54 Royalty-Free Audio Tracks for "Balance"

Balance by Komiku

Acoustic wave that sounds balanced and harsh.

A robot moving and balancing on a single ball, recorded at an exhibition.

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

Moving the device while the motor is running.

Balance board rocking back and forth, could be used as foley for something else.

A wooden internal door being slammed. Recorded with a marantz pmd-661 with built-in microphones, for a delicate balance, oxford theatre guild 2011.

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The boot (trunk) of an mg-b being closed. Recorded with a marantz pmd-661 with built-in microphones for a delicate balance, oxford theatre guild 2011.

Engine control unit ecu utv atv trail path channel wideband broadband battery jitter analogic calculator fraser lens beam symmetry mirror field iso synchronous optical sox cox nox atmospheric load balancer.

Engine control unit ecu utv atv trail path channel chassis rack shelf battery jitter dual carb analogic calculator mcv symmetry iso synchronous fraser beam sox cox nox atmospheric load balancer.

Engine control unit ecu utv atv trail path channel wideband broadband battery jitter analogic calculator fraser lens beam symmetry mirror field iso synchronous optical sox cox nox atmospheric load balancer.

Engine control unit ecu utv atv running trail path channel battery jitter entropy enthalpy track level adaptive vehicle load balancing rheology module wavelength carrier wideband broadband synchronous mirror fraser field.

Engine control unit ecu utv atv running trail path channel battery jitter entropy enthalpy track level adaptive vehicle load balancing rheology module wavelength carrier wideband broadband synchronous mirror fraser field.

The driver side door of an mg-b being closed. Recorded with a marantz pmd-661 with built-in microphones for a delicate balance, oxford theatre guild 2011.

A carefully balanced pad chord. Reminds me of 1996. Perfect for warm and relaxing edm / elektro / chillout.

I'd call it a rather mundane and balanced recording actually.

Recorded with a zoom h2n via it's xy configuration. Afterwards the ambient noise surrounding the cicadas was removed. A great timing, led to a wide arrangement of cicadas perfectly balanced at right and left.

Pounding my fist on the dinner table, set with plates and silverware. I had forks balanced so that they would slide off when my fist hit the table.

Off balanced slow hvac fan. Slow rhythm at 2 per second. From street. Downtown lansing michigan.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

An mg-b being started and driving off on gravel. Minimal editing in audacity to fade out to minimise background noise. Recorded with a marantz pmd-661 with built-in microphones, for a delicate balance, oxford theatre guild 2011.

The door of an mg-b being closed, processed to add a long, spooky echo. Recorded with a marantz pmd-661 with built-in microphones, and processed with audacity. Prepared for (but not used in) a delicate balance, oxford theatre guild 2011.

An mg-b arriving, and the engine being turned off. Minimal editing in audacity to fade out to minimise background noise. Recorded with a marantz pmd-661 with built-in microphones, for a delicate balance, oxford theatre guild 2011.

O som foi feito através de brincos balançando e mexendo. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

A recording i made when my wife was updating her cash balance printed recordings at a national bank. This is the only one that still uses printed stuff in a world of apps and e-banking. The sound contains useful mechanical noises and a vintage printer.

A very basic click. I'm not even intirely sure where i sampled it from. The only potentially problematic thing i could see is the slightly off left/right balance. Makes a cool noise when you loop it too.

Heavy rain on roofs with some hail at the start getting lighter over the recording, with some drain sounds becoming more prominent towards the end. Recorded with a roland r-26, xy mic, mild eq and volume balance in pro tools.

A simple bass lick recording which i used on the demo of my master thesis. Yamaha trb5pii (maple top), slightly balanced favouring pickup bridge, fingerstyle, fingers placed over pickup bridge, all other controls centered. Straight into focusrite scarlett 2i2 into audacity.

A broken space heater that clicks. Recorded with a zoom h5 using the onboard xyh-5 capsule to capture a stereo signal and a sennheiser k6/me66 for a mono track. Very minor post processing to balance the stereo/mono and pull the subs out of the side channels.

O som foi feito através de uma garrafa, a qual foi chacoalhada e balançada. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

1:10 field recording of exterior environmental wind in the hedgerows in the daytime, with some day birds in the distance. Edited to remove intrusions, and not recorded with a balanced stereo pair of mics.

