48 Royalty-Free Audio Tracks for "Fuss"

Zeigt her eure Füße

Discontented grumbling by an old man.

An almost comical recording of a big, reddish fox squirrel fussing at me. This is a true stereo recording made with marantz pmd661 field recorder and twosennheiser me66 microphones. Enjoy.

Baby winding down from fuss. No baby was harmed in the making of this recording.

Baby working up a major fuss. No baby was harmed in the making of this recording.

Another clip of baby working up a big fuss. No baby was harmed in the making of this recording.

A one-year-old american baby girl fusses and cries over a dropped toy. Various perspectives as the baby turns away from the microphone, puts her hand in her mouth, etc. Recorded in 2011 at 48khz / 24bit with an electrovoice cl-42 shotgun mic into a zoom h4n portable recorder.

3 month old baby sequoia makes noises while nursing.

Baby sequoia makes little goo-goo-gah-gah noises.

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

Me fussing in my friend's kitchen. Plates being scraped, stacked and clinking at close proximity. Eventually water running and rinsing. Recorded on a zoom h4.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

This sound has 1 purpose. Add deep bass to everything it touches. It may be short, but every aspect was fussed over. Mcbridge played a role in the creation of mcpulse if you need a sub-1 second version. No strings attached. Use this, anything else that i upload stress free. Key: a♭ minoralt key: 1abpm 107.

Industrial machinery factory sounds. Recorded with tascam dr 22wl. ---in case you used any of my sounds i will be happy to be informed, although it is not necessary. Recorded in 2019.

Spectacular heavy industrial crane movement. Recorded with tascam dr 22wl. ---in case you used any of my sounds i will be happy to be informed, although it is not necessary. Recorded in 2019.

Kung fu yell.

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

A recording made in mid june of 2017 near the ohio river from the bank of rosiclare illinois. The main sound is an angry killdeer that was constantly fussing at me for being too close to her nest. You'll also hear a johnboat plowing through the river, the wind through the leaves of a huge sycamore tree and various children, low in the distance, playing on a playground on this perfect 80 degree summer day. Equipment: marantz pmd661 recorder with the audiotechnica bp4025 stereo microphone, yes, a true stereo recording. Enjoy.

A friend mimics a kung fu fighter. Sony pcm d100. 2018.

Georg Friedrich Händel: Ombra mai fu ("Largo")

Guy ready to fight.

I was actually trying to make a different (but similar) sound for another purpose, and when i heard these, it reminded me of old kung fu movies where someone would throw a punch and just hit the air.

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

Ninja.

Huh ha huh.

Some shorties for you drums.

MCS Source: Midnight Casette System http://mcs.franknora.com/ - Frank Nora

The sound of a person full of energy yelling hi-ya!.

Hope anyone would use this! credit is optional.

Wushu sword chinese kung-fu. Thin ribbon sword - a gymnastic display rather than actual combat. This recording was made when we were working on this movie. Https://www. Youtube. Com/watch?v=stzvjjogouq. Prob recorded on neuman u87 and motu 828 - in kwun tong kowloon.

Some random noise for your listening pleasure. Sounds like some kind of fu#*$! up mechanical mess.

This is a requested sound. Anyone can feel free to use this. This is my husband swearing. Fu$#, shi$, and so on.

A short punching sound made with Wave Pad

Female grunts breaths fight scene. Kung fu. This is a clip of a much longer recording. U87 - motu 828.

This started out as a good idea for one of my projects but began to have a life of it's own as i rolled up my sleeves and fussed over every detail. As you will hear, this sound file/track embraces panning like their is no tomorrow. You should be able to fold your sounds into it. Either snaking through it with your own panning sounds, or laying your sounds straight down the middle. - you should find several looping points within the 2:28 runtime. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

I cant tell if its someone fighting in a Kung Fu battle or puking in a toilet.

This sound is of a stick (bo staff) swinging fast. It was recorded using a zoom h1 with the foam windscreen. The clip was cleaned up in adobe audition cs6.

Anime-style sound effect made in ableton with operator.

Did this punching a shirt 4 times, and then rubbing the shirt with another 4 times. I found it great for torso and leg hits(first 4), and great for de-grappling moves and push aways(last 4).

Same devolpment as 'big punch with whoosh' took me a while using my new sound design plugins and new sounds that i recorded. This punch is smaller and quicker.

It took me a while to create this sound using my previous techniques on my other punch sounds just added more whooshes to this one and used new plugins for new sounds added to this one. Should be used for huge punch sfx.

Description: in the middle of space, astronauts look for aliens anywhere. But they heard some kind of sci-fi tech sound. They have no idea what the fu*k is but when they got closer. They were not expected to hear this better. Created using:- deepbox. Instrumental type: brass - futuristic brass. Key - g. Tempo - 155.

May 18, 2017recorded at a tea garden in yong fu temple, hangzhou (30°14'23. 6"n 120°05'52. 3"e), with my samsung galaxy s7. I converted the original 48khz 256kbps aac file to wav with ffmpeg. No other processes.

The sound of a ninja going, “hi-yaa!” along with various other sounds among them. Performed by me while in the bathroom. Short reverb effect, as if it was in a small or medium room. Audio cut up and normalized.

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

China’s first official anthem was used in the last months of the Qing dynasty. The anthem was by Bo Tong, a high-ranking officer of the Imperial Guard and Yan Fu, commander of the Qing Navy. Guo Cengxin, Master of Ceremonies, made some minor adjustments and arranged the music. The primary purpose of the anthem was to advocate the Qing Dynasty and create a sense of well-being among the Chinese. The anthem was officially adopted on October 4, 1911, but was used for centuries beforehand in official Qing dynasty functions, going back to when Emperor Kang Xi was crowned in 1675. It’s official use as China’s royal anthem was short-lived, as the Wuchang Uprising, meant to end China’s imperial era, started six days after the anthem was officially adopted. The Republic of China was created on January 1, 1912 and the emperor abdicated on February 12. As such, the anthem did not gain much notoriety in China. “Gong Jin’ou” was made the anthem again in 1917 for 12 days when a former Qing general started a coup and reinstated the Qing Dynasty. Since this was used as a praise to the emperor, this is also a royal anthem. This song was banned in Communist China after 1949, but the ban is now lifted (probably after 1978).