2,011 Royalty-Free Audio Tracks for "Male"

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

Going outside to check the mail. I go out the inner door and close it, you can hear the weather stripping dragging the floor, then go out the outer door onto the porch. I go over and check the neighbor's mail to take up to her later, then check our own, then go back into the apartment where you can hear the tv. Recorded with zoom iq7 & iphone se2020 using voice memos, then edited from the larger mp4 with goldwave on the pc.

I asked for a fabric shredder because i couldn't find one, and i knew my dearest would knock himself out trying to. He didn't either but he did have one made, probably at considerable expense. It's a cute little portable unit, i think made of a modified paper(?) shredder, powered by a geared motor from a battery-operated power tool. It's probably a dangerous little work of art. So we're getting dressed in the bedroom after opening gifts on christmas morning, and i decided to try out my new toy. Good conversation, mechanical whir.

Warrior aggressively yelling the line "ho, land approaches, prepare to beach!" dry, with no added reverb. Taken from my viking audio drama: where the thunder strikescheck that story out here:https://youtu. Be/0unhlnhj350. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.

Https://twitter. Com/klj54282021/status/1633974045862404097?s=20. Laughter. I guess. Check it. Turn the sound on. Typically low-quality because it has to be. It's worth it. I've never seen anyone really lose it like this before, particularly, this guy. An hour or so later he's settled down, but still has occasional outbursts. He says joe biden could never play bongos like that to save his life, much less sing. Donald trump is actually a much better dancer. I think if they had the fortitude to actually do this, they could feed the world's hungry with the profits. I don't see how they could pull it off.

Estudiantes:jafet alberto,chavez corderochristian rodrigo,sanchez moralesvoz de joven masculino de 28 años de edad pronunciando las vocalesfrecuencia de muestreo=8khz; bit de profundidad=8bit ;canal mono ; dispositivo de grabacion "samsung galaxy a20" ; software "gnu octave"; fecha:20 junio 2020 : ubicacion: el salvador,san salvador[students:jafet alberto, chavez corderochristian rodrigo, sanchez morales28-year-old male voice speaking the vowelssampling frequency = 8khz; depth bit = 8bit; mono channel; recording device "samsung galaxy a20"; "gnu octave" software ; date: june 20, 2020: location: el salvador, san salvador ].

A man and a woman having sex with lots of moans and squeaky bed noises. About: i told a couple that i'm friends with about freesound and they got real excited (pun intended). I gave them my handy recorder h2 and they did their thing. I edited the recording a bit in audacity. They are cool with this recording being put on freesound. Org and also that it's cc0 as long as it's anonymous. Have fun and if you get the chance to share intimate sounds yourself: don't be shy and just do it (but ask first)!.

A two minute section of angry mob/riot noise for a production of henry vi part 1, performed by italia conti 2nd year students in the italia conti sound studio. Stereo pair recording of 14 voices (fairly even mixture of male/female) for 2 minutes, featuring shouting, grumbling, and general riot noise - with some specific references to the play (e. G. "gloucester"). Raw, as recorded. Don't mind where used, but would appreciate a comment as i'd be greatly interested as to what you used it for.

Sometimes, my imagination goes here, and further. I never offer explanations for the bits and bites i ask from him, and clearly, he doesn't check it out later. So i put this together out of thin air. Probably. My mom used to caution that i shouldn't watch those horror flicks, they would warp my mind. Well any fascination with the macabre came directly from her. Right, dad?. Anyway, she should never have said that. I took it personally. She won't do it again. There's just a chance that this guy took it personally too.

Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.

When i first tested out my zoom h5 i began talking into the mic and then all of a sudden i needed a sneeze. I was about to stop the recording but then thought it would be good to record the sneeze to see how it handled my loudness. Well it coped very well and the recording came out perfect!i then played around with it in audacity and slowed it down -86% which makes me sound like a roaring lion. So i thought i'd upload this slowed down version too!.

