1,662 Royalty-Free Audio Tracks for "Different"

* the music is a backing track, intended for practice, exploring the lydian tonality. The backing track runs through each of twelve tonal centers, starting with d lydian and moving down a fifth every two measures (counterclockwise through the cycle of fifths), ending with a lydian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This take has multiple repeats of the sound (a different take i have here provides just one repeat of the sound). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

This sound is created with two sounds that i recorded at the university. First, the sound of the zip of the pocket and then the falling keys sound. First of all, i cut the two fragment,from two different track, that i wanted for my mix. After, i first worked on the zip sound, which was pretty bad recorded but, after reduced noises, all seemed better ! i made the same thing for the other sound, the falling keys one. Then i ad the last one at the end of the first one, mix a little bit to make the two sounds seemed natural together. After, i normalized the track. At the end, i saved and export my track !.

Sounds of differents songs of bird in the jungle.

Tail end of a paper-airplane competition as part of #azwud (arizona world usability day) in scottsdale, az. About 100 adults and 3 kids made paper airplanes then flew them in an informal indoor competition. Sounds of the crowd reacting to the different flights as planes flew off in all directions, hitting the ceiling, the floor, the audience. Announcer in the bkgd. Children approaching the 'launchpad' then the crowd reacting to their winning throw. After the kids' throw, the sound of another competitor's plane hitting the ceiling/floor (?) and then his comment "too much thrust. " a kid saying to an adult, possibly her mom (?), "please don't succeed" as the woman approached the launchpad to throw her plane.

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

Fireworks- recording fireworks is really strange. There are two distinct things going on with fireworks- the sound of the explosion, and the powerful physical impact our bodies feel when all that sound energy reaches us. Thing is, the mics don’t have any way of capturing that physical impact; they can only record the pop sound of the initial explosion. So what ends up on tape? honestly, it doesn’t sound much different than popping popcorn in your kitchen. Even with my good mics, i think i had to boost the low end a little bit in this recording to make it actually sound more like fireworks than popcorn. But judge for yourself. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook pro4th of july fireworks over mission bay, sandiego.

Made this in bitwig, i used 17 different layers to make this. A kick drum is added before the gunshot to add punch. Sub bass is synthesized for the deep lowend, 30-50hz. All layers were selected for certain frequencies using eq and then processed together with multiband compression. Shell sounds, mechanical noises were added for more depth. Using automation, the pitch, decay, and phase of every single layer used other than the subbass, morph to give life to the sound loop, and not sound robotic. Even though it "might" sound real, its an illusion of sounds being played from a midi clip. Enjoy.

A 4-minute. Wav recording of an apartment parking lot in a small neighborhood with a busy nearby roadway - from a different perspective. Cars can be heard driving by, along with a faint humming with from some machinery and a small amount of wind. There is also some faint talking, laughing and coughs from a group in one of the apartment buildings, which can add to the effect. There are two instances when cars drive into the parking lot (about at 3:20 and 3:40), and shortly afterward a person walks by the mic. Recorded with the microphone of a nikon coolpix camera.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

* the music is a backing track, intended for practice, exploring the dorian tonality. The backing track runs through each of twelve tonal centers, starting with d dorian and moving down a fifth every four measures (counterclockwise through the cycle of fifths), ending with a dorian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * the tempo is 95 bpm. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.

A background retro rain loop, created in milkytracker fromwhite and brown sound waves. If you use the resampler of your audio editing software,you can create different effects with this sample. Sounds like: "rain from indoors", "heavy rain", "light rain" etc. . . -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

Welcome to rome. We needed some drum cadences for julius caesar and i was unable to find any i really liked so we grabbed our orchestra drummer here at the theater and we came up with 13 different cadences for us including jfk's funeral march. Most are done on snare and then again on a single tom, easily looped for duration. They have no verb on them so you can add as you desire for your space. You are free to use these samples in any project you are working on. Just say hi here and let me know what you're up to. I like to know it's helping a fellow sound designer out. Enjoy and support freesound by uploading your own creations as you make them. Kiddpark.

