), since the sound of the kick naturally leaks in the overheads and the overheads are a big part of the snare sound.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

File contains a second collection of 4 or 5 creepy, clichéd "hypno-tones" in the theremin's lowest ranges, each separated with 5 seconds of silence. Each hypnotone in the file uses a different waveform/tonal setting to give you various textural choices. As always, these sounds are recorded "dry" so that you can tweak and tweeze, add effects, overdub and mangle them any way you like.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

A sample from my completely free astronaut pack. Lyrics: thrusters looking nominal, commencing separation phase. Redistribution + repackaging of these samples verbatim is prohibited. Download the entire pack here: https://sampleme. Sellfy. Store/p/astronaut-vocal-pack/.

This is a drum sound i've synthesized using the great free (gpl) synthesizer zynaddsubfx. Arranged and rendered to 32-bit float wav @ 192khz using lmms (linux multimedia studio) - electronic music production program. Divided into separate files and converted to 24-bit flac using audacity. Please read the pack's description:http://www. Freesound. Org/people/unfa/packs/11746/.

A sound travel in space beetween earth and the international space ship, french announcer (ddo) in control room for countdown, verification of parameters, stowage and separation, entry into the international station, congratulations, release. . This sound story was made with neumann microphone for voices, shoeps microphone for originals acoustics sounds, kurzweil synthetizer, albino and sampletank plug in, waves and isotope on protools for modelisation and mix. Total use of bandwith, so take care of yours speakers. Enjoy.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

This is a sound i made in audacity by recording myself going "vvvvvvvvvvvvvv. . . " on two separate tracks and slowing them both down by 95% and adding a little bit of reverb. I think it's sort of convincing but i think it would be better if the pulse of the samples being copied a bunch of times kind of gives it away. Feel free to do what you like with it.

Sound of water flowing from a tap with fades in and out created with audacity. X : continu complexe. Morphologie :- masse : son cannelés mélange de sons complexes et de sons toniques- timbre harmonique : éclatant et clair- grain : son rugueux- allure : pas de vibrato- dynamique : attaque douce et graduelle. - profil mélodique : variation glissante sans séparation nette- profil de masse : calibre : equalisation.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

Described sounds in order:1. Inserting dvd2. Removing dvd3. Closing dvd player4. Dvd player starting reading dvd5. Dvd player reading dvd6. Dvd player stopping reading dvd7. Opening dvd player. Sounds are separated with a bit of silence so it's easier to edit them back together to your preference.

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

Noises from an old gdr tube radio (1966, oberon) when tuning through mw, lw and ukw bands. I tried to separate the different noises and let them be heard for a few seconds so you can edit the noises you need. First there's lw, then mw then a few noises from buttons on the radio then ukw at the end with fragments of some german radio stations in 2021.

Stereo recording of about 5 lads skateboarding in a small square (custard factory, birmingham uk). Sound of wheels rumbling and nice meaty thwacks as the lads jump then land. They went around the square and some movement across the stereo image is audible. There is traffic noise from a nearby main road. Some comments and talking between the lads is audible but not clearly articulated. Recorded on a zoom h2 with the built in front microphones (90 degree nominal separation). Recorded as wav, loaded into audacity for removal of handling noise at start and end only.

Glass shattering/breaking sound in a bucket. Could be used as a drum sound for an industrial beat. Would love to hear some of your work with these sounds, but it is not necessary to give me credit, or do anything beyond enjoying the sound for your professional or non-professional use. This file is tagged cc0, with my info, to prevent the need to carry a separate licence file around. Please pass them around as much as you like.

Found a half-broken wind-up rotating christmas tree music box. . . Thing. . . Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

Recorded myself cutting up, tearing and squishing a watermelon, resulting sounds processed only with a slight low-cut and normalization. Recording quality was not as great as i would have hoped although there should still be something useful here, i learnt 2 valuable lessons though:. 1. Watermelon juice and microphones are best kept separated. 2. Sounds travels quite well through kitchen worktops so don't put the mic flat on it!.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

Not just any thunder this! this is the spanish variety and anyone who has been around a spanish thunderstorm will know what i mean. This field recording was made from my villa and this is both rural and situated between two mountain ranges. So, you've got the thunder, the acoustics, the sound of the rain and the birds in the nearby trees. If you listen closely enough then you might hear the sound of the breeze through the palm trees. Recorded with twin directional mike pointing away from each other. . . For just about the best stereo separation you're going to get!.

