I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. Frustration. . .
A one-year-old american baby girl coos and gurgles while playing with a toy. Recorded in 2011 with an electrovoice cl-42 shotgun mic into a zoom h4n portable recorder.
This is a vargan (jaw harp) sample (16 bit / 44100 hz/. Wav). This sample was recorded by myself in 2017 in the north-west of sakhalin with the aid of michail chayka (a nivkh musician who played jaw harp) and his mother n. K. Chayka.
Wrote/recorded a playful tune using ableton live 9. Pizzicato and staccato strings done with native instrument's kontact5 player. Piano and reverb using ableton's stock plugins. Hope this helps and is useful for your next project. Cheers,bainmack.
Recorded this in a crowded bakery in the morning. You can hear people talking and walking around, paper bags rustling, chairs moving loudly, and music playing in the background.
Recording of my panasonic dmr-ez37vk vcr, using both the ms capsule on the zoom h6, as well as a mono feed of a shure beta-58. Minimal compression in post. Going through all of the options, play, stop, ff, rewing, etc.
A group of 8 actors playing angry citizens chanting in protest "when everyone is under attack, what do we do? stand up! fight back!" i recorded it as a sound effect for my podcast samsara's dramas. Recorded on a stadium microphone into audacity. Compressed.
Carl Maria von Weber - Rondo brillant, op.62, interprété par Anatoly Vedernikov (1959) Carl Maria von Weber - Rondo brillant, op.62, played by Anatoly Vedernikov (1959)
A loop recorded with my electrical guitar and some free virtual instruments that i play using my keyboard. If you want to know my music go https://www. Jamendo. Com/artist/337293/marcus-rasseli.
Field recording of crowded beach in bournemouth. Summer 2021 children playing in waves. Jet skis in distance. From the west cliff, bournemouth. Recorded with hand-held rode videomicro and zoom h4n pro.
Created by dmak and formatted for use in the make noise morphagene. Based on multi-resampled stacked loops with enough space to play with. I hope people who are looking for structure, texture and glitchy sounds will find there a useful playground.
Sounds of the anordam, an experimental instrument that plays a 10-tone scale which consists entirely of perfect fractional divisions of the octave. The highest interval in the scale is 1/2, which means that for a given a value, half the octave will be left out of the scale.
Switch on, tone, switch off. Foley used to play over talk-back from studio to voice-over announcer. Tone produced in protools using the tone generator, switch was recorded using a portable marantz pmd620 and sweetened in protools. Please rate this sound.
A musical, christmas snow globe being wound up and then playing "joy to the world" until the the mechanism winds down. The song itself is in the public domain.
A small ambience of montmartre (paris) with a musician playing hang drumsrecorder in 2016 with schoeps mic cmc622 (ortf), sound devices sd302 abd tascam dr100 mk2 recorder. Wav 24bits/ 48khz.
Free hurdy-gurdy playing with no specific tuning or melody in mind. Tuning peg and some other noises also recorded. Recorded directly in 88. 2 khz wav.
Choro "Atraente" composed by Chiquinha Gonzaga in 1877[1]. Played by Pixinguinha with the saxophone and Benedito Lacerda in the flute. "Atraente" is one of the most influential music in Rio de Janeiro
Franz von Suppé's overture to the opera Leichte Kavallerie (Light Cavalry), played by the United States Marine Band for the album Overtures, Volume Two.
Author: Composition: Franz von Suppé Performance: United States Marine Band
Wildest/ western acoustic guitar soundtrack. I thought it sounded as a sounded for a wild west/western film. Akkoords played are em, am, e and g on an acoustic guitar. Capo is on the 4th.
Playing with a bike pump. Recorded wide-stereo, 24-bit in an echoey bathroom. The files has been edited to the best parts. Some degree of headphone bleed is audible in the recording. This makes a pretty good whale sound if you stretch it 500-1000 percent.
This is a short loop i made with a cassette tape head as a pickup on a single guitar string across a plank of wood and played with a plastic fishing discorger like a hammered dulcimer. Fed through my nux mfx-10 effects pedal into a boss loopstation and then recorded into reaper.
I make lots of sounds for a game i play, this is just one of them. Feel free to use any of my sounds. If you feel like leaving a message i would love to hear what you are doing with them.
This sound is an audio file that slowly breaks up the further it is played. I recorded this with an in-built microphone, no idea what make though. I recorded this on audacity, and added gradual distortion. Warning: you may need to turn down the volume for the last 6 seconds!.
I was given a text to speech program to play with and this is what i came up with using audacity and some sound clips/fx from the library. All sounds are free to use combined on open source software. Short ditty 1 minute.
Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.
An xbox one controller's buttons being pressed and mashed, as though playing an action or fighting game, with clear separations to allow use of a variety of paces and combos. Recorded on blue snowball for the super legit podcast.
At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.
The second movement of the suite Looking Upward by John Philip Sousa, "Beneath the Southern Cross", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa
Author: Composition: John Philip Sousa Performance: U.S. Marine Band
I've been playing friday the 13th lately and i love the chase music on it! so i decided to make a little loop that has that getting chased feel using just a hard hitting piano! hope you like it!.
A request for freesounder neilreynolds1980, intended as a soundtrack for the play dr faustus at the point the eponymous character is sucked into hell. A bit of technical information: the basic sound is a stacked set of ‘devil’s intervals’ (augmented fourths) with doubling at the octave, playing an instance of calf organ set to a truly horrifying demonic choir patch i created. The rest of the effects are accomplished using automation of this instrument as well as calf pulsator and calf filter in ardour. This sounds much better when downloaded than it does in the freesound player. The stereo image and sample rate are much reduced in the version you hear in the player.
On many days i take a two mile walk from my house to my job. One gorgeous day i took my zoom h1 and sampled audio at various points during this walk. To avoid footsteps, i recorded each location standing still. In this file i gradually crossfade between the different locations. The walk begins on a suburban street, goes past a park where children are playing baseball, then a busy intersection, then a factory with open windows. A couple planes can be heard overhead. The last thing in the recording is the door of my job opening. ----recorded with internal microphones of a zoom h1.
[magic_spell_07. Wav]. [magic spell 06 remastered. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.