This is a recording of an english 8746 telephone bell. If the recording is looped, the timing of the ring sequence should be correct. Recorded with the telephone in a foam enclosure, shure sm58 microphone, focusrite scarlett 2i2 balanced line to usb sound interface, recorded with ardour and ubuntu studio. The bell was activated using a cisco voip to analogue telephone interface. Recorded by catnip multimedia, multimedia. Catnip. Uk.

Recording taken from a train at about 20 feet away. It was very windy, so consequently, the majority of the track was very much ruined. There is a small click near half-way, caused by a brief release of steam. It might prove annoying if you are planning on looping it. There is also not an even right/left balance throughout, due to my movement to avoid the wind.

D min7 chord of a halion 6 patchmultisample (c0-c6). Source: zebra 2, spectro blend oscillators (additive synthesis). Strong processing with spectral fx (esp. Mtransform), eq/geq + compressor to balance the frequency spectrum. Feel free to suggest/demand other chords. Don´t hesitate. . .

This sound was recorded with a cm25 mkii condenser microphone, connected to a focusrite scarlett interface. The daw in which it was recorded is ardour and a guitar effects vst was used to add some distortion and delay. It was created with a photoresistor and a led lamp. The microphone was placed pointing towards one of the edges of the monitor, so as not to emphasize the treble and to balance more with the mids. At times it can sound like a guitar with floyd rose doing dive bombs. Translated with www. Deepl. Com/translator (free version).

1:40 field recording of exterior daytime environmental insects in the grass, with some day birds in the distance. Hint of an aircraft later at very far perspective. Edited to remove intrusions, and not recorded with a balanced stereo pair of mics.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

2:21 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics partially shielded inside a bus-shelter for less in your face perspective. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

This was recorded in my kitchen next to a railway, late at night when there was maintenance going on on the line. A heavy unit called a tamper went past, tamping down the ballast (stones) that go under the tracks. Lots of sub-bass as the whole building gets vibrated and at -04:29 a balanced teapot lid puts itself onto the teapot. Zoom h4n, 24/48 wav exported to flac in audacity.

Although the project inspire (nasa) seems to have died, there are still sources of sound sources of vlf noise in the net. In http://abelian. Org/vlf can be found several available streams from multiple receivers located around the globe. In this package, i simply offer a few records scattered in time from this site. The stereo samples correspond to a experimental stream that combines two sources balanced on each channel: cumiana vlf receiver (italy) + sheffield vlf receiver (uk). The mono tracks correspond to other indeterminate receivers.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Recorded just after the clock struck midnight, signaling the beginning of 2023 in greenville, south carolina with a tascam dr-05 stereo recorder. Very nice clear recording with basically zero unwanted noises except for an occasional light water drip. Audio edited to perfection by me. ;) did some light eq, compression, limiting, and stereo balancing, as well as removing some of the constant ambient white noise hiss. Creative commons 0 license, so use this for whatever you like! enjoy!.

Barrel organ ambience close to a vegetable market. More in this pack. Recorded close to outdoor terrace of a café, so tableware audible. The cracking / squeaking sound sometimes is from the windscreen over the terrace. Recorded june 2011, 's-hertogenbosch, holland. I've tried to find a spot that gives a nice balance in sounds. Sony pcm d50 internal mics xy90re-uploaded ad public domain.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

1:56 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics completely shielded inside a bus-shelter for a less in your face perspective. Mics are pointed upwards into the wooden box roof of the shelter, which has added a somewhat eerie and disconcerting lower mid rumble to the scene. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

Quiet urban residential area in tokyo at about 2 am in the late summer (october, i think). You can hear far off traffic, some night insects and a drunk guy who came to close to my hidden mics to take a whiz. Excluding the peeing guy, quiet parts are perfect for looping (for ambient background sounds in video or audio works). The peeing guy might actually be useful, so i didn't cut it out. Faithfully recorded with a stereo mic pair placed at a 90 degree angle. The left-right balance was adjusted and the stereo field was expanded later to fix the lopsided sided flatness of the original recording. Other than that, the recording is unprocessed.

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.