Surround recording of the main square in the croatian town of trogir. Ther recorder is situated before the front porch of the cathedral, facing the city hall. It is 5 pm on a quiet summer day, some tourists and activity in the several cafés can be heard. The tower clock of the city hall strikes 5 in the middle of the recording. Recorded with a zoom h2. This file contains the rear channels, recorded with a dispersion of 120°.
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*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.
*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.
This high quality recording is of a cargo logistics train leaving the port of fremantle, pulling many, at least 50, sea containers on rail-cars through a railway crossing on a bend, curve of the line. You can hear the signal bell on the drop gate with flashing red lights and the steel rail-car wheels screeching on the curved track.
This emulates the ambient noise of a planet sized computer and its associated gargantuan processes. I aimed for a "what if" scenario. What if v'ger could speak to other similar artificial entities of enormous size and complexity. Originally recorded on zoom h2. The sound was originally a styrofoam take-out container which i pressed down on and released several times. I then filtered it.
A sound of an umbrella handle expanding and retracting, making clicking sounds. Great for foley and sound design. Recorded with a tascam tm-80 in a non sound proofed room, without an anti-pop filter. The umbrella was fairly close from the mic during recording. The post-processing was minor, just an eq to cut out some of the superfluous low frequencies. You can mention me if you like to, or give a link to the project containing this sound, but that's totally up to you.
*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.
I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.
(edit of other recording, with eq, reverb etc. ) recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.
Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200
A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.
Surround recording of the main square in diocletian's palace in the old center of split in croatia. It is a summer afternoon, flying swallows can be heard and the place is teeming with tourists from all nations sitting and drinking coffee or listening to a group of folk singers which can be heard in the distant background. Part of the square is covered with a large wooden porch, making quite a clatter as the tourists walk over it. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.
*32 steps in 72 equal temperament on C. Equal-tempered: 232/72=16/36=8/18=4/9:1 = 533.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 534.375 cents rather than 533.344. New version a P4 on 85,74 for 533.3251953125 cents rather than 533.344.
Phonograph cylinder recording from Filaret Kolessa collection. This was a test recording Lesia Ukrainka said not to transcribe. It is likely that this fragment contains her own voice, but it can't be confirmed with 100% certainty. Українська: Фонографічний запис із колекції Філарета Колесси. Це був пробний валик, який Леся Українка просила не транскрибувати. Імовірно, що у цьому фрагменті зафіксовано голос самої Лесі Українки, але це неможливо підтвердити зі 100% точністю.
*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.
La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.
A field recording of the outdoors. Recorded with a moto g power cell phone, wind-proofed with a sock. Contains wind, some bird calls, leaves blowing in the wind, and wind chimes in the distance, recorded just as spring has begun breaking out. Recorded in mono, as my phone doesn't have a stereo microphone and i currently don't have better equipment. Is loopable. Feel free to use with or without credit! i'd love to know what you use this sound in, so let me know!.
This stereo recording was made on november 23, 2014 in brady, washington. The clip contains a union pacific freight train rolling at moderate speed through a rail crossing. As the train passes a crossing bell can be heard abruptly shutting off. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind. .
Gravado em estúdio feito em garrafa de água contendo alguns grãos de arroz. Recording in studio made with a bottle of water containing some grain of rice. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 39, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 39, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro udovu.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 37, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ostap Kalnyi - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 37, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ostap Kalnyi - Pro udovu.flac.
A sound i initially made for scp containment breach's ambiance sounds when i had first had the zoom h6 (2019 december, i regularly sound mod old games to gain learning experience of the encoding, the resampling quality of that engine and the internals and since then i've improved in many places). The actual recording is the pressure sound of water going down its sinkhole, filtered as to "muffle" the sound due to the design being that behind a wall and catching the attention of the player likely leading to their death by scp-173 but also was done to boost its bass and it gives a sort of comfortable, releasing feel.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 1, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok Polianka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 1, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok Polianka.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 31, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 31, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro udovu.flac.
This is an ambient recording of the late night crowd of kids at 14th street unions square nyc. It's where the market usually is during the day. There is some traffic present but it's mostly about the voices and energy of teens. You can hear the clack and roll of skate boards, voices and gritty near by footsteps. The file contains walla quality voices and up close stuff that you can understand. It is a tad left heavy so you may have to adjust if you are using it for stereo.
Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.
*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb
Author: The original uploader was Hyacinth at English Wikipedia.
Gravado em estúdio feito em uma garrafa plástica de álcool contendo alguns fios de macarrão. Recording in studio made with a bottle of alcohool containing pasta wires. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.
The sound of birds and distant thunder awoke me from a long nap, and so i sprung off the couch and grabbed my recording equipment, dashing outside just in time to record the arrival of a thunderstorm. Over the course of this clip, the storm gets closer and closer, until it starts to rain with increasing intensity. The clip is nicely unmolested by wind, and contains a nice background of birds. A tremendous thunderclap is featured in the middle, three minutes in.
Garbage truck machine compressed air pneumatic recorded with sony pcm d100 and clippy em 272 in ab-stereo. Stereo wide 35 cm. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 17, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Antin Skoba - Pro udovu 5.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 17, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Antin Skoba - Pro udovu 5.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 13, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Yavdokha Pylypenko - Pro udovu 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 13, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Yavdokha Pylypenko - Pro udovu 2.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 49, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Pro udovu 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 49, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Pro udovu 3.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 30, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro udovu 6.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 30, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro udovu 6.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 25, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Plach nevolnykiv 0.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 25, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Plach nevolnykiv 0.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 6, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 8.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 6, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 8.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 35, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Platon Kravchenko - Pro pikhotyntsia var g.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 35, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Platon Kravchenko - Pro pikhotyntsia var g.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 40, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro Marusiu Bohuslavku.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 40, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro Marusiu Bohuslavku.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 50, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please see the files in the "Other versions" field below. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 50, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте файли у полі «Інші версії» нижче.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 11, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Yavdokha Pylypenko - Pro pikhotyntsia 1a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 11, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Yavdokha Pylypenko - Pro pikhotyntsia 1a.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 27, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro udovu 1.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 27, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro udovu 1.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 59, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Filaret Kolessa - Temna nichka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 59, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Filaret Kolessa - Temna nichka.flac.
A thunderstorm in munich, recorded 2020-07-01 in my backyard on second floor on a balcony. It rains, the strikes come closer, then they go away, the rain recedes. Some backyard noise, faint traffic and tram. One time you here me sighing (sorry). Some minimal clipping at thunder peaks, sorry again, but i think it's very usable anyway and contains a lot of material. Recorded with: tascam dr-05, 96khz, 24bit, flacmy own recording, cc0 public domain.
Stohgsville entertainment creation. . . Drone type sound, mixed timbers. Metallic container. Recorded in fl studio (d. A. W. ) realtek hdcasio ctk-2400 amt. Usage: useful for background/mystery suspense works. Submarines. Metal influences. Drifting waves, illusive. Dream-state. Dark world. A mysterious ambient pad loop i made. Recorded at 84 bpm. Good for background atmosphere scenes/ques. Use as needed. Any questions send me a message. Enjoy, peace.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 47, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Pro udovu 1.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 47, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Pro udovu 1.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 34, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Platon Kravchenko - Pro pikhotyntsia var a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 34, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Platon Kravchenko - Pro pikhotyntsia var a.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 3, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 3, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 16, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Antin Skoba - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 16, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Antin Skoba - Pro pikhotyntsia 3.flac.
Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 5, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 7.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 5, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 7.flac.
