466 Royalty-Free Audio Tracks for "Yes"

Pulling a brush with a vacuum cup. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22894768376873lon: 10. 399385690689087. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Running a microwave. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22890272635152lon: 10. 399396419525146. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

2 guys walking across the campus. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, outside. Lat: 53. 22930091897288lon: 10. 401102304458618. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Writing on a flipchart. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22892199382159lon: 10. 39931058883667. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Elevator door closing. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5 elevatorlat: 53. 22899424675693lon: 10. 399374961853027. Date: 2013-11-06, 08:10h. Recorded and edited by: björn engelberg. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

This is how lost my shoes at the mexico city metro, it was almost like the scene in the harry potter's movies when they get into a looping parallel dimension until you get out in another dimension, yes i really felt i went into another dimension inside the metro and that's the exact sound from when it happened. Enjoy this crazy sample, and feel free to use it to rebuild other sounds. I am on bandcamp if you would like to discover more crazy sounds like aparatar :).

We've all been in the situation, where we needed a massive nuclear alarm sound effect. So i made one. You are welcome to use it as you please, unless you want to use it for a real nuke. No copyright!. Please don't flag it as offensive. Yes it is a massive nuclear alarm!. Copyright free documentation + sound effect:http://www. Radioilluminati. Com/nuclear-alarm/.

Made this short loop and thought i would share, i hope you enjoy! its dry due to no effects and yes this is free! feel free to give credit if used. Daw: fl studiodrum packs: kendrick lamar exclusive drum kit, wu tang drums (freedrumkits. Net)bpm: 140. 00. 12:43 5/24/15- justin payne.

Alternate take of ye 'ole washing machine. It's just a washing machine, but could be a printing press or space ship or what ever else you can come up with !recorded from the bottom. Lowpass filter nothing above 500k. Ran a limiter on it -1 db so your speakers are safe!audio technica pro 37 24bit 44. 1 mono.

This sound was produced by rubbing two toilet paper packings against each other. It was recorded in a supermarket. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 22719284325928lon: 10. 401428034465425. Date: 2013-11-19, 13:31h. Recorded by: julia rehfeldt, wiebke stein and laura medrowedited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A sound which occurs when rubbing two mineral water packings against each other. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket. Lat: 53. 227168618533454lon: 10. 401413440704346. Date: 2013-11-19, 13:52h. Recorded by: julia rehfeldt, wiebke stein and laura medrowedited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Electronical voice explains the fourth floor in an elevator. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, fourth floor. Lat: 53. 228934838796086lon: 10. 400152802467346. Date: 2013-11-12, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Atmosphere of the public computer room. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7. Lat: 53. 22906328833759lon: 10. 400201082229614. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Near where i do many of my favorite nature recordings there are train tracks which can ocassionally be very busy -- and yes, sometimes they have interfered with some of my nature recordings. But, recently i recorded the sound of the approaching train carrying loads of coal. It was around dusk and breezy -- melancholy combination. . . . I really love the echo of the whistle. . . . And as i listened i could not help but think about 100 years ago when trains were more common, amazing how things change. Well, here it is. Kvgarlic.

Interesting "recording-accident" while i recorded an elevator atmo. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized: no. Location: leuphana universität lüneburg, gebäude c5 elevatorlat: 53. 2289733736991lon: 10. 399387031793594. Date: 2013-11-06, 08:20h. Recorded and edited by: björn engelberg. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A dyson hand dryer, recorded at the toilet of the lecture rooms. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, lecture rooms toiletlat: 53. 22872610747041lon: 10. 401158630847931. Date: 2013-11-06, 11:00h. Recorded and edited by: björn engelberg. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Ripping off a paper towel in the washing room. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, first floor. Lat: 53. 229146780332684lon: 10. 400217175483704. Date: 2013-12-02, 14:42hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Me scratching with my finger over the grate of a heating device. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, first floor. Lat: 53. 229135541034985lon: 10. 400222539901733. Date: 2013-12-02, 14:58hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A ping of a bell of a microwave after microwaving. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 2289894298989lon: 10. 399374961853027. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Clicking a mouse. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7. Lat: 53. 22894126128377lon: 10. 400227904319763. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Pulling up a stamp from a coffee maker. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 228954106252644lon: 10. 399385690689087. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Water from a water-tap flowing into a basin. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, washing room. Lat: 53. 22885776888717lon: 10. 400235950946808. Date: 2013-12-02, 15:04hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Us triggering the alarm security at computerlab. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, first floor. Lat: 53. 229016725423605lon: 10. 400080382823944. Date: 2013-12-02, 15:08hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Printer activity in the hallway of computerlab. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, first floor. Lat: 53. 228856163262506lon: 10. 400093793869019. Date: 2013-12-02, 15:12hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

2nd sound today! in spite of short time by the synth. . . . Anyway here in using a feedback loop on the quadra envelope generatorstrange effect with long pausesi use quantizer on thisnoise from jupiter storm. Evaluation of patch/soundone cycle is - about 17 sec - goodonly short sounds - no and yes, good this timeamplitude variation - yep goodpitch variation - yep, enough, goodtimbre variation - could say somusical value - i should consider this musicalentertaining - hmm. . . Interesting.