A set of orchestral hits with different instrumentations. All instruments play the note c. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

When looking for the loudest kick, i decided to join different ones i liked together. Watch out. It's loud. Do not put your speakers to full. Thanks to:. Sound1 by somereg ( https://freesound. Org/people/somereg/sounds/371879/ )sound2 by smileylovers ( https://freesound. Org/people/smileylovers/sounds/148634// )sound1 by psycho boomer( https://freesound. Org/people/psycho%20boomer/sounds/42027/ )sound2 by dwsd ( https://freesound. Org/people/dwsd/sounds/171104/ )sound1 by waveplay( https://freesound. Org/people/waveplay/sounds/344757/)sound2 by seidhepriest( https://freesound. Org/people/seidhepriest/sounds/211417/ )sound3 by zimbot (https://freesound. Org/people/zimbot/sounds/122119/). I have the full intention to accreddit correctly. Please tell me if i have to improve something. Thanks.

Mashing up two sounds that i found on free sound. Com. They are sounds of two different type of music instruments. Here are the original pieces:. 1. Erhu at luxun park in shanghai by taurin barreraa recording from luxun park in shanghai, china. An old man is playing an erhu by the edge of a pond. You can hear the amplified erhu as well as some of the park. Recorded with an edirol r-09 hr in shanghai, china, spring 2011. Http://www. Freesound. Org/people/taurindb/sounds/136051/. 2. Africa pavilion drum jam by rtb45recording of a rather hot impromptu african drum jam made at the africa pavillion, world expo, shanghai china. Recording with sony pcm-d50http://www. Freesound. Org/people/rtb45/sounds/160489/.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

This is a recording of a metal desk creaking with very little movement. I recorded this sound, amplified it, and removed the white noise. That's the only processing this sound has gone through. I'm sure this sound can be modified in many different ways and put to countless uses. Be sure to check out the variations of this sounds from the "creaking metal pack". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

My small dog was running around outside and got pretty hot. When i brought her in, she began lapping up water at a fast pace. She's also a little sniffly so it got some nice sniffle noises in there too. I feel like this could work well for plenty of different character shots, from a monster, to a comedy-type shot of someone eating something like noodles, to a dog drinking water in an animation. Please let me know if you like the sound and what would improve it, so i can share better sounds in the future. If you like what you hear, check out my boyfriend and i on youtube. We do a channel based on florida, usa: https://www. Youtube. Com/channel/uc-vcld4dce154hcigmpidha.

An mp3 version of the 4-minute recording of an apartment parking lot in a small neighborhood with a busy nearby roadway - from a different perspective. Cars can be heard driving by, along with a faint humming with from some machinery and a small amount of wind. There is also some faint talking, laughing and coughs from a group in one of the apartment buildings, which can add to the effect. There are two instances when cars drive into the parking lot (about at 3:20 and 3:40), and shortly afterward a person walks by the mic. Recorded with the microphone of a nikon coolpix camera.

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

This is a clip of various engine sounds recorded on my 2003 subaru impreza wrx with a 3" turbo-back exhaust system. The audio starts with the engine at idle and includes a few engine revs at different rpms. You can hear some turbo whistling and also some rattling of god-knows-what parts. It's a little muffled (kind of a muddy sound), but could be used as part of an action sequence or with a music track laid over. As always, i love knowing how people use my tracks! i'd appreciate a comment letting me know what kind of project you're doing and, if possible, a link to any finished work! thanks.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

A set of orchestral hits with different instrumentations. The chord c minor is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

This sound is created with two sounds that i recorded at the university. First, the sound of the huge door to out, then the lighter (which helps to feel the cold around) and the sound of someone smoking a cigarette. First of all, i cut the two fragment,from two different track, that i wanted for my mix. After, i first worked on the door sound. After i reduced noises, because all seemed better after noises reduced ! i made the same thing for the other sound, the lighter and smoker one. Then i ad the last one at the end of the first one, mix a little bit to make the two sounds seemed natural together. After, i normalized the track. At the end, i saved and export my track !.

