382 Royalty-Free Audio Tracks for "Mass"

One of a set of outdoor recordings near a mass of common houseflies, with one bapping into the mic (some distortion at peak) and a background songbird in the distance.

St. Barnabas church in oxford ringing the bells for sunday mass. Recorded on a rainy day with a light breeze. This is a recording of the bells chiming at a steady rhythm.

Quote from the game mass effect - "stand in the ashes of a trillion dead souls and ask the ghosts if honor matters. The silence is your answer. " [cc zero].

Stereo ambience of euston station, london recorded with the zoom h6´s xy-stereo capsule.

This melody describes the feeling of anxiety and creeping hysteria. You're in a club, maybe on stimulants, you're alone in a crazy and chaotic mass of people. They hate you, everyone hates you. You hate yourself.

A bell announces a train is coming, quickly followed by the roar of an approaching engine. Many train cars pass in a cacophony of steel wheels and roaring mass, followed by a fade-out.

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Busy room ambience with adults and children talking (useful for restaurants, school performances, waiting lines in amusement parks, cinema. . . ).

Todays organ practice in schaffhausen cathedral. Youtube video of the recording: https://youtu. Be/uazae4kefhm. 96khz24bit/s.

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Exterior recording of a small rural church mass. Some engine noise in the background. Recorded on /zoom h2n.

Pajaros cantando pero mas graves.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

A very beautiful song. Performed during the holy communion at cathedral da sé in sao paulo. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

This is a sound made to represent an abstract mass of people. It is mostly made with 100 blips made from using a phasor as an oscilator, so basically a saw tooth. There is some snippets of voice thrown in too. This sample is public domain, ignore the cc license.

Son pajaros cantando pero con sonido mas agudo.

Rayor lases aun mas agudo.

This recording of a red squirrel vocalizing came out of a mass recording of sounds at a bird feeder. This was captured on a zoom h4n pro handy recorder using the built-in stereo mic configuration set to the 90-degree position. This was done on a relatives property in northern wisconsin.

Brief recording aboard a red line train in chicago, roughly from sheridan to lawrence going north towards howard, recorded sometime in winter 2019. You can hear some chatter in the background. Unfortunately there is some slight cell phone interference in the last few seconds.

5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a delay fx (space hole) in zoom ms-70-cdr. Admit i added some noise too.

A recording i made literally on my front porch in january as a big mass of cold air was arriving with gusty winds. This wren was just chattering away. Made with zoom h4-n using its internal microphones, with the record volumeset on 80.

There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.

Cao dai it's a very vietnamese religion. It's syncretic, harmonious and colorful. I recorded this at phu quoc island, in 2016 -with the only tool at hand, a samsung phone. I think it's very interesting and peaceful.

5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a reverb fx (particle reverb) in zoom ms-70-cdr. Admit i added some noise too.

Xmas x-mas merry christmas bell bells carol snow winter holiday holy-night wonderland rudolph jingle chord music loop instrument interlude instrumental stereo trailer effect sfx soundeffect fx noise intro lights santa.

The bells of santa maría la real gothic church ring in an autumn evening. Once the tolls stop you can hear the city's background noise at its main square. Olite is a small town in the south of navarra (spain). Recorded with a poco x3 phone's recorder in hq mode.

I recorded myself singing in the tunnel that connects the buildings on the minnesota state capitol complex. This is the first measure of music in the kyrie mass in g minor, which is usually sang by a chorus in a cathedral environment. The tunnel makes it sound exactly like i'm singing in a church.

Here is a walkthrough zurich international airport. Recorded in stereo as people walk by on the left and right hand side (best example of is approx half way through the recording). 96khz 24bit stereo.

This was a fairly small air mass thunderstorm, only a few km across. However, it made up for its size with amplitude, becoming the largest attention seeker for miles around. Listen at -07:12 for some of the strangest thunder i have ever heard. . . Recorded with a rode stero videomic pro.

A bunch of gusts as a warm moist mass of air from the south steamrolls over southern illinois on, believe it or not, december 14th 2015. The temperature outside when i recorded this was 65 degrees! not quite the norm for this time of year. Recording made with the handy zoom h4n recorder using the internal microphones.

Shaking of the tree before it gets wrapped.

Traditional Sundanese song. Disc 8 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Uno Mas performed by the Airmen of Note of the United States Air Force Band. Track 7 from 60 Years of the Airmen of Note (2011). Originally recorded 1972.

Credits to kendog88 for the base sound. I found their sound while searching for reaper-like sound effects on here, and the sound they made resembled that of the mass effect reaper, so i decided to overlay some distortion and put a wave filter over the sound, to give it a vibrating feel. Enjoy.

No reverberation of the drip2 sample. "plippy". Legend:. "plippy" - short, low attack, low release. "ba-doom-umf" - heavy bass, similar to a large mass object being dipped underwater. Low attack, medium decay, low-medium sustain, low release. "slappy" - self-explantory, low attack but high release. "no-oh-wah" - sort of surreal acoustic profile. A combination of low attack, low sustain and release.

Standing outside of the catedrala sfânta treime, an orthodox church in sibiu/romania. Inside, mass is being held and singing and chanting can be heard over the ambient street noises, some children are laughing and chatting in a small park next to the church. Recorded with a rode nt-sf1 and matrixed to stereo.

My neighbour is working at the second floor. Metal hit, pushing heavy stuff, crackings and vibrations by some human body mass at the old wood floor. In the second plan, we can hear passing a train and some cars. Quiet atmosphere with singular acoustic, like a sunday's work.