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

High quality. All kind of male fighting sounds + some additional sounds in one go in a wav file, some voices are louder than the others but they're easily adjustable. Can be separated with a software such as audacity. Copyright free, credit is optional. Can be used in all of ur projects from music to video games, videos, all kind of media and anything related, sample packs, etc. . . Or in anything u want, commercial or non-commercial.

Recording #1 of my own shirt flapped, snapped, whipped, waved etc. If you pitch-shift this down (or slow it down) it can sound (imo) indistinguishable from, say, a large flag or large sail being pulled and snapped in the wind. This had recording noise removed, and silences auto-trimmed, with auto-regions from that trimming generated and saved in the file (handy for selecting a sound region easily or exporting regions as a lot of separate sounds). I request but do not demand attribution to me for use of this sound.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

Timestamp : 221206-14h47mlocation : uk haughtongreen hulmes forest path stockport path. Recording equipment : zoom h5 stock capsule mic. Description of the sound : two pipes with a small stream of flowing though them. Falling from about 5cm. Recorder was set to about 4cm away. With the intent of separating having each pipe on each side of the mic. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

Stereo recording of a train arriving and departing at aldgate east tube station, and another train departing on the other track. London underground trains have rubber wheels and a characteristic kind of rumble. The doors open and close automatically. Faint tannoy announcement in the background, and a couple of electronic warning tones when the doors open and close. Aldgate east station is huge but has a surprisingly 'dry' and 'dead' acoustic so that it is very quiet when the trains have gone. Recorded on a zoom h2 recorder, front microphones, 90 degree separation. No amplification or equilisation on this sample.

Fast moving stream down from one of the waterfalls at silver falls state park in oregon. Water is flowing over rocks. Recorded, sorry to say, on my canon t3i mounted on tripod about 3 feet from the water so there is very little stereo separation. Runs at about -10db. Enjoy, i plan to upload more from my trip. Free to use, but if used commercially it would be nice if you can add "marcus pun" to the credits, and i hope you do that with any sound you use from freesounds. ;o).

2007 toyota yaris driving on a country road. I needed this type of sound for an av with specific time characteristics. Three takes separated by 1 second silence. Take 10-10: 30 kph. 10-30: slowing down in top gear. 30-35: stopping. 35-50: idling. Take 250-60: 30 kph. 60-80: slowing down in 2nd gear. 80-85: stopping. 85-95: idling. Take 395-115: 50kph. 115-130: blinker. 130: gravel driveway and stopping. Recorded on a marantz pmd 661, 10 december 2020 at 21:30, with a rode nt4.

The sound of me opening a big amonster energy drink, bought yesterday, february 6th, a the local store for under $3. This was, as i said, recorded february 6th, 2014, using a tascam dr-05. Narration included; however, you can cut out the naration and use just the sounds as well in a separate creatively engineered recording of your own. The name monster energy is copyright by its respectivecopyright holders, and is used only as a reference. Feel free to modify the recording and use any / all of it as you wish in any creative works. Just credit me for the recording source. Thanks.

Recorded in june 2016 on a hudson yards-bound 7 train in the new york city subway. Towards the end of the recording, at the last stop (34th street–hudson yards), there is mta thank you announcement at the station and for all passengers to alight - i have extracted this announcement as a separate audio download on freesound if that's the sound clip you're interested in!. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Long recording of an intense new england thunderstorm, recorded through an open window with a portable minidisc recorder and attached sony condenser microphone. The first ~18:45 is relatively quieter (and cleaner), though there are several good thunder rolls at ~1:20, 4:00, and 14:10. After 18:45 the storm picks up and the recording is correspondingly louder, and the storm goes a bit crazy -- there are many very loud thunder rolls, though unfortunately there is also some clipping and distortion. From 24:00 through the end of the recording, the storm winds down and the recording level is just right to pick up a number of very clean but loud thunder rolls, with some nice stereo separation.

Csonor kickhead: 1mic: rpressure: 1 of 6. The sonor kick set includes many acoustic field recording samples of a sonor kick drum. The recordings are separated by categories denoted by a number and letter according to drum head & microphone position, including different volumes/velocities. Here is a key to help you understand:. Csonor kick[#] [pan][pressure]. [#]: which drum head used. [pan]: which side the microphone were partial to. [pressure]: the velocity/hardness the drum was hit at (ascending in intensity). By providing the different heads, mic positions, and intensities, the sonor kick set has everything you will ever need to get authentic kick drum samples. Enjoy!. .

Mid/side recording of my stomach after having a fizzy drink. I laid down and placed the zoom h2n directly on my stomach. All kinds of stomach ejactulations can be heard in addition to my heartbeat. Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.