1,915 Royalty-Free Audio Tracks for "Key"

00:00
02:38
Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.
Author: Chonkdonk
00:00
00:06
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Author: Spankmyfilth
00:00
00:06
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Author: Spankmyfilth
00:00
00:06
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Author: Spankmyfilth
00:00
00:06
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Author: Spankmyfilth
00:00
00:15
It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.
Author: Crystalmatrix
00:00
00:12
Closing a metal gate and locking it. At the beginning you can hear a bicycle spin, which was incidental but sounds like it's some part of a mechanism of the gate. Nice!. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.
Author: Qubodup
00:00
01:56
I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Author: Dierechnug
00:00
00:02
Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.
Author: Hmartelb
00:00
00:03
Csonor kickhead: 1mic: rpressure: 1 of 6. The sonor kick set includes many acoustic field recording samples of a sonor kick drum. The recordings are separated by categories denoted by a number and letter according to drum head & microphone position, including different volumes/velocities. Here is a key to help you understand:. Csonor kick[#] [pan][pressure]. [#]: which drum head used. [pan]: which side the microphone were partial to. [pressure]: the velocity/hardness the drum was hit at (ascending in intensity). By providing the different heads, mic positions, and intensities, the sonor kick set has everything you will ever need to get authentic kick drum samples. Enjoy!. .
Author: Gerudobombshell
00:00
01:17
This is the sound of a sheet metal that is under high tension, hitting it with a small key produced a laser fire type of sound. Recorded using a contact mic as the area is surrounded by a lot of noise, the contact mic cut out everything. The recording was taken at my place of work so it would be easy should anyone require the "shots" to be re-recorded at a different tempo. 96khz 24bit mono-mix.
Author: Astounded
00:00
14:19
This was made on ableton with nexus. It's a basic chord progression with a drone note. Gives me a super relaxed feeling when set with the beach or something. It's a looped progression but i made it long enough for you all to do a lot with it. Key: ctempo: 70 bpm. Let me know if it's good, or if you all want more. Should be cool to see what you all do with it; put up a link to share with everyone else your amazingness. . . Or don't. Much love. If you would like to support and buy me a coffee: https://www. Buymeacoffee. Com/soundintentions.
Author: Phonzz
00:00
18:08
Since i have recently found and love this site, i figure it's about time i upload something. I have been making some meditation and relaxing music and made this thing! this was made on ableton with an instrument rack. It's a basic chord progression with a drone note. Kinda makes me feel floaty. It's a 64 bar loop with 8 bars of drone after. Key: f#tempo: 120 bpm. Let me know if it's good, or if you all want more. Should be cool to see what you all do with it. If you would like to support and buy me a coffee: https://www. Buymeacoffee. Com/soundintentions.
Author: Phonzz
00:00
01:18
The national anthem of the United States, originally the music of "Anacreon", as performed instrumentally by the United States Navy Band in the 1990s. Featured on the 1990s album Music For Honors and Ceremonies. El himno nacional de los Estados Unidos, interpretado por la Banda de la Armada de los Estados Unidos. L'hynme national des États-Unis d'Amérique, à l'origine musique de la chanson à boire, The Anacreontic Song, interprété par l'orchestre de la marine nationale des États-Unis. Nederlands: Het Volkslied van de Verenigde Staten, gespeeld door het Amerikaanse Marine orkest.
Author: Untitled
00:00
01:19
The national anthem of the United States, originally the music of "Anacreon", as performed instrumentally by the United States Navy Band in the 1990s. Featured on the 1990s album Music For Honors and Ceremonies. El himno nacional de los Estados Unidos, interpretado por la Banda de la Armada de los Estados Unidos. L'hynme national des États-Unis d'Amérique, à l'origine musique de la chanson à boire, The Anacreontic Song, interprété par l'orchestre de la marine nationale des États-Unis. Nederlands: Het Volkslied van de Verenigde Staten, gespeeld door het Amerikaanse Marine orkest.
Author: Untitled
00:00
00:06
Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.
