968 Royalty-Free Audio Tracks for "Frequency"

This strange sound was produced by sliding a empty bottle upside down through a glass of water, changing its resonance and the frequency of the sound. Recorded with focusrite solo, sennheiser 64.

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

Wet peas dropped in a glass bowl. Recorded through audacity with an audio technica a2020 microphone. I reduced some backround noise and sent it through a high pass to reduce low frequencies.

A piece of some sound (short noise) repeated, then speed slide applied, like turntable spin from slower to original. Some high frequencies cut out of a more/less rhythmic noise sample laid over, quietly.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Exactly one complete wavelength of a 1-hertz sine wave. In audacity, you can use the repeat effect and then the change speed effect to generate any frequency. It is not meant to be a usable sound in its current form.

Synthesized soundit's a regular sine with a fast, chaotic pitch modulation9 notes, first note on each octavesurge xt synthesizer.

Night recording of crickets in almargem (portugal). Church-audio binaural mics (small electro-condensed omni capsules) into a zoom h4n (w/pip). Filtered out frequencies bellow 2500hz in post.

Could be used as moving sounds for something large or machine-like. Produced by manipulating this sound: http://www. Freesound. Org/people/soundcollectah/sounds/158479/.

Recording of waves hitting the rocks. Boat engine is causing the low frequencies. Sound devices 633/w sennheiser mkh 416.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

Unknown local qrm in qth jn79ek. Frequency 3522 khz, day time. Strength: s9+20 db in peaks. It looks like a terrible spark-telegraph. . . Any traffic is impossible during this qrm.

Constant arpeggiators rolling with the waves, shoulda added a panning lfo but o well. Added eq eleminate some frequencies.

Noise created using a digital delay (alesis midiverb ii) in a feedback loop. Eq adjustments are continuously made during the recording. Caution: the file contains some loud high frequencies (of about 15 khz).

I first generated a sinusoid at 440 hz with audacity, i then changed the pitch to f#/gb low and i applied a tremolo effect wetness 40% and a frequency of 4. 0 hz. We can also ear crossfades in and out.

American radio amateur expedition to swains isl. Callsign, date, time and frequency specified in name of the file. File made by nokia 6230i mic/loudspeaker of tranceiver. Location jn79nd.

Selected the 4th knock sound from https://freesound. Org/people/timmeh515/sounds/413293/and applied some eq magic by boosting at 5 frequencies guided by ear.

Recorded with original zoom h2, with high frequency boost.

Warm gong. Here is the official alternative soundfile which has less high frequencies, especially a little bit after the attack. Https://freesound. Org/people/veiler/sounds/537206/.

Wind rustling in the trees while a bike tire turns and clicks very slowly. Very dense at high frequency and a granular timbre with smooth overtones. Recorded on stanford university campus, ca.

The static at various points on the am radio bandwidth from 1040 khz to 1220 khz. Recorded from a digital tuner so the switch from location to location is a cold chop.

Lots of strong bass on this set. The bass sound was produced by lowering the frequency to about 20 on reaktor - arobic. Amazingly, it sounds fun.

Grabación que representa el sonido de algun ser externo. Disonante como si fuera un rastrillar sobre un tablero (recorded sound that simulates a hissing of a monster or a scratch of fingernails on a chalkboard).

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

This sound was made in audacity using three rising sine waves at different frequencies which gets faster and faster. It can be looped to make an alarm.

To make this sound i used the twente online radio tuner (http://websdr. Ewi. Utwente. Nl:8901/). I recorded as i changed the listening frequency and filter (bandwidth). The sound is only amplified.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect to increase ducking at a frequency, and added fade in and out.

Free! really high annoying white noise. Use it for tv and/or high disturbed signal or whatever. Ripped, recorded, worked and mixed with audacity. (mp3 - 11:39 mins).

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

Creepy sirens all at slightly different frequencies. I recorded it with an iphone xr during some adverse weather with a tornado warning/watch.