52 Royalty-Free Audio Tracks for "Restored"

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Large symphony orchestra restoring just before rehearsal.

From really bad snare to improved sound with serious amount of eq-ing,compression and synth white noise.

A restored version of "E Scherzo Od E Folia" (track 37) here

Ancient drum loop sequenced by me c. A. 1995 in protracker. Smth like 5th module sequenced in my life. Not bad as for 13 y. O. Kid. Not bad at all!. Loop restored in flstudio by adding part of spectrum cut by sampling with low sampling frequency. 44100hz, 16bit restoration of 16khz, 8bit sample. 125bpm.

Ophævelse af fortrængninger og genoprettelse af perversioner (Lifting of Repressions and Restoration of Perversions) by Thomas Kyhn Rovsing Hjørnet

A digitally restored version of Crystal Palace Handel Festival of 1888-06-29, recorded by Col. George Gouraud on Edison's yellow paraffin cylinder. Over 2000 pops and crackles were removed to bring out more of the original recording.

A digital remaster and restoration of one of the oldest music recordings known to exist.

Recorded by olympus ls-11. Restoration by izotope rx 4 advanced.

Big ben strikes 8 o'clock before restoration work begins.

Orchestrion popper roland is building in leipzig, gemany. Now it ist standing in the technik-museum speyer. Restored from maestro gotthard arnold from fachstaette. Demusic is free from gema-fees -recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le. .

polyphon - mechanical music machinehttp://de. Wikipedia. Org/wiki/polyphon_(musikautomat)this instrument is standing in the technik museum speyer in germany. It is restoring from maestro gotthard arnold and sina hildebrand from fachstette. Dethe music is older than 100 years and no gema-fees are to pay.

Restored vintage ericsson telephone. Recorded with se rn1 and sound devices 664.

Restored 1929 model a ford truck starting up. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

Restored 1929 model a ford truck, engine running. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

Openings and closings of two umbrellas recorded with a zoom h4 (stereo, 44. 1k). Some light restoration applied to clipped bit.

Restored 1929 model a ford truck shifts from first to second gear. The vehicle was used as a bookmobile in everett, washington from 1929 to 1950.

This is the horn from a 1929 model a ford truck, used as a bookmobile in everett, wa from 1929 to 1950. The vehicle has now been restored.

Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Recorded in the archeological site of palenque while working on the restoration of mayan architecture, this sound would be heard every morning before the site was open to the public (date: summer of 2018).

The sound of a restored cast-iron pump, located beside the church in a berkshire village, which is still being used to draw water. We hear the squeaking of the pump and the splashing of the water into a large metal container. Sony psm-10.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

This mechanical music machine is standing in the "technik-museum speyer" (germany). The instruments are restored by maestro gotthard arnold and sina hildebrand from fachstaette. Dethe original music-recording is older than 100 years and free from gema-fees.

This file demonstrates the "before" qualities of the sunset editorial library. This file had a lot of noise and distortion. It was cleaned up using izotope's rx software, then uploaded as "s27-29 chimpanzee whimper and scream. Wav" (effect #675431. ).

Ambience from the old city museum in baku. The dialog in the local language azeri describing the ancient past giving the silk road caravans safe passage over the caspian sea. The museum is original restored buildings in the city walls with amazing natural reverberation captured on the olympus ls10.

Theta Drumming (percussion instruments) Genre: Simple rhythms Tempo: c. 4 beats per second (w:Theta waves)

Chant du menestrel, op. 71

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.

Unrestored version of Image:Mattia_Battistini,_Emilia_Corsi,_Luigi_Colazza,_Aristodemo_Sillich,_Giuseppi_Verdi,_O_sommo_Carlo_(Ernani).ogg. "O sommo Carlo" from Giuseppi Verdi's Ernani (1844). Recorded in November 1906, this is Victor 92046, Matrix 881c. Digital transfer by Tim Ecker.

This song is a poetic reflection on life, where rivers symbolize human strength and connections. It tells a story of loss, betrayal, and the struggle to reclaim oneself, showing how water, even in a land scorched to ashes, can bring life and restore hope. It’s a tale of challenges that shape us and the resilience we must find to move forward.

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

Wax cylinder recording made in 1889 by Otto von Bismarck; the only known record of his voice. Restored in January 2012 by The Cylinder Archive (www.cylinder.de)

The hymn of free Russia by Alexander Gretchaninov (music) and Konstantin Balmont (text), performed by David Medoff, published by Columbia Phonograph Company in Apr. 1926 as Co 20074-F/W 106678-2, "Da zdravstvuyet Rossia! (Hymn Svobodny Rossii)," "Гимн свободной России" Александра Гречанинова (музыка) и Константина Бальмонта (текст), поёт Давид Медов

Song "Good morning to all", the basis for the song "Happy Birthday to You". Software 使用ソフト 超録 http://pino.to/choroku/ - for recording 録音用 Audacity http://audacity.sourceforge.net/ - edit & export ogg file 編集とoggファイルの書き出し用 chord コード進行 A -> E -> E -> A A/C# -> DM7 -> Bm7/E -> A

Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.

This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.

Very, very refreshing and delicious sound effect. Sound of hot water being poured for a cup of tea, coffee, or hot chocolate. Its tea time.

The chimes of big ben first appeared on bbc radio at the very end of 1923 to announce the new year. In december 1948 this recording (catalogue number 825677) marked the 25th anniversary of big ben’s broadcasting career. Because the recording was made inside the tower there’s plenty of intriguing mechanical detail in addition to the tolling of the quarter bells and the 13-ton great bell. Big ben is the unofficial name for the great bell. Other london bell names include great paul and great tom in st pauls cathedral, and the inscribed names on the bells of st mary-le-bow in cheapside: katherine, fabian, christopher, margaret, mildred, faith, augustine, john, timothy, pancras, cuthbert and bow. Recording © copyright bbc. Audio digitisation and restoration by the london sound survey. Many thanks to bbc worldwide for granting permission to reproduce this recording here.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.