32 Royalty-Free Audio Tracks for "Waxing"

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Wax.
Author: Audroger
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00:14
Using a wax strip on skin to remove hair with variations indoors at a massage parlor/room.
Author: Untitled
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00:21
Waxing hair off of skin. Recorded with a zoom h2n at varying distance. Ms ("mid-side") pattern.
Author: Qubodup
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00:15
Variations of using a wax strip on skin to remove hair with variations indoors at a massage parlor/room.
Author: Untitled
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03:13
Bees Wax Rag by Harry J. Lincoln.
Author: Harry J. Lincoln
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00:22
Flame burn and melt wax of candle.
Author: Cupido
00:00
00:60
165 bpmfl studio and addictive drums vsti.
Author: Insidebeat
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00:31
Recorded on iphone 12 table painted with chalk paint and coated with wax.
Author: Itinerantmonk
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00:02
Matrix-invoked thought that was put down on digit-al wax. . .
Author: Bjohan
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00:08
I took a clip from the audio i recorded of wax paper crinkling, cut a segment from it, played it backwards, put it on loop, layered it with the original, and this is what i got. There is an somewhat syncopated pattern to the sounds, but the audio is cut off before it makes a full cycle. Enjoy.
Author: Maryamseraji
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03:37
Wax disk was copied to 78rpm acetate disk around 1960 then transferred to CD Rom in the 1980s and finally downsampled to consumer format. Original wax disk still held by family.
Author: Untitled
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00:01
A bass drum. From wax.
Author: Walter Odington
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00:01
A snare with a little filter modulation going on, from wax.
Author: Walter Odington
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02:27
Early wax cylinder recording from Romania. Andrei, son of Gelu performing on taragot.
Author: belongs to Todd collection
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00:06
Sound fingers on honey in wax from bee hive (apis cerana). Record use h4n pro 2019. 01. 09 ≈09:00.
Author: Sieuamthanh
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02:01
Hail Smiling Morn, sung by the Edison Quartet and digitized from a wax cylinder
Author: This file is lacking author information.
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02:13
1890 wax recording by Alfred Tennyson of his poem The Charge of the Light Brigade
Author: Alfred Tennyson (d. 1892)
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01:35
Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “
Author: George Gouraud (Speech by Arthur Sullivan)
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03:16
Got accused for having copied "kid caprice" by wax doctor with this patch/sound. Lol. Soundcloud-bot-fail!.
Author: Gis Sweden
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00:41
Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".
Author: Walt Whitman (1819–1892)
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02:05
Wrench held with dental floss, resonates after being struck, then different makes overtones from being struck again. The floss was mint waxed. Downpitched it sounds like eerie church bells.
Author: Simonlabelle
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01:24
Wax cylinder recording of a song of the "ujangong" mask dance of Papua New Guinea. Recorded by Rudolf PÃķch (1870-1921), saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
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01:58
Wax cylinder recording of "Kham Hom", or "Sweet Words", performed by a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
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03:04
A modified recording of sweet adeline by the haydn quartet making it more atmospheric and distant. Also an attempt to remove some of the really nice fuzz (sorry).
Author: Camel
00:00
03:38
This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band
Author: Collins and Harlan
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02:15
Daisy Bell sung by Edward M. Favor (1856-1936). Edison Phonograph Co.: 1058. Recorded on brown wax cylinder. Original cylinder in collection of John Levin. Spoken introduction removed.
Author: Composed by Harry Dacre, sung by Edward M. Favor
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01:14
Wax cylinder recording made in 1889 by Otto von Bismarck; the only known record of his voice. Restored in January 2012 by The Cylinder Archive (www.cylinder.de)
Author: Otto von Bismarck; restored by Norman Bruderhofer
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02:15
Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
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02:26
Title: After the ball - Vocal solo with piano. Performer:George Gaskin Composer: Harris, Chas. K. (Charles Kassell), 1864-1930. Year of Release: ca. 1893 Original cylinder in collection of John Levin. Brown wax cylinder. Cylinder recorded by United States Phonograph Company. Catalog number unknown. Titel: After the ball - Vocal solo with piano. Interpret:George Gaskin Komponist: Harris, Chas. K. (Charles Kassell), 1864-1930. VerÃķffentlichung: ca. 1893 Original-TontrÃĪger brauner Wachs-Zylinder, aufgenommen von der United States Phonograph Company. Katalog-Nummer unbekannt. Original-Zylinder: Sammlung John Levin.
Author: own work
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02:07
An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07
Author: Recorded by George Gouraud, performers unknown.
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01:13
Wax cylinder recording of the Thai Royal Anthem ("Phleng Sansoen Phra Barami") performed by Boosra Mahin Theater Group, a Siamese (Thai) theater group visiting Berlin, Germany. Recorded by Carl Stumpf, saved in the Berlin Phonogramm-Archiv. There is a copy of this phonograph cylinder recordings in Thailand preserved by The First Antique Phonograph & Gramophone Museum in Thailand, directed by Mr. Pluethipol Prachumphol. This is the oldest recording of the Thai Royal Anthem. More information are available at http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html āđ„āļ—āļĒ: āđ€āļžāļĨāļ‡āļŠāļĢāļĢāđ€āļŠāļĢāļīāļāļžāļĢāļ°āļšāļēāļĢāļĄāļĩ āļšāļĢāļĢāđ€āļĨāļ‡āļ”āļ™āļ•āļĢāļĩāđ„āļ—āļĒāđ‚āļ”āļĒāļ„āļ“āļ°āļĨāļ°āļ„āļĢāļ™āļēāļĒāļšāļļāļĻāļĒāđŒāļĄāļŦāļīāļ™āļ—āļĢāđŒ (āļšāļļāļĻāļĒāđŒ āđ€āļžāđ‡āļāļāļļāļĨ) āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āđƒāļ™āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āđ„āļ‚āļœāļķāđ‰āļ‡āļĒāļĩāđˆāļŦāđ‰āļ­āđ€āļ­āļ”āļīāļŠāļąāļ™ āļ™āļąāļšāđ€āļ›āđ‡āļ™āļāļēāļĢāļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āđ€āļžāļĨāļ‡āļŠāļĢāļĢāđ€āļŠāļĢāļīāļāļžāļĢāļ°āļšāļēāļĢāļĄāļĩāļ‚āļ­āļ‡āđ„āļ—āļĒāļ—āļĩāđˆāđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđ€āļ—āđˆāļēāļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ„āđ‰āļ™āļžāļš āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āđ„āļ”āđ‰āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āđ€āļĄāļ·āđˆāļ­āļ„āļ“āļ°āļĨāļ°āļ„āļĢāļ™āļēāļĒāļšāļļāļĻāļĒāđŒāļĄāļŦāļīāļ™āļ—āļĢāđŒāđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āđ€āļ›āļīāļ”āļāļēāļĢāđāļŠāļ”āļ‡ āļ“ āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĒāļ­āļĢāļĄāļ™āļĩ āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 24 āļāļąāļ™āļĒāļēāļĒāļ™ āļž.āļĻ. 2443 (āļ„.āļĻ. 1900) āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āļĒ āļ”āļĢ. āļ„āļēāļĢāđŒāļĨ āļŠāļ•āļąāļĄāļŸāđŒ (Carl Stumpf) āđāļŦāđˆāļ‡āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ™āļĩāđ‰āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāđ€āļāđ‡āļšāļĢāļąāļāļĐāļēāđ„āļ§āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩāļ—āļĩāđˆ Berlin Phonogramm-Archiv āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļŠāļģāđ€āļ™āļēāļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļāļĨāđˆāļēāļ§āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāđ„āļ§āđ‰āļ—āļĩāđˆāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āđāļĨāļ°āļŦāļĩāļšāđ€āļŠāļĩāļĒāļ‡āđ„āļ—āļĒ āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢ āđ„āļŸāļĨāđŒāđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ™āļĩāđ‰ āļœāļđāđ‰āļ­āļąāļ›āđ‚āļŦāļĨāļ”āđ„āļ”āđ‰āļĢāļąāļšāļ­āļ™āļļāļāļēāļ•āļˆāļēāļāļœāļđāđ‰āļ­āļģāļ™āļ§āļĒāļāļēāļĢāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āđāļĨāļ°āļŦāļĩāļšāđ€āļŠāļĩāļĒāļ‡āđ„āļ—āļĒāđƒāļŦāđ‰āļ­āļąāļ›āđ‚āļŦāļĨāļ”āđ€āļžāļ·āđˆāļ­āļāļēāļĢāļĻāļķāļāļĐāļēāđāļĨāļ°āđ€āļ›āđ‡āļ™āļŠāļēāļ˜āļēāļĢāļ“āļ°āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđāļĨāđ‰āļ§ āļŠāļģāļŦāļĢāļąāļšāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āļŠāļēāļĄāļēāļĢāļ–āļĻāļķāļāļĐāļēāđ„āļ”āđ‰āļ—āļĩāđˆ http://www.t-h-a-i-l-a-n-d.org/talkingmachine/boosra_mahin/index.html
Author: Boosra Mahin Theater Group
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01:08
This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piÃĐton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piÃĐton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.
Author: Mxsmanic
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