2,142 Royalty-Free Audio Tracks for "Mass"

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

The bells of santa maría la real gothic church ring in an autumn evening. Once the tolls stop you can hear the city's background noise at its main square. Olite is a small town in the south of navarra (spain). Recorded with a poco x3 phone's recorder in hq mode.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

This is a recording of birds singing early in the morning when the birds get up to start singing. Recorded in the middle of the forest. Originaly ms recording with zoom h6, 24bit/48postedited with noisereduction and wide stereo. Enjoy for free without terms of credit, :)but i nevertheless appreciate credits to marius mass grøtvedt.

Brief recording aboard a red line train in chicago, roughly from sheridan to lawrence going north towards howard, recorded sometime in winter 2019. You can hear some chatter in the background. Unfortunately there is some slight cell phone interference in the last few seconds.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Credits to kendog88 for the base sound. I found their sound while searching for reaper-like sound effects on here, and the sound they made resembled that of the mass effect reaper, so i decided to overlay some distortion and put a wave filter over the sound, to give it a vibrating feel. Enjoy.

Theme hand saw :. Production step :i reccord the sound of someone speaking. I copy this sound 4 times. One time on two i « invert » the sound for creating a contrast. So four speaking are on the « original sens » and four on the contrary. On a another track, i take another short recording of a men voice and copy this once. I add this new track to the middle of the first once. To finish i chang the pitch of all the track with a percent of change of -24. Description :this sound look like an old wood hand saw. We clearly distinguish the saw movement. Going on and going back. Add a different recoording on the middle allows the sound to be realistic. Because the hand saw sound is not regular. Typologie de schaffer :masse: son cannelétimbre harmonique: grinçantgrain: frottementallure: vivantedynamique: abrupteprofil mélodique: ascendant puis descendantprofil de masse: amincissement.

Bells ring to mark the start of evening mass at notre-dame cathedral (notre dame de paris) in paris, france on christmas day in 2011. The first bell heard is the largest, the "emmanuel" bourdon bell, which weighs 13 tons. After 90 seconds or so, the other bells in the north tower start to ring as well. After several minutes of continuous ringing, the bells are allowed to slowly stop ringing. A few soft clicking noises right at the start of the recording come from me adjusting the recording level (which i couldn't do until the bells started to ring). Mp3 from 96 khz / 24-bit / stereorecorded with zoom h4n built-in mics hand-held, about 100 feet southwest of the south tower (the one with the big bell).

5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a delay fx (space hole) in zoom ms-70-cdr. Admit i added some noise too.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

My neighbour is working at the second floor. Metal hit, pushing heavy stuff, crackings and vibrations by some human body mass at the old wood floor. In the second plan, we can hear passing a train and some cars. Quiet atmosphere with singular acoustic, like a sunday's work.

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Here is a walkthrough zurich international airport. Recorded in stereo as people walk by on the left and right hand side (best example of is approx half way through the recording). 96khz 24bit stereo.

The story begins by a music that i found. A open door, heels, then silence, a chair, computer sounds with mouse, retake of music and close of the door. , who is the ending of music too. To produce that, i choose audacity; i take recorded moments of life. For the technique, i choose a fade in and fade out for the music and the recorded sounds fit well together. For the moments of silence, when the work begins, i only let the recorded sound talk without music. I choose to work with two mono audio tracks: on for the music and the other for the daily sounds. Descriptif selon la typologie de schaeffer. 1. Masse : son dit “cannelés”2. Timbre harmonique :3. Grain : rugueux4. Allure : non vibrato5. Dynamique : abrupte6. Profil mélodique : tentatives de variations glissantes7. Profil de masse : son cyclique avec des moments doux puis un peu plus fort.

I created a click track and got rid out the last two beats of each bar. I shortened the spaces between the first two beats of every bar. I then added a reverb effect and created another layer of brownian noise to even out the silence. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:acidegrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

I made a good comparison to jacksepticeye's videos and what happens in his house. Took about an hour to make because i was repeatedly adding 250% more gain to the intro(on audio mass) but i added so much that when i downloaded it it came out sounding like just static so i added way less gain. I recommend going to audiomass. Com to try this out if you like.

The chocalho de platinela ('rattle/shaker with little plates') is a large and very loud metal shaker, with jingles similar to a tambourine, mounted in three long rows on an aluminium frame. They are used en masse in samba bands, usually playing a simple but very fast rhythm. A back (towards the body) shake.

