57 Royalty-Free Audio Tracks for "Rule"

00:00
00:02
Sound edited of a rule that generate the emotion of serene.
Author: Jaeger
00:00
00:02
Sound edited of a rule that generate the emotion of bored.
Author: Jaeger
00:00
00:18
Manipulation of a slide rule (mechanical calculator), moving the cursor and slide, and rattling.
Author: Robindouglasjohnson
00:00
00:02
Sound edited of a rule that generate the emotion of alert.
Author: Jaeger
00:00
01:33
Rule, Britannia
Author: Melody: Thomas Augustine Arne; setting & sound file: Rabanus Flavus (Peter Gerloff)
00:00
00:22
Rule of the octave, major scale.
Author: Created by Hyacinth (talk) 20:22, 17 November 2010 using Sibelius 5.
00:00
00:28
Chord rewrite rules II: use of chromatic passing chords.
Author: User:Hyacinth
00:00
02:11
The similar rules of making plurals in indigious andforeign languagesby: maqsood hasniabuzar barqi kutab'khana dec. 2019.
Author: Maqsood@Mailworld
00:00
00:02
Sound produced by hitting a ruler against a desk.
Author: Jaeger
00:00
00:28
Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.
Author: User:Hyacinth
00:00
02:47
Rendering walls with cement in bathroom. Ruling off cement render.
Author: Osaka
00:00
01:42
Rhythm made from tape measure - rule. It makes flanging effect. Recorded on zoom h4n.
Author: Ondondvo
00:00
00:06
Making a sound with the rule.
Author: Jsrosero
00:00
00:54
Hvv announcement concerning corona 3g-rule fri10 dec 2021 in hamurg, germany.
Author: Humoristfrank
00:00
04:08
Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.
Author: James Thompson (1700-1748) Thomas Augustine Arne (1710–1778) Albert Farrington
00:00
01:31
Twas in the time that Caesar ruled (1911) Christmas Carol by Arthur Richard Rivers (1857-1940)
Author: Rivers, Arthur Richard (1857-1940)
00:00
00:19
Recorded on text 2 speech.
Author: Twinboys
00:00
02:39
MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.
Author: PantheraLeo1359531
00:00
02:15
MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.
Author: PantheraLeo1359531
00:00
02:53
MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.
Author: PantheraLeo1359531
00:00
00:17
Crowd making some noise at a sanfl aussie rules football match (sturt vs port 2017 grand final). Recorded on sony mp3 recorder, converted to wav using audacity.
Author: Nobodyyouknowof
00:00
00:04
Me ripping a piece of paper out of a old college ruled notebook.
Author: Mromnomnom
00:00
00:16
Fulfilling a request to create 3 characters reading lines of dialogue for a short animation clip.
Author: Pyrx
00:00
00:11
Me ripping another piece of paper out of a college ruled notebook.
Author: Mromnomnom
00:00
00:04
A rule on a table with a sound of a coffee machine overlayed, edited , recorded with a zoom h6.
Author: Michellegrobler
00:00
01:27
During pandemic i recorded the speaker on a police car in rome, italy, warning people not to go outside due to coronavirus.
Author: Andrealoko
00:00
08:57
Let chaos rule. . . Long recording. Yes. I had to leave for some minutes.
Author: Gis Sweden
00:00
00:01
Recordings of my own voice for a example of my request on the forum for samples. This is for a game when you score but it doesn't count because it was against the rules.
Author: Freek
00:00
20:45
In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"
Author: Bull of Heaven
00:00
00:10
Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:25
Sound file of "Chester" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:38
The song "Windham" by Daniel Read; piano reduction. Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:11
Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:02
I made this sound for the scene at the end of our global game jam game where a cute monster sucks on the winner's head. Thought i'd share it here!. Oh the game is pretty fun too: globalgamejam. Org/2016/games/dances-elder-godsall the sounds were made with my mouth as per the diversifier rule!.
Author: Mikey Pb
00:00
00:15
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)
Author: Antediluvian67
00:00
00:11
Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:08
Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Author: Hyacinth
00:00
00:08
Piano reduction of "Turkish" passage from Mozart Violin Concerto No. 5 Digital recording, made with an acoustic piano and Wavesurfer and Fruity Loops software by Opus33 with assistance from Opus20. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:15
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)
Author: Antediluvian67
00:00
00:15
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)
Author: Antediluvian67
00:00
00:06
Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
04:05
This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.
Author: Giomilko
00:00
00:01
I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. Also, i've tried asking what the rule is on this site about vulgarity, but no one has given me a straight answer. . . So yeah. . .
Author: Reitanna
00:00
00:25
Sound file of opening of en:Toccata and Fugue in D minor by J. S. Bach. Needs replacement recorded on an organ--can anyone provide this? Digital recording produced by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
02:39
Who has ever experienced complete inner peace and tranquility knows the feeling of peace that remains for days in your system. Of course there are always those impressions around you that distract you from that. But by regularly absorbing that silence, that tranquility, this peace grows. Eventually the feeling of peace is ruling and there is only just an occasional little storm. That keeps you alert, so that is good as well. So, peace at last.
Author: Huggingbear
00:00
00:22
The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:08
Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Author: Hyacinth
00:00
00:08
Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Author: Hyacinth
00:00
00:08
Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Author: Hyacinth
00:00
00:08
Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Author: Hyacinth
1 - 50 of 57 Next page
/ 2