4,071 Royalty-Free Audio Tracks for "Bass"

Beginning of an arrangement of afro blue using a 5/4 time signature. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

176 bpm 4/4 drum and bass style darbuka/doumbek loop recorded in stereo at my home studio with a behringer b1 and a shure sm57. Have fun with it.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsafacebook. Https://www. Facebook. Com/simplesamplesweb.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

A reversed piano beat loop i quickly made in audacity,. Uses a modified fl studio piano melody sample taken from the open-project 'exoplanet' by eric kauffmann,. Edited and processed in audacity. 112 bpm.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

A sound made for http://trigger-rally. Sourceforge. Net/. Made in audacity using original sound http://www. Freesound. Org/people/sagetyrtle/sounds/40158/ and adding bass-boosted, fading-out white noise.

Electronic folk experimental ethno world modern music flute vocal drone synth drum surround. 120bpm.

Ethno world music thriller atmo dark horror beat dance flute low chill modern experimental - eq mastered.

Just a purring cat, recorded with a zoom h6 with the x/y mic. It starts out a little soft and then gets more bass heavy as the cat approaches the mic. Unfortunately there is some audible cloth movement, but i guess it could still be of good use.

A super heavily compressed and saturated snare with a decently long noise tail. Fun to pitch up or chop and throw into a break. Used in my upcoming hybrid-v ep release.

Simple little dance track i created with reason. The water sound in the beginning i got from another user on this site. All the other sounds are from reason software.

Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.

Mechanical synth swell fx pad. Kinda dark undertones with a bit of distortion. Licence: cc 0.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

Oh well, i felt like doing a random wobble synth again and putting it over here for free use. Tempo is 133bpm, so just go and cut 'em apart and make a track with them. No credits needed, people :).

Low and calm heartbeat sounding very electronic. Perfect for backgrounds, filling and effects. Pay attention: the sound is very low frequency, you'll not hear it unless you wear good quality headphones or speakers. Also make sure your equalization configurations let low frequencies get through.

Sound designmusic sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Just a groove/funky sound. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

Here are some single shots from a drum track i recorded. I actually used these for a great hiphop sounding drum track by putting them in my sampler and shortening up the decay. Recorded with a zoom ps-04, transfered to computer digitally.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.

Throwing a very big log on the ground, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Sound design elementskick effect,is perfect for drum machine,cinematic uses,video games. Effects recorded from the field. Recording gear-zoom h6 and microphone - røde ntg5reaper daw - audio processing.

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

I was sitting on the porch during a storm so i decided to record the weather as i worked on my laptop. The mic was mounted on my laptop, so the sound of my keypresses travels into recording with what i consider a very pleasant bass-y thump.

Created this by saying something like, "testing the mic" in ableton, right clicking and converting that audio. Midi > into melody. . Then adding some stock sound and some reverbs and what not. . Try it yourself.

A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Enregistré avec un zoom h6 120°loin de la plage pour être proche des vagues. Recorded with a h6 at 120°far from the beach, near from the waves.

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

This is the first part in my series of "distant music". This is intended to sound like rave/house/hardcore music being played loudly in the background. A very basic generic thump thump type of music.

17 modules. . . Just to create a beat like this. . . Don't get a modular synth :-dhmmm i can use the same noise source for high-hats and snare if i want -1 then.

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Fast cars - ethno drums drum world experimental action film drama dance energy stick sfx cinematic music surround.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

A sputtery drum beat. The bass is from freesound, the snare is from a small chop of my fist hitting an oil drum, and the small breath that acts as percussion is from a children's toy. The hi-hats are from vinyl crackles and mistakes in other recordings, made to sound like the crackles themselves are making the music. 88 beats per minute. Used this in my song tai chi, chai tea: https://soundcloud. Com/user-32192831-668958257/tai-chi-chai-tea.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Used : http://www. Freesound. Org/people/spankmyfilth/sounds/214265/with one more note.

Enjoy and feedback is appreciated!. Created on fl studio > nexus, gladiator, with a simple kick and a delay. Twitter - @productofpayne. Soundcloud - paynesbeats <(for full beats).

Sound of a truck grinding through some gears, then crashing. Spliced together creative commons audio and added bass modulation to simulate the sound of gear grinding. Source audio from cameron johnson and sagetyrtle:http://www. Freesound. Org/people/cameron%20johnson/sounds/107037/http://www. Freesound. Org/people/sagetyrtle/sounds/40158/.