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Pericón nacional (Aire Nacional) Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Tango de los negros Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

The death. . . I searched and dug for some time - until i found these three useful sounds:. * "horror shrieks woman" by aderumoro (licensed under the creative commons 0 license!) [2020-06-02]. - links: https://freesound. Org/people/aderumoro/sounds/320740/https://creativecommons. Org/publicdomain/zero/1. 0/* "male voice screaming loudly" by dinsfire (licensed under the creative commons 0 license!) [2020-06-02]. - links: https://freesound. Org/people/dinsfire/sounds/169628/https://creativecommons. Org/publicdomain/zero/1. 0/* "cwd_lt_ambient 17 empire. Mp3" by coldwombdescent (licensed under the creative commons 0 license!) [2020-06-02]. - links: https://freesound. Org/people/coldwombdescent/sounds/398360/https://creativecommons. Org/publicdomain/zero/1. 0/. I downloaded them, cleaned them, stretched the screams, made lots of improvements - and finally remastered them. Then i used the three remastered files to create the death! i mixed these sounds to make it even more epic, more dramatic!. I could've made lots of more changes, and made it even more dramatic, however, i wanted to leave the rest up to the listener's fantasy. It was much about planning, knowing what sounds to use, and how to use the different sounds, timing, and creating anticipation, shock and tension!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Enjoy!/matrixxx.

This is a quick little bass heavy remix i tossed together using cc0 sources from right here on freesound. I have never tried mixing anything remotely musical before, so this is a first. Not the best, but maybe someone out there may still enjoy it. I imagine this would maybe be usable as an intro for something, but perhaps it just belong in the bin. Sources :male intro voicehttps://freesound. Org/people/badoink/sounds/554842/. Claphttps://freesound. Org/people/waveplay. /sounds/554868/. Distorted female vocalshttps://freesound. Org/people/waveplay. /sounds/554948/. Basshttps://freesound. Org/people/waveplay. /sounds/402692/.

(wikipedia) the european nightjar (caprimulgus europaeus), common goatsucker, eurasian nightjar or just nightjar, is a crepuscular and nocturnal bird in the nightjar family that breeds across most of europe and temperate asia. The latin generic name refers to the old myth that the nocturnal nightjar suckled goats, causing them to cease to give milk. The six subspecies differ clinally, the birds becoming smaller and paler towards the east of the range. All populations are migratory, wintering in sub-saharan africa. Their densely patterned grey and brown plumage makes individuals difficult to see in the daytime when they rest on the ground or perch motionless along a branch, although the male shows white patches in the wings and tail as he flies at night.

It's a part of my pack "sickness". Sounds i recorded while being sick. I got a virus infection resulting in elevated body temperature, lack of strength, cough, running nose and sneezing. Check the title for what is in this particular recording. Recorded with zoom h2 on a mic-stand @ 96khz/24-bit. All the sounds in this pack are raw (unprocessed) they were truncated and converted to flac (both using audacity) but not normalized, with original 24-bit precision - turn them up as you need, denoise if you have to, cut out what you want. Enjoy my pain ;-).

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。

El archivo. Wav fue utilizado por los alumnos:ricardo antonio argumedo jovel, carné: aj17003moisés armando navarro hernández, carné: nh17004en la elaboración de la actividad evaluada final de la materia análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador. The. Wav file was used by students:ricardo antonio argumedo jovel, card: aj17003moisés armando navarro hernández, card: nh17004in preparing the final evaluated activity of the subject análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador.

Machine gun sound. Created by commercialkings. Com. Commercial kings is the number 1 producer for dj drops. We create tags and drops for top djs all over the world. With over 15 years of experience and premium customer service, you should know when you become a client with commercial kings, you'll have to highest quality premium drops, with all sorts of voices to choose from. Male, female, british female, spanish female, and kid voices, we got it all. Stop by our site and check out what we offer: commercialkings. Com/djdrops we also have quite a few free drops and digitial downloads you can come by and download.

Me (a man) teasing my wife by going down on her, bringing her to near orgasm, stopping and fucking her. This repeats as she gets closer and louder. The sex becomes rougher and there is some choking later in the recording. I think this recording was made in 2016 using a zoom h6 and a rode ntg4 mic or possibly the x/y capsule that comes with the recorder. Note on the recording: there seem to be some silences at a couple of points. Something probably happened in the rendering. I probably won't do anything to fix this as it's just a few seconds out of 18 minutes of audio.

I may have mentioned that his speaking voice wasn't always low. In this capture he's completely excited and happy and this is probably, his real voice. This went on for a while, but there was a lot of profanity and laughter and we don't wanna be disrespectful. Ha. I don't, anyway. I don't think he liked her much. A former boss, he said, who'd slept her way into her job and had no idea how to do it. He said if you looked up "nasty" in an unabridged dictionary, her picture would be in there. He was going to the funeral, he said, to make sure she was really dead.