5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a reverb fx (particle reverb) in zoom ms-70-cdr. Admit i added some noise too.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Theme scary siren :. Production step :i record a scream. I cut it and extract two different sounds from it. I change the pitch to get the sound more high-pitched. I also change the tempo to be more slow. I separate the track in two and invert the last part. With the enveloppe tool, i change some part of my track manually. I amplify the track. I also use the reverb effect and amplify the size of the room of 60%. I used the noise reduction. At the end i fade out. I used the noise reduction. Description :this sound look like a siren or an alarm. Because the sound is high-pitched, it award an horrific aspect to the track. For me this siren can take place in an old and creepy factory. In some aspect, there is some metallic noise in this sound. The no-regularity of the siren also participate to this strangeness feeling. Typologie de schaeffer :. Masse: toniquetimbre harmonique: acidegrain: itérationallure: naturelledynamique: violenteprofil mélodique: descendant puis ascendantprofil de masse: aminscicement.

No reverberation of the drip2 sample. "plippy". Legend:. "plippy" - short, low attack, low release. "ba-doom-umf" - heavy bass, similar to a large mass object being dipped underwater. Low attack, medium decay, low-medium sustain, low release. "slappy" - self-explantory, low attack but high release. "no-oh-wah" - sort of surreal acoustic profile. A combination of low attack, low sustain and release.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

Sound recorded of an automatic door closing. Typologie (p. Schaeffer):x' :impulsion complexe. Morphologie:*masse: son seul principal accompagné d'un léger spectre musical composé de deux notes aigües correspondant chacune aux deux étapes de pré-fermeture de la porte. *allure: son final très sec quand les deux notes précédentes sont assez aériennes. *dynamique:entrée en matière très douce qui débouche très rapidement sur un crescendo brutal.

Four aspects of maya people: music, market, religion, transport. A frantic music of a concert to the solola main square, market noise, an intense and coloured piece of mass into the church, followed by the return to the concert place and the end of the visit near a typical public bus, called "chicken bus" because it is used by maya people to transport animals and vegetables to sell at the market. Registration made in august 2010, equipment used sony sx800d external microphone sony icm cs 10.

I created a chip track to which i added a reverbation effect. I copied it and then rendered both onto a new track. Reusing the same sound , i lengthened the tempo and increased the pitch on the second one. I then reused it a few times to imitate the sound of the ball bouncing off the table, speeding up the tempo and adding a fade out effect. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:secgrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.

A futuristic trance/house vibe that i made a while back, after playing mass effect 2 for the first time. I really loved the nightclub on omega, and i suppose it sort of inspired this. I'm never going to do anything with it, so i'll toss it on here in case anyone else wants to. Cut it, warp it, splice it however you'd like!. 124 bpm, made in fl studio. Credit is welcome, but not required.

Soccer fans vocals field recording with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.

Mark vistan loyola high school soundsketch.

This is the infamous sound heard in the original friday the 13th movie, this was recorded with audacity and i used an echo effect on it.

Romper papel.

I'll Tell Me Ma

Strong winds from the spanish badlands!mono field recording with an akg c91 cardio in a windjammer, into a aeta mixy onto an maudio microtrack via spdif, sometime around spring 2011. Recorded in the bardenas reales desert in spain. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/0/04/lapisquerra. Jpg/1024px-lapisquerra. Jpgthis particular recording was done a day of high winds on the hills overlooking the bardena, close to a mass of shrubbery with birds nesting in it!it's pretty dense, the infra gusts have been somewhat tamed but are still quite present!.

My friend and i dropped a blanket.

Traditional Sundanese song. Disc 8 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Más pájaros bariloche.

Performed by Len Spencer

Sharpening of a knife.

Ja må han leva (1953)

A beautiful, simple and peaceful soundscape of a late summer day in illinois near an ancient swamp. This recording was made around 8 in the morning on a warm and slightly humid day in late september using the marantz pmd661 and a rode ntg2 shotgun microphone. Do you sense the insects are more subdued than usual? as if they, too, are waiting for the cooler masses of early autumn?? the overall loudness of the birds is also down somewhat, maybe some of our neotropical migrants have already left. . . . Taking with them the wonderful midwest diet and warm memories of raising the next generations of their kind before the swamp turns gray, and cold and inhospitable for raising a family. . Enjoy, what i consider a turning point of the seasons.

Auprès de ma blonde

Ja må han leva

Recordings of a collection of singing bears called sing-a-ma-jigs.

Šárka, the second from Bedřich Smetana's set of six symphonic poems Má vlast