This is a sound effect for when somebody or something (like a bone being snapped in a fight breaks). When an actor breaks somebody's arm wrist or ankle. It is really good and you can get creative with this. This is no doubt the best sound effect i have ever made. Try it out! all you have to do is give me credit in the credits if you use this sound. So yes, it's royalty free!:).

The orange side of plaits randomised from rnd step driven by wogglebug and instruo neoni, into harmonaig, cv to plaits. Aux channel passed through rings, one output through tau phaser the other through mimeophon and finally though qmmg moved by maths and sent through erbe-verb. Phew! enjoy! oh yes, markers are in place for morphagene.

Technician guy cleaning a macbook using an air-compressor. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, second floor "medienwerkstatt". Lat: 53. 22901672542333lon: 10. 400201082229614. Date: 2013-12-02, 15:15hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Recorded on a wooden rowing boat in the quiet harbour of po toi o. See google map - https://www. Google. Com/maps/place/clear+water+bay/@22. 2750496,114. 2936803,830m/data=!3m1!1e3!4m2!3m1!1s0x340403f324a97f77:0x4d488ecc4b81b6dc. You can hear me bitching about the director of the movie i made this recording for at the beginning. . He has a ferrari yet claims the budget is extremely low etc etc. . But would i mind working christmasday?. Yes that type of job. .

A sound which was produced by opening and closing a metal garbage can in a baker's shop. A sound which was produced by opening and closing a metal garbage can in a baker's shop. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: bakery. Lat: 53. 2270931511lon: 10. 400965511799996. Date: 2013-12-04, 13:48h. Recorded and edited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

A recording of a shower door, i used this sound through izotope iris 2 to produce a low, slow bassy kick sound, for a pretty ambient piece i did. I don't know why i became fascinated with the shower door. Bathroom time can be surprisingly pensive, so perhaps the sound of the door shunting shut became associated with that introspective space for me. Yes, i am aware that this the second bathroom sound i have shared. This may take on a certain significance given the fact that i have only shared a handful of recordings, but i encourage you not to read too deeply in to this fact.

This is my own kaiju i made last year, i first start with the concepts. And now getting to the part on the sound on what will it sound like, so i watch any behind the scenes on how any kaijus like godzilla sound where made. So i use wooden chairs i found around my house slowly drag it that makes these noises, after every sound recorded, i go with a empty tuna fish can and after washing it, it makes a interesting sound, so i recorded that as well and mix both of those sounds together which makes this. And yes i'm working on a project that base on this kaiju.

I made a synth snare sound by using deflemask to make it. I also did this with the synth kick sound, too. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "i was thinking of processing this and the kick sound with distortion and bass boosting, but i decided to leave them unedited. ".

I made a synth kick sound by using deflemask to make it. I also did this with the synth snare sound, too. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "i was thinking of processing this and the snare sound with distortion and bass boosting, but i decided to leave them unedited. ".

Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

I made a saw wave and put some flanger and paulstretch effects to it on audacity and made this synth-like saw wave inspired by the saw wave sample from the ps1 startup sound. If you want to put a loop to this sound, it's 67109 to 84907 on openmpt. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "honestly, it sounds like a overdriven/distorted guitar to me. ".

Sorry, if this music weren't made by me. This is "sonic. Exe - green hill zone" i guess. . . But i made it low pitched because yes. So, please don't flag this song. It's just mr incredible becoming uncanny phase 15 full music. You can use it if you wanna to. You can credit me for low pitched sonic. Exe green hill zone song. You can enjoy this music i guess. So, should i make mr incredible becoming canny phase 16 and 17 music?tell me in the comments. I hope this music is not cringe or something like that. And i hope there is nothing wrong with this music.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

I get annoyed easily when i hear someone telling me what to do. It gets me in trouble. This was a while ago. I hadn't ever been caught at that point, and he was the one recording. He actually got me started on that. Of course, i had taken off the offending articles of clothing and kicked off my sneakers, and was locked outside my own front door that way. Of course i couldn't go anywhere, and the only unlocked window had an air conditioner in it. Yes i did. Right over the top of it, might have looked pretty clumsy, at least…i know it was risky but not as bad as standing out there. Luckily it was a back window. Unluckily, it was raining. Hard. Should have let him build that fence.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution where this article is used in files.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in. Music: Public domainPublic domainfalsefalse

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.