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

Just having some fun with the 6 inches of snow that we received. The first part of this is me walking/breaking some ice that had formed in a low area and then me walking on snow, which has a frosty glaze on top of it. Recorded with the handy/zoom h-4n recorder using its built-in microphones. The built-in microphones can be adjusted to pick up sound from 90 degrees around the microphones to 180 degrees. For this recording, i had them on 180 degrees. *note, you will also -- if you listen carefully -- hear a male robin singing in a tree. Pretty unique combination - the snow and ice being crunched with the typical sound of spring in background. He must have been one tough bird!.

This video was taken from a video of an old man philosophizing about what life is, he said (the language he speaks is brazilian portuguese, translation is not good for english). "a irresistível, leve, leveza do ser, sutil tal como uma bolha de sabão que se ve por um momento, no tempo, paira se escorregando para a tentativa de decisão de ir para um dos lados, á sua volta até que "tok" um som inaudível se concebe e apaga, no sumidouro, de nenhuma imagem, que a um segundo atras prometia ser para sempre, a vida é uma bolha de sabão, e dentro de cada bolha, há uma alma".

anyone who reminds you of your past, has no place in your future. it really helps to shut people up, when that needs to happen. I wish i could recall where i heard this; a web search didn't yield anything. Enlightenment as to its source would be appreciated. I asked my partner to express it for me. It has helped me, maybe it will help someone else. Addendum, through argumentation i found that many do not fight fairly. One's "past" does not include something underhanded you pulled last week, or a crappy statement you made five minutes ago. Those may be forgivable but they don't yet qualify as your "past. " these things are called "current. ".

The first meeting of two people, in which the spontaneous falling in love with each other makes their souls vibrate. . . This sample was made with mixcraft 9 recording studio. I built this sample from several samples of freesound in the thought or commitment that i can not only take but also must give. I believe that human togetherness can only work this way. -------------------------------------------------------------maybe you are interested in my other music on pond5?https://www. Pond5. Com/de/artist/seelengold. In my other music here on freesound?https://freesound. Org/people/seelengold/-------------------------------------------------------------. Thanks to freesound. Org. And thanks to all who bring this project to life!. Many greetings from germany.

I get annoyed easily when i hear someone telling me what to do. It gets me in trouble. This was a while ago. I hadn't ever been caught at that point, and he was the one recording. He actually got me started on that. Of course, i had taken off the offending articles of clothing and kicked off my sneakers, and was locked outside my own front door that way. Of course i couldn't go anywhere, and the only unlocked window had an air conditioner in it. Yes i did. Right over the top of it, might have looked pretty clumsy, at least…i know it was risky but not as bad as standing out there. Luckily it was a back window. Unluckily, it was raining. Hard. Should have let him build that fence.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Recorded with a guitar hero logitech usb microphone by me on my laptop on 5/26/18. Includes:. Well met. How do you do?greetings!hello!hi. How are you?what's up?yo!sup. Hey baby. Hola!salutations. I salute you. Welcome!how may i help you?hey there!why hello there. Lookee you!i haven't seen you in some time. Have a happy new year. Friend!good een. It's a pleasure. Enchanted. Nice to meet you. How are you today?how are things with you?what's new?howdy. What's happening?ahoy!hiya!what's kickin. Good morning, sunshine!howdy, partner!i come in peace. 'ello, gov'nor!doctor.

We have the movie "chronicles of riddick" starring vin diesel, and at one point thandie newton walks around him, seeking approval. She gets it, as vin growls, "it's been a long time since i smelled beautiful. " his voice is incomparable, as he exudes a touch of evil with that. Nevertheless i laugh every time i hear it, because it suggests he needs a shower. Try as we might though, we can't quite duplicate it. This was the most recent and possibly best effort. We can't publish vin's voice so here you go. Repeated it once with a bit of reverb. We tried this before and it was moderated and posted. Apologies to the moderator, there was a glitch in the file because i can't get him to say "i" instead of "i've" and i had tried to remove the letter "v. ".