A set of orchestral hits with different instrumentations. The chord c major is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

Hello all,. I do hope that i am doing it all okay by the book, and if it is picked by the moderator, than do enjoy the file, thank you. Process :i did download a cc open scream file from freesound. Org. I imported that file to my ableton live. I reverse the sample and shorten a little. From the sample window i changed flux and grain values to bring out uneasy tones in front. I did make two other copies of the sample and played them all in same sequence, with slight different transpose values. I rendered it out and from the rendered file i did do further cleaning with audacity and export mp3 file for final. Here is the original sound http://www. Freesound. Org/people/claracarpintero/bottom one (female scream). Thank you kindly.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

22-sharavana-sun, tibetan singing bowl the experimental mix-iii with ebc-174 & 396hz. Hello,this is the very real horst from town duisburg in germanyyou will hear an experimental mix of sounds created from energy bar chimes and tibetan singing bowl, mixed and modified with software audacity. This soundpiece includes different versions of stretched sounds from singing bowl with frequency of the sun as well as sounds from energy bar chimes frequencies solfeggio 174, aka foundation and 396 aka "liberation from fear" and binaural beats with frequency of the sun. Hope you'll enjoy listening and that you will find truepeace on your waythe very real horst.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

I recorded these sounds in three different offices. This is the result of them mixed, because i had an order for a sound like that for a film that was a scene of a noisy office as well, because it had many people working together. The recording was very good, was originally obtained on a machine with 8 channels of 8 large diaphragm microphones positioned to cover all recording environments. -----------------------gravei esses sons em tres escritórios diferentes. Este é o resultado deles mixados , porque eu tinha uma encomenda de um som assim para um filme que a cena era de um escritório bem barulhento, porque nela haviam muitas pessoas trabalhando juntas. A gravação ficou muito boa, originalmente foi obtida em uma maquina de 8 canais com 8 microfones de diafragma grande posicionados de forma a cobrir todo os ambientes a gravar.

Here's some more of that young couple next door. For this one, they probably went 15+ minutes. Their libido must be really high for this day/night. From my listening, it seems like they were not doing it in bed the entire time. They must have used other furniture and played around in different positions. From 3:30 or even before that is when they start. Passed 5:00 is when the woman starts to moan loud. 14:55 is when they finish. 16:07 guy says i'm tired. Note that the original audio had more bed and furniture creak noises, almost 30 mins long, and some of their chats cut out. Also note that some of the noises left in on the good parts may not be sex noises. This was edit and shorten with audacity.

Over 100 environmental loops in one which are all public domain from freesound. Org. All sound info is in the cue point for each sound. These are perfect backgrounds for videos, for games, or maybe songs of your own? there is lots of different loops for everyone :). Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

I think i used stereo mics that came with my h5. Recorded on top of a parking garage right next to the airport. I caught this great sound early in the morning before city traffic could get busy enough to ruin the recording. Enhanced with ozone 6 and removed some bassy wind noise with rx5. I think i actually used this sound for various whooshes for my flash sound in flash v quicksilver. Https://www. Youtube. Com/watch?v=vwcqy-d0i_g&t=49s. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

A variant of the mechanical instruments and play an independent musical instrument is the "dancing bear" (tanzbär), a self-playing accordion, often with the same grade band rolls or even micro-boxes can be controlled. Also here are the sounds through the air to the schwingen tongue to bring, as in the normal accordions also erzeugt. Den dancing bears, there are now almost one hundred years and he was from the leipzig firm made famous as well. Today, these e. G. By blüml, hofbauer and watterott, each with different techniques. This famos instrument is recorded in the "deutsches musikautomaten-museum bruchsal"http://www. Landesmuseum. De/website/deutsch/sammlungsausstellungen/aussenstellen_und_zweigmuseen/deutsches_musikautomaten-museum_bruchsal/ausstellung. Htm. Music is free from gema-fees. Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

I found this fairly small low area, in deep woods, with about 5 inches of water in it. I wouldn't really say it is a pond because it will probably be dry in a month or so after the spring rains. (i think ecologists would call this small body of water an "ephemeral" pond). These spring peepers were putting on quite a chorus as the sun was going down. You'll hear a different sounding frog - or peeper - several times in: at 9 seconds in, 13 seconds in and 15 seconds in. When i first heard it, it sounded like a creaky door! hope you find this fascinating and enjoyable as well. Would make a great soundtrack for a swampy piece. Recorded using my trusty rode ntg-2 going into a zoom h4n recorder.

Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.

Theme hand saw :. Production step :i reccord the sound of someone speaking. I copy this sound 4 times. One time on two i « invert » the sound for creating a contrast. So four speaking are on the « original sens » and four on the contrary. On a another track, i take another short recording of a men voice and copy this once. I add this new track to the middle of the first once. To finish i chang the pitch of all the track with a percent of change of -24. Description :this sound look like an old wood hand saw. We clearly distinguish the saw movement. Going on and going back. Add a different recoording on the middle allows the sound to be realistic. Because the hand saw sound is not regular. Typologie de schaffer :masse: son cannelétimbre harmonique: grinçantgrain: frottementallure: vivantedynamique: abrupteprofil mélodique: ascendant puis descendantprofil de masse: amincissement.

Request by andor for the following:. - "and the same, again and again and again. . . " (in a bored voice, kind of like a sigh)- "repetitive" (emotionless, 2 slightly different versions)- "this is repetitive. " (emphasize the "is", stretch it)- "frustrating. " (voice goes down at the end, otherwise emotionless). - "oooooh. Something changed. " (with childish amazement)- "but still. " (voice goes down at the end). As always, unless paid, my audio will be cc0!please feel free to use in both personal and commercial projects. Do not use this or any of my audio for political or religious propaganda, or to promote hate for any group or persons in any form. By using this this or any of my audio, you agree to these terms and will not use them as described prior. If you have questions about my terms of use or have a request, please message me!.

As a homage to freesound. Org for being a member for over 7 years under the name "djeuphoria", i present the freesound community with some unique sounds i've created recently using loads of different plugins and synthesizers that i've been acquiring over the years that has slowly turned into a massive collection. So with that being said i'm going to be periodically adding sounds to my "dream sample pack" so you can all hear the sounds i've been creating under my new nickname "dream", thank you all for the downloads, its awesome to see how terrible my sound quality was and how much i've improved from that, enjoy these awesome synth sounds i've engineered, cheers. -dreamp. S, most of the melodic sounds are recorded in the key of c for convenience and all foley sounds are recorded with a zoom h4 at 44khz.

What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.

This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.

In this, you are relaxing in the back of a small early 2000's convenience store/cafe lounge. You hear coolers, chatter, the sound of a cash register and debit machine off stage, and general store or cafe lounge sounds. This sound is dedicated to any asmrtists on youtube and is made with them in mind, but you may use this project for other uses. This sound was made by mixing several freesound sounds alongside a recording i did of my girlfriend and a few friends chatting at different volumes to make a completely new and realistic sound. Freesound sounds used includehttps://freesound. Org/people/tom_woysky/sounds/404282/https://freesound. Org/people/missionariojose/sounds/257515/https://freesound. Org/people/scott_snailham/sounds/486329/and https://freesound. Org/people/sarcasticbracket/sounds/192178/go and check all those awesome users out.

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

Note: i have created a newer version which has better looping. It is called drum beat loop 2. 0. This is a drum beating. It is 12 seconds long but can be looped. It was createdusing ableton live (including plugins like acdgen, drumbrain, and polyrandom). The files were then combined and edited using audacity. Feel free to comment your opinions on this. Note: while this did loop just fine in my tests, some software don't handle the looping as well (like groove music pauses before repeating). If the looping doesn't work the first time, try using a different software. You can easily do this on a windows pc by right clicking on the file and pressing open with (i am sure there is also a way to do this on a macbook but i have never used one so i am not sure how you would do it). Enjoy!.

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.