I changed the synthesizer's ranges and played a bit with reaktor's structures until i realized i was playing with the frequency range. The result is a radically different sound that sounds more like a machine.
This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).
A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain.
My friend's tv makes this weird boom bass sound everytime you turn it on. I recorded it and made a simple beat out of it! it'z the hip-hop television star! :d.
That sound represent a cat who is playing with my camera, lucking that. So, we have some bass amplification,gear who goes fast and tempo who goes fast as well. Because of that we can get a noise of "shot" of my camera.
Big room drums, tone: e speed: 128bpm length: 32 bars. Made in fl studio by mixing various samples and loops. Recorded in edison. Starts with one kick, then adds rides, then claps and a riser.
A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).
Mapex mars big rock recorded with one dynamic sennheiser e835 over the kick facing the snare (also known as "wurst" by moses schneider) with parallel compression and eq.
Glinka, Hésitation par Boris Gmyria, basse et Lev Ostrin, piano (concert 1952)Глинка, М. - Сомнение (Н. Кукольник) Гмыря Романсы, Л. Острин (фортепиано) 1952
Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B 51/19920:33:4
Download and loop. 140bpm 44khz wav rendered from fruity loops studio using freesounds and present instruments generated within flstudio, heavily compressed in realtime with customized effects on each instrument.
Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).
Recorded near a drainpipe, i have no idea what the bass wind sound in the background is. I think it was some sort of exhaust from the basement around, but i don't know why it turned off and on. In any case it makes for a very spooky ambient effect.
For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".
In that one we have someone who is going crazy in his head. That sound has been composed by using my table as drums. We got bass amplification, high we go slowly and gear we got fast sometimes. Closing fade and opening fade.
Massive analog wobble sound fx. You can donate me here:. Https://www. Paypal. Com/cgi-bin/webscr?cmd=_s-xclick&hosted;_button_id=jb6lp3epgywx4. Thanks :).
A loud and dramatic horn. Known from the movie "inception. " it was created viaa recording of myself playing an ab note (below the scale of bass clef) on my bbb tuba and then adding things like distortion, echo, fade, etc. In audacity to make it almost identical to the dramatic horn from "inception. ".
These are a small 20 pack of 175 bpm 808 sub basslines some are low fast but enough mid to pull through in your mix just cut your low end off your breaks or dnb drums.
An approximately 2 minute in length beat for backgrounds. Listen with headphones or nice speakers otherwise ambiance and bass line do not pick up. Produced with cakewalk sonar. Contains samples of "harp" by pryght one, "rain" by marec, and "cinematic boom norm" by herbert boland.
Walking along an unknown path, careful but upbeat. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. Although i'm always interested in hearing new projects using this loop!.
Standard 808 kit with individual compression. Lfo effects applied to the claps so the echoes move around the eq frequencies. Loops perfectly at 130bpm, hope you enjoy.
Oh well, i felt like doing a random wobble synth again and putting it over here for free use. Tempo is 133bpm, so just go and cut 'em apart and make a track with them. No credits needed, people :).
Hitting an old, empty oil drum lost in some old woods in various ways (on my palm, knuckle, with a stick, etc) to make different deep bass noises. Natural reverb since it was in a large open space.
Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.
Low rumble using interface noise neural dsp gojira, acustica coffepun and heavy filtering. I also added a high-passed filtered mid-side version for the stereo image.
Here are some single shots from a drum track i recorded. I actually used these for a great hiphop sounding drum track by putting them in my sampler and shortening up the decay. Recorded with a zoom ps-04, transfered to computer digitally.
This is one from when i first got into digital music. I "penciled" in midi graphs, and manipulated other samples from a buddies sound bank, thus creating. . . Pollie soft. I love the mumbling bass rhythms in the background under the subtle jazz hits, maybe?.
I created and mastered a basic reggaeton groove: only kick, deep kick and tom-snare. A base over wich you can add cymbals, percussions or whatever you wish!exactly -3 db volume.
A chair i moved over a stone tiled floor. Keeps getting heavier and noisier, quite eery in the end. Recorded with sony tcd d10 pro ii & sennheiser md21u.
Created this by saying something like, "testing the mic" in ableton, right clicking and converting that audio. Midi > into melody. . Then adding some stock sound and some reverbs and what not. . Try it yourself.
Throwing a very big log on the ground, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.
Used the bag sample from user mv4824 (http://www. Freesound. Org/samplesviewsingle. Php?id=61305) for make this deep reverb pad. I used goldwave to resample the sound.
This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.