Author: Blood Of A Pomegranate
00:00
00:31
Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9
Author: Henry Reed (fiddle),
00:00
00:02
This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.
Author: Veiler
00:00
03:28
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Author: William Billings
00:00
00:03
88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).
Author: Tedagame
00:00
00:19
Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.
Author: Lucasgonze
00:00
00:05
Grab keys, set down keys.
Author: Abir
00:00
00:06
9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.
Author: Lucasgonze
00:00
00:08
This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.
Author: Dwsd
00:00
00:11
Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.
Author: Univ Lyon
00:00
00:04
As a homage to freesound. Org for being a member for over 7 years under the name "djeuphoria", i present the freesound community with some unique sounds i've created recently using loads of different plugins and synthesizers that i've been acquiring over the years that has slowly turned into a massive collection. So with that being said i'm going to be periodically adding sounds to my "dream sample pack" so you can all hear the sounds i've been creating under my new nickname "dream", thank you all for the downloads, its awesome to see how terrible my sound quality was and how much i've improved from that, enjoy these awesome synth sounds i've engineered, cheers. -dreamp. S, most of the melodic sounds are recorded in the key of c for convenience and all foley sounds are recorded with a zoom h4 at 44khz.
Author: Djeuphoria
00:00
00:32
Creepy but sweet music i made in garageband for something called victors crypt!. It starts full on with drums, bass and guitars and more. I added strings, piano and key-instruments for an eerie yet groovy vibe. In the drumbreak i let a flute do the talking. I believe this could be used for and intro/outro, something a bit scary, spooky, weird, thrilling, horrific, cool or anything you can think of. You'll be the judge. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
00:00
00:12
Keys.
Author: @Virtualwindow.Co
00:00
00:13
Sound of keys.
Author: Hbradlerovav
00:00
00:22
Calm keys sound.
Author: Elav Vale
00:00
00:29
Someone typing loudly on computer keys.
Author: Zmadyun
00:00
00:12
A phone hitting keys.
Author: @Virtualwindow.Co
00:00
00:04
Where are my keys?.
Author: Jstephenson
00:00
00:12
Pressed down random keys on my electronic piano really hard. I've recorded 3 variations.
Author: Tairblenn
00:00
00:12
House keys recorded from very close distance [olympus ls-5].
Author: Sempoo
00:00
00:01
Sound of keys being shaked for a short moment.
Author: Fellur
00:00
00:41
Chainsaw type evolutions on a granular keys sound.
Author: Smallclone
00:00
00:01
Piano sounds - individual keys as named.
Author: Tesabob
00:00
00:11
Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.
Author: Univ Lyon
00:00
02:01
This was recorded during a harsh storm here i stockholm. Harsh winds blowing thru a small forest. Details such as leaves rustling and hard stormy winds are key components in this recording. It sounds like a storm is approaching what do you think?. I honestly don't remember what i did in post. . . I think i removed alot of bass/rumble, added an expander to remove some unwanted noise to help the winds and leaves to stand out. I probably used rx to clean up some unwanted noises. Equipment:zoom h5 + sony ecm 6080s condenser mic. This was a test to see how the stereo configuration on the ecm 6080s sounded like. I really like it but i would prefer an ab configuration with 2 dpa 2011 or even 2 4060. . . I like the sound it was able to capture even if it may be a little to "centered". I probably will try to use it for my future hiking trips to capture rivers and general ambiances, if i get something special i will upload them here. Hope you like it.
Author: Kristoffer Andersson
00:00
00:10
Tapping some lettered keys on my regular old keyboard. The keys are membrane. You can also find spacebar tapping on my profile if that suits you better.
Author: Greenhaam
00:00
01:10
Metal keys being cut on two machines in a locksmith store.
Author: Cognito Perceptu
00:00
00:08
Sound of keys over a metal fence. Applied a soft equalizer effect high magnification.
Author: Gonzalocd
00:00
00:09
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:12
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:10
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:10
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:09
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:09
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
00:00
00:27
Preset do volca keys. Gravado com app audio recorder para smartphone android.
Author: Campani
1701 - 1750 of 1,915 Next page
/ 39