723 Royalty-Free Audio Tracks for "Frequency"

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

I changed the synthesizer's ranges and played a bit with reaktor's structures until i realized i was playing with the frequency range. The result is a radically different sound that sounds more like a machine.

Starts and ends with trains arriving overhead into ueno station, then general market atmos with male spruikers. Recorded in the ameyoko markets in tokyo in may 2008 using a zoom h4. Unprocessed apart from a low frequency cut.

Fire siren with fade in and fade out, change of frequency, of the starting phase, of and resonance. This song is normalized. It's like someone who is hearing a fire siren playing with his ears.

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

In original sound that no high-frequency squeak, it only in preview version, i think it was in automaticli coding by this web site. Recorded on tascam dr-22wl.

Low and calm heartbeat sounding very electronic. Perfect for backgrounds, filling and effects. Pay attention: the sound is very low frequency, you'll not hear it unless you wear good quality headphones or speakers. Also make sure your equalization configurations let low frequencies get through.

I tried to create a frequency response by means of eq matching, in the sound of the original tapes, and with the same sound using the optigan going to the sidechain of the eq matching, this was the most faithful i could do.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Scrolling through various shortwave frequencies, caught a tone that slowly turned into a beep with rising tempo. Radio used was a grundig yacht boy 207 with a broken antenna, recorded on a tascam dr-05x.

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I've decided to experiment with random frequencies slowly filling canvas and blending into a single timbre. For this piece they emerge with quite an amount of time and there is no distinct frequency to form a tone. This experimentation produces quite a hauinting sound consisting of small parts.

Still random frequency transformed with plugins. This time it's a saw waveform moduled by a sine lfo. Add a little of this and a little of that. Make me thing at a the sound of the rain on a strange planet!.

A dark rumbly drone with intermittent higher frequency elements, all with a distorted flavor. Made with native instruments' metaphysical function. Note: you may hear squeaking sounds or other artifacts in the compressed online preview. The file you download will not have these issues.

This sound is from a field-recording in the peninsula de paraguaná, edo. Falcon, venezuela. It is basicaly wind hiting the mic´s diafragma, equalized at a very low frequency. Trying to get better on the pluggin, please leave comment if you like. . !!.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

Synth loop from my track charged from years back. Custom synth, and pretty harsh and heavy to boot. License: cc 0.

Excellent sound of a large explosion, similar to a grenade. This was made in pro tools. Originally it was the sound of a mallet smashing a plastic cup recorded with an akg 414 ld condenser. I used an air frequency shifter, air reverb, and air dynamic delay to do the rest.

Interference is a interesting phenomenon. I blow a bass tone and add my own voice, first i adjust my voice to same wavelength as the instrument, then i change my voice linearily, and you can follow how you get a 3rd tone, which is either a+b or a-b.

Mono recording. I used a sinusoïde, and i put an effect to change the height (-31. 000, pitch from a to d#/eb). I put an other effect like the phaser (phase 2; dry/web 128; frequency 0. 4; phase departure 0; depth 100; return 0) and an echo (duration 1 sec, factor of diminution 0. 5).

Qrm listened in am mode on 80 m band in my qth jn79ek. If i use cw mode listening and narrow filter, the qrm is mostly worse. Strength: peaks s9+40 db. Sometimes any traffic impossible. From -41st sec. Of record is possible to heard my tuning around frequency.

This is the sound of someone making pee in a toilet of the roc boronat building of the upf campus, at 13:50. This sound is continius and high frequency. Recorded using zoom h4, normalized and fade-in/fade-out added with audacity.

Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.

Noise processed with various audacity effects until it felt like it could influence brain functions. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

Sitting on a bench one meter by the lake starnberg, on a windy day in the end of may 2020. Recorded with a zoom h4n pro, internal microphone. Some eq editing to remove low-frequency wind noises.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect, and tremolo sawtooth effect to increase ducking at a frequency, and added fade in and out. This is probably closer to the original.

Same program as in https://freesound. Org/s/457868/ butthe main clock (lfo_2) frequency is about 1hz. It's a minor scale?! as have split the octave in 5 equal parts. This strange scale sounds like a sort of minor scale.

I like to listen to static (often actually) and it actually shifts a lot through out the day. So i heard some cool ringy stuff. . & decided to sweep through the am band. . . And actually touching the screen of my cell made the static louder. Sounds like a synth.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This sound is an audio file that slowly breaks up the further it is played. I recorded this with an in-built microphone, no idea what make though. I recorded this on audacity, and added gradual distortion. Warning: you may need to turn down the volume for the last 6 seconds!.

Radio switching frequencies with lots of static and radio noise. Recorded on edirol r-09, 48k, 24 bps. Free to use anyway you like!.

A recreation of the sound effect made when a communicator beeps. This is not the same as the "chirp" made when the communicator is flipped open, but the "ringtone. ". A simple sine wave at the appropriate frequency, beeped twice.