I don't often go for fast food, but my bf thinks it's great. So; the counter girl looks exceedingly odd, as in pink hair, hook nose, wild eyes, no boobs, etc, and he orders what he wants with something at least close to this sound. She smiles and nods. He claims he got what he wanted. . . A big mac, no pickle. I asked him to repeat his order for my recorder. Three times. He did. All three were identical. It's possible he knew her and it's an inside joke. Or, maybe what he got was the default when they can't understand you. He is a linguist, which does not prove he spoke a real language. He also looks a little strange which does not add up to proof he's a venusian. That's what he said it was, and i couldn't stop laughing. It does prove he's entertaining, and he's pretty weird.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

A conversation that happened in the kitchen. Warm for the time of year, a man steps in to play basketball on a corner paved lot. Just one basket and no refs, the two free-throws he is offered are almost unheard-of. Maybe some of them didn't like his looks. Likely too they know what he does for a living. Likeliest of all he was playing well, but for sure the woody that won't quit had come to call, and they probably liked that least of all. So he steps up to the foul line and the first shot zips the net. So does the second one, but even before it gets there, someone jumps in behind him, grabs hard and and zips his pants all the way down. They aren't around his ankles, though. Close one, he's standing on them. Worse, a local crowd has gathered. Only the stunned aren't laughing or pointing or cheering. You put your pants back on and go home, what else can you do? game over.

Worth mentioning that the groan track is separate from the conversation, for those who want to use just one or the other. I hesitate to say i'm in training, but in a way i am. I don't really know what sorts of things i can get away with, so i have become acquainted with a brit who, i thought, knows everything there is to know. Instead, she may be a bit of an experimenter, and she practices a bit fast and loose. I surely can tell she loves it. . . During this bit of conversation i saw her reach and turn the clamping screws tighter. Extrusion. Interesting. One might wonder why he puts up with it, and i can tell you, he doesn't. A session like this one and he doesn't speak to me for a week. It goes on, i can tell you, at least until he finds where i keep the handcuffs. I do know where to find another pair.

Quite simply a recording of me screaming in a humorous way (if you're looking for a scream sound effect for a project with a serious tone, i doubt this one will be suitable). Even though i'm a woman, i have a feeling this sound could be used for a male character too, probably one with a voice that's not too deep. I recorded this by mistake when i was just 14! me and my sister had just been recording something on my mp3 player, then when we'd finished, i accidentally pressed record again. I don't know why, but i responded by doing a silly scream before pressing the button to stop recording! weird reaction, i know. I was probably just trying to make her laugh. I kept the very short recording ever since and in more recent years, i showed it to a friend who found it absolutely hilarious! i realised this was a such a gem of a scream that i simply had to upload it as my first ever contribution to this wonderful site i've been using for years!. I've edited out one second of silence that preceded the scream in the original version of the file. Although it's not essential because i'm releasing this into the public domain, i'd love to hear in the comments about what you use this sound for :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aarontheonly__roar1. Wav, aarontheonly__roar10. Wav, aarontheonly__roar2. Wav, aarontheonly__roar3. Wav, aarontheonly__roar4. Wav, aarontheonly__roar5. Wav, aarontheonly__roar6. Wav, aarontheonly__roar7. Wav, aarontheonly__roar8. Wav, aarontheonly__roar9. Wav, aemyn__crashing-starship. Flac, barrypirro__beast-roar. Mp3, bevibeldesign__dragon-growl-sad. Aiff, bevibeldesign__dragon-roar-mild-1. Aiff, bevibeldesign__dragon-roar-short-2. Aiff, asdfmovie3, asdfmovie1, cylon8472__cthulhu-growl. Wav, d-jones__alligator-growls-02. Wav, dreeme__dragon-roar. Wav, heigh-hoo__drumroll. Aiff, icyjim__cloverfield-roar. Wav, icyjim__dragon-roar. Wav, joelaudio__dragon_roar. Wav, johnnie_holiday__triple-explosion. Wav, ljudman__grenade. Wav, noisecollector__dragon1. Wav, noisecollector__elephant. Wav, quadraslayer__monster-roar-slow. Wav, resaural__calls-beyond-earth. Wav, rhedcerulean__bigfootals-rendered. Aiff, rhedcerulean__biggrowl2. Aiff, rizzard__monster-growl. Wav, tetris rap animated! the long piece is the best piece!! - (animated by topspinthefuzzy and lady red). Mp3, schots__angry-tiger. Wav.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413