39 Royalty-Free Audio Tracks for "Dense"

A dense sound replicating a submarine hull underneath water.

Very loud, dense cricket ambience.

Mini concrete composition.

Some experimental ambient and very dense sound in pure data.

Crickets in a very humid and warm part of texas, some water movement and owls in bg, very dense and strident crickets, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.

Digging through leaves and dense dirt with hands.

Dark 2 chord progression, dense strings.

Recording of ambient birds and some wind through the trees at point halloran. This sample has dense birds and very light wind. Captured with a bp4025 microphone and zoom f6 floating-point recorder.

Cicadas in a dense forest. Recorded in "la quebrada de córdova", chile.

A low metal impact sound, as of hitting a dense pipe with a hammer.

A long ambient piece recorded during a california drizzle. You can hear a bike pass and then a handful of cars from street level. The rain is continuous but very light. Nonetheless, the piece is very dense.

Dense, big kick. Original description:. A basic dense kick, maybe useful in house or some minimal genre.

A dense, danceable tom-tom groove at 110bpm. Part of a set.

Rubbing of a sponge against an egg carton to create a dense and textured sound, recorded on a rode nt1-a.

Very dense afternoon summer thunderstorm in the city, with rain on the metal roof, recorded by huawei phone, inside of the office room. You can hear how the rain intensifies after the thunder. Recording date: 20. 06. 2019.

Outdoor fireworks ambiance: finale of fireworks display, explosions quite rapid and dense. Sounds of appreciative screams in the distance at the end.

Short dense afternoon thunderstorm in the city, with rain on the metal roof, recorded by huawei phone, inside of the room. Natural fade in, added a small fade out. (more storm the second piece i uploaded. )recording date: 20. 06. 2019.

This kind of does what it says on the label. Lots of guitar and synth arps and pads. Very lush and dense, would compliment cinematic type compositions.

Shuckborough woods, northamptonshire, england, 6/2/11. Dense pine forest. Damp pine needles underfoot. Wonderfully windy in the canopy of the trees.

Wind rustling in the trees while a bike tire turns and clicks very slowly. Very dense at high frequency and a granular timbre with smooth overtones. Recorded on stanford university campus, ca.

Crickets recorded on an august night in mount sinai, n. Y. Closer to dense wooded area, dog barking in the distance. Recorded on a zoom h4n, 48khz 24 bit, noise reduction and high pass filter.

Alternative rock bass/kick drum. Perfect for dense mixes. Comment on my page for uses and adjustments http://www. Facebook. Com/deadpoetsocietyband?sk=app_2405167945.

Overhead explosion, muffled by dense matter, ideally suited to environment where explosion is heard above ground, while underground, or in the distance overground. Could also be an underwater detonation.

San diego's gaslamp district, summer, night, night clubs pounding, thick crowds, all recorded from high above, so there's a lot of dense, natural reverb. The track has various qualities, moods, and sounds as it goes along. Stereo mics.

Partial from a test of an outdoor warning system amongst brick buildings. Civil dense siren, public address message, construction equipment and springtime songbirds.

Walking down donner third floor hallway in the morning. A door can be heard closing, then a water cooler, and finally the restroom and showers. Recorded on stanford university campus, ca.

M-s recording of a loud highway in zurich city, lots of cars, trucks passing by. The recording was made standing on the hardbruecke, one of the largest bridges in zurich.

General ambiance of an industrial harbour, work arround a boat. Metalic shoks in a loud industrial environment, two different warning signals. No human voice, dense atmosphere. Etang de berre, france, 2018. Recorded with schoeps ab ortfrecorded on nagra ares bbwave stereo, 48khz, 24bits.

Recording made by artist, oliver payne for the greensand country landscape partnership to celebrate the sites and sounds of the greensand ridge. This recording was made on a breezy afternoon on april 9th 2021, pointing toward a distant wood through dense scrubland, at sandy smith nature reserve. . Recorded with mixpre3 and usi pros.

An absolute thumper with a deep bottom end which sounds like knife party's vibrant style (similar to the kick drum in their track lrad).

A recording of the small eiderbach brook flowing through the eiderbachtal in rhineland-palatinate. Occasional birdsong can be heard. The recording was taken at an idyllic spot where the small creek flows over pebbles and around rocks, in the dense vegetation of trees and bushes. The recording was made on 3th july 2022 at 11:40 am with my huawei p10 lite, no additional processing was applied.

This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. Ce son est de type x (continu complexe), il est un son seul tonique et terne. L’attaque au début est graduelle et forte. Le son est dense, profond et intense.

(wikipedia) the european nightjar (caprimulgus europaeus), common goatsucker, eurasian nightjar or just nightjar, is a crepuscular and nocturnal bird in the nightjar family that breeds across most of europe and temperate asia. The latin generic name refers to the old myth that the nocturnal nightjar suckled goats, causing them to cease to give milk. The six subspecies differ clinally, the birds becoming smaller and paler towards the east of the range. All populations are migratory, wintering in sub-saharan africa. Their densely patterned grey and brown plumage makes individuals difficult to see in the daytime when they rest on the ground or perch motionless along a branch, although the male shows white patches in the wings and tail as he flies at night.

I grabbed a metal mallet (mini sledgehammer) and dropped in on cement in various ways. Lightly and a bit harder. Recorded into my ntg3 in a garage sectioned off. Signal to noise ratio was really good because it was a loud sound. H5 was my recorded. Cleaned some hum using rx4. Boom!. Pretty please, post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

Got a group of about 8 people to say "hey!" a few times. Layered all the takes, compressed, and added a touch of reverb. I've used this one a bunch in my own songs. Sometimes, to achieve a convincing gang vocal effect, when i don't have a gang, you can sing your line a few times, and then layer this "hey" under each syllable, and you can get a pseudo-gang vocal. Works in a pinch if your mix is dense enough. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

Strong winds from the spanish badlands!mono field recording with an akg c91 cardio in a windjammer, into a aeta mixy onto an maudio microtrack via spdif, sometime around spring 2011. Recorded in the bardenas reales desert in spain. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/0/04/lapisquerra. Jpg/1024px-lapisquerra. Jpgthis particular recording was done a day of high winds on the hills overlooking the bardena, close to a mass of shrubbery with birds nesting in it!it's pretty dense, the infra gusts have been somewhat tamed but are still quite present!.

48khz-16 bit suburban soundcsape from france on a morning in early autumn. Cold rain in the foreground and the odd solitary bird. In the distance, the sound of a destruction team pulling apart buildings mixes with the phasing sound of the ring-road. Listening positions is against a wall facing a open grassy area and about 50 meters a block of flats bounces the sound back to us. Recorded in mono in november 2014 around 11 am with a akg ck91 cardio capsule / wendt 2x / mbox2 in pt. Http://www. Radio1. Pf/cms/wp-content/uploads/2014/08/le-quartier-du-mirail-a-toulouse_scalewidth_630. Jpg />.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte